Alex Leavitt | 19 Jun 2012 03:33
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"[Young people have] been been badly misinformed by the Free Culture movement."

http://thetrichordist.wordpress.com/2012/06/18/letter-to-emily-white-at-npr-all-songs-considered/

Alex

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Thomas Levine | 19 Jun 2012 03:47
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Re: "[Young people have] been been badly misinformed by the Free Culture movement."

Lolz

I think David conflates free and free. Also, people probably aren't copying the physical stuff for playing music because copying that stuff is more difficult/expensive than copying a series of numbers.

On Mon, Jun 18, 2012 at 9:33 PM, Alex Leavitt <alexleavitt <at> gmail.com> wrote:
http://thetrichordist.wordpress.com/2012/06/18/letter-to-emily-white-at-npr-all-songs-considered/

Alex

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PhD Student
USC Annenberg School for Communication & Journalism
http://alexleavitt.com
Twitter: <at> alexleavitt



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Rich Jones | 19 Jun 2012 03:54
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Re: "[Young people have] been been badly misinformed by the Free Culture movement."

Interesting, Alex - would you like to share your opinions and start a discussion?

This is the author, for those interested: http://en.wikipedia.org/wiki/David_Lowery

R

On Mon, Jun 18, 2012 at 6:33 PM, Alex Leavitt <alexleavitt <at> gmail.com> wrote:
http://thetrichordist.wordpress.com/2012/06/18/letter-to-emily-white-at-npr-all-songs-considered/

Alex

---

Alexander Leavitt
PhD Student
USC Annenberg School for Communication & Journalism
http://alexleavitt.com
Twitter: <at> alexleavitt



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Alex Leavitt | 19 Jun 2012 04:04
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Re: "[Young people have] been been badly misinformed by the Free Culture movement."

Don't have much time to respond with anything lengthy at the moment; mainly wanted to share, since it garnered so many (supportive) comments. I think my main criticism is the characterization of the "free culture movement" as led by corporate stakeholders (eg., Megaupload, Google, etc.). I really felt like that came out of left field, but I've also never seen that critique before, so I'm wondering if anyone had additional thoughts.



On Mon, Jun 18, 2012 at 6:54 PM, Rich Jones <rich <at> anomos.info> wrote:
Interesting, Alex - would you like to share your opinions and start a discussion?

This is the author, for those interested: http://en.wikipedia.org/wiki/David_Lowery

R

On Mon, Jun 18, 2012 at 6:33 PM, Alex Leavitt <alexleavitt <at> gmail.com> wrote:
http://thetrichordist.wordpress.com/2012/06/18/letter-to-emily-white-at-npr-all-songs-considered/

Alex

---

Alexander Leavitt
PhD Student
USC Annenberg School for Communication & Journalism
http://alexleavitt.com
Twitter: <at> alexleavitt





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Alec Story | 19 Jun 2012 15:44
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Re: "[Young people have] been been badly misinformed by the Free Culture movement."

The letter quotes some numbers:

Recorded music revenue is down 64% since 1999.

Per capita spending on music is 47% lower than it was in 1973!!

The number of professional musicians has fallen 25% since 2000.

Of the 75,000 albums released in 2010 only 2,000 sold more than 5,000 copies. Only 1,000 sold more than 10,000 copies. Without going into details, 10,000 albums is about the point where independent artists begin to go into the black on professional album production, marketing and promotion.


This is the first time I've heard that - everything else I've seen has suggested that big media companies have been growing just fine in the past decade.  Can anyone who knows better comment?  I'm sure that some of the revenue decrease is just due to the un-bundling of the album.

On Mon, Jun 18, 2012 at 10:04 PM, Alex Leavitt <alexleavitt <at> gmail.com> wrote:
Don't have much time to respond with anything lengthy at the moment; mainly wanted to share, since it garnered so many (supportive) comments. I think my main criticism is the characterization of the "free culture movement" as led by corporate stakeholders (eg., Megaupload, Google, etc.). I really felt like that came out of left field, but I've also never seen that critique before, so I'm wondering if anyone had additional thoughts.



