Lee Jordan art | 22 Jun 2012 19:07

how to move your LARGE work

http://www.huffingtonpost.com/2012/06/21/easter-island-statues-walked-theory_n_1615990.html

this is pretty cool.

Lee Jordan
Sculptor
leejordanart.com

 
pchiappori | 22 Jun 2012 19:45
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Re: how to move your LARGE work

VERY VERY COOL~~
Sometimes the simplest ideas are out of sight... right in front of us!
That's how I rocked my 600lb angel statue around the monument yard all by myself. Makes one wonder how the
pyramids were built.

Peter Chiappori
Architect/artist
www.chiapporiarts.com/about.html

---- Lee Jordan art <lee@...> wrote: 
> http://www.huffingtonpost.com/2012/06/21/easter-island-statues-walked-theory_n_1615990.html

this is pretty cool.

Lee Jordan
Sculptor
leejordanart.com

Marie-Josée Leroux | 23 Jun 2012 00:55
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Re: how to move your LARGE work

Hi Jordan, Hi everyone,

See how I did carry my own piece of rock (a serpentine of 32000 pounds):

http://youtu.be/EUrelFIwldY

On a project I will work on during all summer and that I will call : the
Water Guardian.

This sculpture will be installed in the City of Boisbriand (QC) Canada.

For me, The Water Guardian will stand as a contestation to Petroleum
companies which want to extract shale gas  from our land, calling death by
polluting water, air and people's quality of life.

Regards,

Marie-Josée Leroux
www.lerou.ca

-----Message d'origine-----
De : Lee Jordan art [mailto:lee@...] 
Envoyé : 22 juin 2012 13:07
À : stone@...
Objet : [stone] how to move your LARGE work

http://www.huffingtonpost.com/2012/06/21/easter-island-statues-walked-theory
_n_1615990.html

this is pretty cool.
(Continue reading)

Jeff Watson | 23 Jun 2012 01:08
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Re: how to move your LARGE work

Well Marie-Josée,
You have been keeping this one a secret…or is it a very recent decision???
Good luck with the project!! Let me know when you will be sculpting and I will come and visit. I will be
finishing off my large gabbro work the first week of July at Saint-Hippolyte and could possibly drop by
your sculpture site on the way home…
Jeff
On 2012-06-22, at 6:55 PM, Marie-Josée Leroux wrote:

> Hi Jordan, Hi everyone,
> See how I did carry my own piece of rock (a serpentine of 32000 pounds):
> http://youtu.be/EUrelFIwldY
> On a project I will work on during all summer and that I will call : the
> Water Guardian.

Jeff ( Guv) Watson
150, bord de l'Eau Est,
Longueuil, Qc. J4H 1A1
jeff.watson@...
www.sculpturejeffwatson.com
(450) 674-6222 Phone
(514) 755-9428 Mobile

 
Marie-Josée Leroux | 24 Jun 2012 05:09
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Re: how to move your LARGE work

Jeff,

I had to move the rock before telling about it.  It is a huge one, and no
one would believe it until he sees it!!!

I work at Atelier 213,Laval, I will be there most of the time during the
next month!

Take care

Marie-Josée
www.lerou.ca

-----Message d'origine-----
De : Jeff Watson [mailto:jeff.watson@...] 
Envoyé : 22 juin 2012 19:09
À : stone@...
Objet : [stone] Re: how to move your LARGE work

Well Marie-Josée,
You have been keeping this one a secret…or is it a very recent decision???
Good luck with the project!! Let me know when you will be sculpting and I
will come and visit. I will be finishing off my large gabbro work the first
week of July at Saint-Hippolyte and could possibly drop by your sculpture
site on the way home… Jeff On 2012-06-22, at 6:55 PM, Marie-Josée Leroux
wrote:

> Hi Jordan, Hi everyone,
> See how I did carry my own piece of rock (a serpentine of 32000 pounds):
> http://youtu.be/EUrelFIwldY
(Continue reading)

Nigel Ratcliffe-Springall | 23 Jun 2012 13:19
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Re: how to move your LARGE work

Thanks Lee. This makes a lot of sense to me. It's how I find myself moving more modestly sized (but much too
heavy to pick up) chunks of marble across my studio. The terrain would need to be pretty flat though because
of the high centre of gravity (??)
Nigel

 		 	   		  

Martin Smith | 27 Jun 2012 19:12

Life studies in stone

In view of the recent exchanges on figurative sculpture, I thought I'd post this, in case anyone is
interested but hasn't seen the work.

www.facebook.com/cicero.davila.3

I can't say I particularly like the style (a bit kitschy for my taste) but you have to admire the technique. I
expect, judging by the huge output, he uses computer-driven tools for roughing out, or has a large team of
assistants. There is heavy use of pointing machines, in the traditional way. But impressive.

Ciao to all.

Martin 
Walter S. Arnold | 27 Jun 2012 22:54
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Re: Life studies in stone

At 12:12 PM 6/27/2012, Martin Smith wrote:
>I can't say I particularly like the style (a bit kitschy for my 
>taste) but you have to admire the technique. I expect, judging by 
>the huge output, he uses computer-driven tools for roughing out, or 
>has a large team of assistants. There is heavy use of pointing 
>machines, in the traditional way. But impressive.