On Mon, Jun 18, 2012 at 6:54 PM, Rich Jones <rich <at> anomos.info> wrote:
Interesting, Alex - would you like to share your opinions and start a discussion?

This is the author, for those interested: http://en.wikipedia.org/wiki/David_Lowery

R

On Mon, Jun 18, 2012 at 6:33 PM, Alex Leavitt <alexleavitt <at> gmail.com> wrote:
http://thetrichordist.wordpress.com/2012/06/18/letter-to-emily-white-at-npr-all-songs-considered/

Alex

---

Alexander Leavitt
PhD Student
USC Annenberg School for Communication & Journalism
http://alexleavitt.com
Twitter: <at> alexleavitt





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Alec Story
Cornell University
Biological Sciences, Computer Science 2012
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Ali Sternburg | 19 Jun 2012 17:13
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Re: "[Young people have] been been badly misinformed by the Free Culture movement."

(Disclaimer: I've only skimmed, and I don't know anything about the author or the site.)

I'm not even sure who and what he's referring to every time he says Free Culture (which he capitalizes) movement.  People who don't pay for music but just because they're lazy and cheap and not because of principles?  I think a response by the SFC Board or Core could be warranted.  This article is getting a lot of comments and shares.  (Example:  I'm Facebook friends with Rivers Cuomo from Weezer for some reason (I think because we went to the same college and I saw a lot of friends were, I don't remember) and he shared it.)

Alex, I've seen similar claims made related to the misconception of the public momentum against SOPA being primarily orchestrated and financed by Google, but I'm not sure if that's related.

Alec, in response to those numbers, some excerpts from:  http://www.techdirt.com/skyisrising/ (the annotated Google Doc version)

On the consumption side, music is also being consumed at near record-setting levels. According to Nielsen SoundScan figures, the overall sale of music (including albums, singles, digital tracks, etc.) exceeded 1.5 billion transactions in 2010. That's up from 845 million transactions in 2000. These overall sales figures seem to rise and fall a bit over the years, but they don't necessarily drop during economic recessions.

...

In 2005, the IFPI estimated the global music industry to be worth $132 billion -- which included revenues from music in radio advertising, recorded music sales, musical instrument sales, live performance revenues and portable digital music player sales (among a few other income categories). By 2010, the IFPI estimated the market to be worth $168 billion, but it had also changed how it categorized some of the revenues and added categories such as audio home systems, music-related video game sales and music revenues from TV advertising (in addition to a few other categories).

...

But, despite the increasing production and consumption of music, the music industry doesn't seem rosy to everyone. The revenues from recorded music, such as CD sales, have been falling steadily over the last several years. This shouldn't come as a huge surprise, either. Historically, music has been sold on various kinds of physical media: vinyl records, 8-track tapes, cassette tapes, CDs and other less well-known formats. Each of these formats has seen its peak, and each of them may someday cease to be sold entirely -- though that time has not come yet even for vinyl (as there are signs that vinyl records still have plenty of useful life left and their sales were up ~41% for 2011). Still, as the CD format wanes, the revenues from selling CD albums are diminishing, too. The problem, it seems, is that consumers are buying more single tracks now instead of entire albums and that consumers have an expectation that digital music tracks should be cheaper than purchasing plastic discs. The result is that the number of single digital tracks purchased is rising (initially with double-digit growth), but the revenue from selling single tracks isn't matching that of the peak years of selling CD albums. This trend was apparent in 2007, as the volume of physical recorded music was dropping (also by double digit percentages). The problem here is that the major labels have been relying on CD sales as their main income stream and are only just starting to diversify their revenue and business models. Interestingly, a former executive at Universal Music, Tim Renner, has said that the major labels had a chance to diversify their income streams when "they had the money and could have built the competence by buying concert agencies and merchandising companies." However, this hindsight isn't necessarily the way forward for the major music labels now.

On Tue, Jun 19, 2012 at 9:44 AM, Alec Story <avs38 <at> cornell.edu> wrote:
The letter quotes some numbers:

Recorded music revenue is down 64% since 1999.

Per capita spending on music is 47% lower than it was in 1973!!

The number of professional musicians has fallen 25% since 2000.

Of the 75,000 albums released in 2010 only 2,000 sold more than 5,000 copies. Only 1,000 sold more than 10,000 copies. Without going into details, 10,000 albums is about the point where independent artists begin to go into the black on professional album production, marketing and promotion.


This is the first time I've heard that - everything else I've seen has suggested that big media companies have been growing just fine in the past decade.  Can anyone who knows better comment?  I'm sure that some of the revenue decrease is just due to the un-bundling of the album.

On Mon, Jun 18, 2012 at 10:04 PM, Alex Leavitt <alexleavitt <at> gmail.com> wrote:
Don't have much time to respond with anything lengthy at the moment; mainly wanted to share, since it garnered so many (supportive) comments. I think my main criticism is the characterization of the "free culture movement" as led by corporate stakeholders (eg., Megaupload, Google, etc.). I really felt like that came out of left field, but I've also never seen that critique before, so I'm wondering if anyone had additional thoughts.



On Mon, Jun 18, 2012 at 6:54 PM, Rich Jones <rich <at> anomos.info> wrote:
Interesting, Alex - would you like to share your opinions and start a discussion?

This is the author, for those interested: http://en.wikipedia.org/wiki/David_Lowery

R

On Mon, Jun 18, 2012 at 6:33 PM, Alex Leavitt <alexleavitt <at> gmail.com> wrote:
http://thetrichordist.wordpress.com/2012/06/18/letter-to-emily-white-at-npr-all-songs-considered/

Alex

---

Alexander Leavitt
PhD Student
USC Annenberg School for Communication & Journalism
http://alexleavitt.com
Twitter: <at> alexleavitt





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FAQ: http://wiki.freeculture.org/Fc-discuss



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Alec Story
Cornell University
Biological Sciences, Computer Science 2012

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Jennifer Baek | 19 Jun 2012 17:37
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Re: "[Young people have] been been badly misinformed by the Free Culture movement."

Forgive me if this is a little ranty. I'm at work, but wanted to respond.
 
Statistics will be different depending on where its coming from. At Personal Democracy Forum, Clay Sherman from the RIAA spouted statistics, which may hold truth in some contexts. Sherman said there are 41 percent fewer people describing themselves as musicians now then in 1999. John Perry Barlow. who spoke after Sherman. said that he believes more people than ever are earning a living from music because they don't have to deal with music labels. Who's right??
 
I like to think that one's assessment of the harm to the music "industry" depends on how you look at or want to define the industry: Is the industry defined by record sales? Is the industry defined by record labels? Or is it defined by how many musicians are out there making a living? How many people are listening, attending, concerts, and/or buying merch? What is the definition of harm and who is being harmed? I think it needs to be clarified who's stakes we are really talking about before we can work towards any sort of solution.
 
Here's the link to his talk:
http://personaldemocracy.com/media/music-industry-digital-age
The argument made in this "Letter to Emily" seems quite dated. Even the RIAA-guy recognizes that the music industry and the means of making revenue are changing. The "music industry" is catching on that they should work to meet consumer behavior and expectations, and part of this entails working with technology companies and innovators to come up with new business models to save the industry. Sherman cited things like Spotify, which more and more of my facebook friends are catching on to, Rhapsody, etc. Hey, these things work and people use it! Maybe it's not bringing the industry to its former "glory." Yes, the BIG THREE are no longer the gatekeepers exploiting, aggrandizing, and profitting off of artists. (How much do musicians make from record sales anyways? Such a small %. I mean... there is something called a 360 deal).  Look, I don't really see that as such a bad thing.
 
I agree with Ali, SFC should release a statement-- or at the very least tackle whatever misconception there is about free culture. We can collectively work on one in an Etherpad!
 
Thx for reading,
Jennifer
On Tue, Jun 19, 2012 at 11:13 AM, Ali Sternburg <alisternburg <at> gmail.com> wrote:

(Disclaimer: I've only skimmed, and I don't know anything about the author or the site.)