Studying the progress (Metamorphosis album) photos for the angel, he 
made the model directly in plaster and then used traditional pointing 
for the carving, basically the same way it's been done for a few 
hundred years (actually a few thousand, but the design of the 
pointing machine changed over the centuries, I believe it only hit 
the current design in the 1800's.)

Walter S. Arnold  * walter@...
http://stonecarver.com

 
Jeffrey Arnett | 2 Jul 2012 19:55
Favicon

Re: Bases

Hello-
Hoping for some tips on bases as I prepare for my first show.  I know of the Base Shop but commercial bases can
get pricey.  Other than making my own (I'd rather be carving), any suggestions?

As always, thanks for the wise helpings,
Jeff 
s yettaw | 2 Jul 2012 22:52
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Re: Bases


 >slice the top of stones, and use that  		 	   		  

Lee Jordan art | 2 Jul 2012 23:10

Re: Bases

where are you located?

a guy that I use in los angeles is rolando marcial, marble and bronze  
studio.

818.705.4693

> Hoping for some tips on bases as I prepare for my first show.  I  
> know of the Base Shop but commercial bases can get pricey.  Other  
> than making my own (I'd rather be carving), any suggestions?

Lee Jordan
Sculptor
leejordanart.com

 
Martin Smith | 2 Jul 2012 23:38

Re: Bases

Sawmills can often provide large blocks of hardwood that can be effective and considerably cheaper than
finished stone.

Rough stone can work too, depending on the sculpture. 
Robin Antar | 2 Jul 2012 23:22

Re: Bases

Go to the scrap pile of a marble shop and then pitch off the sides to
create the size you want, problem is, it is thin goods or such for river
rock.

Robin Antar 

>Hoping for some tips on bases as I prepare for my first show.  I know of
>the Base Shop but commercial bases can get pricey.  Other than making my
>own 
>As always, thanks for the wise helpings,
>Jeff 
>

 
stonesculptorssupplies | 3 Jul 2012 00:28

Re: Bases

Telephone
: (916)285-5593

E-Mail
jcom@...

-----Original Message-----
From: Jeffrey Arnett [mailto:jarnett@...] 
Sent: Monday, July 02, 2012 10:55 AM
To: stone@...
Subject: [stone] Re: Bases

Hello-
Hoping for some tips on bases as I prepare for my first show.  
I know of the Base Shop but commercial bases can get pricey.  
Other than making my own (I'd rather be carving), any suggestions?

As always, thanks for the wise helpings,
Jeff 
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(Continue reading)

Michael Shepherd | 3 Jul 2012 00:55
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Re: Bases

At the stone yard I go to they always have scrap dimension stone that
is mostly squared up, i.e. a corner busted or a crack through the
center. In my case the pieces that are "bad" are often a few hundred
pounds minimum. So having half of a few hundred pound piece is usually
big enough to get a decent base.

If you can get something like that, that will give you generally three
or more good sides, you can square the rest up. If you're going old
school, marking off all sides and running a rough draft and then a
final draft around your line, it leaves you with all the stuff in the
middle. Depending on how much you have left, you can either pitch away
a lot, or then punch in rows till just a few mm above the surface,
then claw till just a mm or so above and then flat chisel true and
sand. To chisel a surface true by hand work in rows using the draft as
a reference. Keep a quarter to half your chisel on the draft and the
other half will cut the clawed surface. Once that row is perfect, you
repeat for the next row using the previous as a reference and so on,
until you have a series of rows that is true and flat.

A more modern approach depending on your tooling would be to angle
grinder a few mm above your line, and pitch away it all until the
surface is mostly close to your drawn in lines (there is a technique
to go right at the line, but that took me a while to work up to.)  Cut
a draft in either by hand or with your air hammer ( by hand leaves a
sharper arris on the stone I work with but your mileage may vary)
then either go at it directly with some sort of orbital sander, or
reduce more waste with a claw and then sand away or get a 2 inch
chisel and run it down completely flat. I usually get a pencil and put
a heavy mark around the edge where the draft is, that with the sander
you can tell if you are getting close or low on your line. Check
(Continue reading)

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Re: Bases

Hi Jeff
Why not make the base part of the sculpture? A carved base that flows with the piece...who says it has to be
squared off etc. Old idea but.

Cheers,

Richard

-----Original Message-----
From: stonesculptorssupplies
[mailto:info@...] 
Sent: Tuesday, 3 July 2012 7:59 AM
To: stone@...
Subject: [stone] Re: Bases

Telephone
: (916)285-5593

E-Mail
jcom@...

-----Original Message-----
From: Jeffrey Arnett [mailto:jarnett@...] 
Sent: Monday, July 02, 2012 10:55 AM
To: stone@...
Subject: [stone] Re: Bases

Hello-
Hoping for some tips on bases as I prepare for my first show.  
I know of the Base Shop but commercial bases can get pricey.  
(Continue reading)


Gmane