I'm not even sure who and what he's referring to every time he says Free Culture (which he capitalizes) movement.  People who don't pay for music but just because they're lazy and cheap and not because of principles?  I think a response by the SFC Board or Core could be warranted.  This article is getting a lot of comments and shares.  (Example:  I'm Facebook friends with Rivers Cuomo from Weezer for some reason (I think because we went to the same college and I saw a lot of friends were, I don't remember) and he shared it.)

Alex, I've seen similar claims made related to the misconception of the public momentum against SOPA being primarily orchestrated and financed by Google, but I'm not sure if that's related.

Alec, in response to those numbers, some excerpts from:  http://www.techdirt.com/skyisrising/ (the annotated Google Doc version)

On the consumption side, music is also being consumed at near record-setting levels. According to Nielsen SoundScan figures, the overall sale of music (including albums, singles, digital tracks, etc.) exceeded 1.5 billion transactions in 2010. That's up from 845 million transactions in 2000. These overall sales figures seem to rise and fall a bit over the years, but they don't necessarily drop during economic recessions.

...

In 2005, the IFPI estimated the global music industry to be worth $132 billion -- which included revenues from music in radio advertising, recorded music sales, musical instrument sales, live performance revenues and portable digital music player sales (among a few other income categories). By 2010, the IFPI estimated the market to be worth $168 billion, but it had also changed how it categorized some of the revenues and added categories such as audio home systems, music-related video game sales and music revenues from TV advertising (in addition to a few other categories).

...

But, despite the increasing production and consumption of music, the music industry doesn't seem rosy to everyone. The revenues from recorded music, such as CD sales, have been falling steadily over the last several years. This shouldn't come as a huge surprise, either. Historically, music has been sold on various kinds of physical media: vinyl records, 8-track tapes, cassette tapes, CDs and other less well-known formats. Each of these formats has seen its peak, and each of them may someday cease to be sold entirely -- though that time has not come yet even for vinyl (as there are signs that vinyl records still have plenty of useful life left and their sales were up ~41% for 2011). Still, as the CD format wanes, the revenues from selling CD albums are diminishing, too. The problem, it seems, is that consumers are buying more single tracks now instead of entire albums and that consumers have an expectation that digital music tracks should be cheaper than purchasing plastic discs. The result is that the number of single digital tracks purchased is rising (initially with double-digit growth), but the revenue from selling single tracks isn't matching that of the peak years of selling CD albums. This trend was apparent in 2007, as the volume of physical recorded music was dropping (also by double digit percentages). The problem here is that the major labels have been relying on CD sales as their main income stream and are only just starting to diversify their revenue and business models. Interestingly, a former executive at Universal Music, Tim Renner, has said that the major labels had a chance to diversify their income streams when "they had the money and could have built the competence by buying concert agencies and merchandising companies." However, this hindsight isn't necessarily the way forward for the major music labels now.

On Tue, Jun 19, 2012 at 9:44 AM, Alec Story <avs38 <at> cornell.edu> wrote:
The letter quotes some numbers:

Recorded music revenue is down 64% since 1999.

Per capita spending on music is 47% lower than it was in 1973!!

The number of professional musicians has fallen 25% since 2000.

Of the 75,000 albums released in 2010 only 2,000 sold more than 5,000 copies. Only 1,000 sold more than 10,000 copies. Without going into details, 10,000 albums is about the point where independent artists begin to go into the black on professional album production, marketing and promotion.


This is the first time I've heard that - everything else I've seen has suggested that big media companies have been growing just fine in the past decade.  Can anyone who knows better comment?  I'm sure that some of the revenue decrease is just due to the un-bundling of the album.

On Mon, Jun 18, 2012 at 10:04 PM, Alex Leavitt <alexleavitt <at> gmail.com> wrote:
Don't have much time to respond with anything lengthy at the moment; mainly wanted to share, since it garnered so many (supportive) comments. I think my main criticism is the characterization of the "free culture movement" as led by corporate stakeholders (eg., Megaupload, Google, etc.). I really felt like that came out of left field, but I've also never seen that critique before, so I'm wondering if anyone had additional thoughts.



On Mon, Jun 18, 2012 at 6:54 PM, Rich Jones <rich <at> anomos.info> wrote:
Interesting, Alex - would you like to share your opinions and start a discussion?

This is the author, for those interested: http://en.wikipedia.org/wiki/David_Lowery

R

On Mon, Jun 18, 2012 at 6:33 PM, Alex Leavitt <alexleavitt <at> gmail.com> wrote:
http://thetrichordist.wordpress.com/2012/06/18/letter-to-emily-white-at-npr-all-songs-considered/

Alex

---

Alexander Leavitt
PhD Student
USC Annenberg School for Communication & Journalism
http://alexleavitt.com
Twitter: <at> alexleavitt





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Cornell University
Biological Sciences, Computer Science 2012

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Patrick Anderson | 19 Jun 2012 17:52
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Re: "[Young people have] been been badly misinformed by the Free Culture movement."

I wonder how this compares to Free Software developers
and the software industry.

Programmers are artists too.

Their works are being downloaded and distributed, usually
even without explicit attribution.

I think it is the giant corporate entities that are suffering,
and probably not the artists themselves.

Though it is true artists must eat, and we do not yet have
a very good system to connect consumers with artists
without involving middle-men that extract some of that value.

That is the next step in our (r)evolution.

Sincerely,
Patrick Anderson
http://ImputedProduction.BlogSpot.com
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Ali Sternburg | 19 Jun 2012 17:51
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Re: "[Young people have] been been badly misinformed by the Free Culture movement."

Thanks!  Good stuff.

More on the Cary Sherman talk here:  http://news.cnet.com/8301-1023_3-57450807-93/riaa-ceo-cary-sherman-walks-into-tech-lions-den/

More music industry data here (this was prepared for Wednesday's hearing on the potential UMG-EMI merger):  http://www.consumerfed.org/pdfs/Studies.CaseAganstUMG-EMIMerger.pdf

On Tue, Jun 19, 2012 at 11:37 AM, Jennifer Baek <baek01 <at> gmail.com> wrote:
Forgive me if this is a little ranty. I'm at work, but wanted to respond.
 
Statistics will be different depending on where its coming from. At Personal Democracy Forum, Clay Sherman from the RIAA spouted statistics, which may hold truth in some contexts. Sherman said there are 41 percent fewer people describing themselves as musicians now then in 1999. John Perry Barlow. who spoke after Sherman. said that he believes more people than ever are earning a living from music because they don't have to deal with music labels. Who's right??
 
I like to think that one's assessment of the harm to the music "industry" depends on how you look at or want to define the industry: Is the industry defined by record sales? Is the industry defined by record labels? Or is it defined by how many musicians are out there making a living? How many people are listening, attending, concerts, and/or buying merch? What is the definition of harm and who is being harmed? I think it needs to be clarified who's stakes we are really talking about before we can work towards any sort of solution.
 
Here's the link to his talk:
http://personaldemocracy.com/media/music-industry-digital-age
The argument made in this "Letter to Emily" seems quite dated. Even the RIAA-guy recognizes that the music industry and the means of making revenue are changing. The "music industry" is catching on that they should work to meet consumer behavior and expectations, and part of this entails working with technology companies and innovators to come up with new business models to save the industry. Sherman cited things like Spotify, which more and more of my facebook friends are catching on to, Rhapsody, etc. Hey, these things work and people use it! Maybe it's not bringing the industry to its former "glory." Yes, the BIG THREE are no longer the gatekeepers exploiting, aggrandizing, and profitting off of artists. (How much do musicians make from record sales anyways? Such a small %. I mean... there is something called a 360 deal).  Look, I don't really see that as such a bad thing.
 
I agree with Ali, SFC should release a statement-- or at the very least tackle whatever misconception there is about free culture. We can collectively work on one in an Etherpad!
 
Thx for reading,
Jennifer
On Tue, Jun 19, 2012 at 11:13 AM, Ali Sternburg <alisternburg <at> gmail.com> wrote:

(Disclaimer: I've only skimmed, and I don't know anything about the author or the site.)

I'm not even sure who and what he's referring to every time he says Free Culture (which he capitalizes) movement.  People who don't pay for music but just because they're lazy and cheap and not because of principles?  I think a response by the SFC Board or Core could be warranted.  This article is getting a lot of comments and shares.  (Example:  I'm Facebook friends with Rivers Cuomo from Weezer for some reason (I think because we went to the same college and I saw a lot of friends were, I don't remember) and he shared it.)

Alex, I've seen similar claims made related to the misconception of the public momentum against SOPA being primarily orchestrated and financed by Google, but I'm not sure if that's related.

Alec, in response to those numbers, some excerpts from:  http://www.techdirt.com/skyisrising/ (the annotated Google Doc version)

On the consumption side, music is also being consumed at near record-setting levels. According to Nielsen SoundScan figures, the overall sale of music (including albums, singles, digital tracks, etc.) exceeded 1.5 billion transactions in 2010. That's up from 845 million transactions in 2000. These overall sales figures seem to rise and fall a bit over the years, but they don't necessarily drop during economic recessions.

...

In 2005, the IFPI estimated the global music industry to be worth $132 billion -- which included revenues from music in radio advertising, recorded music sales, musical instrument sales, live performance revenues and portable digital music player sales (among a few other income categories). By 2010, the IFPI estimated the market to be worth $168 billion, but it had also changed how it categorized some of the revenues and added categories such as audio home systems, music-related video game sales and music revenues from TV advertising (in addition to a few other categories).

...

But, despite the increasing production and consumption of music, the music industry doesn't seem rosy to everyone. The revenues from recorded music, such as CD sales, have been falling steadily over the last several years. This shouldn't come as a huge surprise, either. Historically, music has been sold on various kinds of physical media: vinyl records, 8-track tapes, cassette tapes, CDs and other less well-known formats. Each of these formats has seen its peak, and each of them may someday cease to be sold entirely -- though that time has not come yet even for vinyl (as there are signs that vinyl records still have plenty of useful life left and their sales were up ~41% for 2011). Still, as the CD format wanes, the revenues from selling CD albums are diminishing, too. The problem, it seems, is that consumers are buying more single tracks now instead of entire albums and that consumers have an expectation that digital music tracks should be cheaper than purchasing plastic discs. The result is that the number of single digital tracks purchased is rising (initially with double-digit growth), but the revenue from selling single tracks isn't matching that of the peak years of selling CD albums. This trend was apparent in 2007, as the volume of physical recorded music was dropping (also by double digit percentages). The problem here is that the major labels have been relying on CD sales as their main income stream and are only just starting to diversify their revenue and business models. Interestingly, a former executive at Universal Music, Tim Renner, has said that the major labels had a chance to diversify their income streams when "they had the money and could have built the competence by buying concert agencies and merchandising companies." However, this hindsight isn't necessarily the way forward for the major music labels now.

On Tue, Jun 19, 2012 at 9:44 AM, Alec Story <avs38 <at> cornell.edu> wrote:
The letter quotes some numbers:

Recorded music revenue is down 64% since 1999.

Per capita spending on music is 47% lower than it was in 1973!!

The number of professional musicians has fallen 25% since 2000.

Of the 75,000 albums released in 2010 only 2,000 sold more than 5,000 copies. Only 1,000 sold more than 10,000 copies. Without going into details, 10,000 albums is about the point where independent artists begin to go into the black on professional album production, marketing and promotion.


This is the first time I've heard that - everything else I've seen has suggested that big media companies have been growing just fine in the past decade.  Can anyone who knows better comment?  I'm sure that some of the revenue decrease is just due to the un-bundling of the album.

On Mon, Jun 18, 2012 at 10:04 PM, Alex Leavitt <alexleavitt <at> gmail.com> wrote:
Don't have much time to respond with anything lengthy at the moment; mainly wanted to share, since it garnered so many (supportive) comments. I think my main criticism is the characterization of the "free culture movement" as led by corporate stakeholders (eg., Megaupload, Google, etc.). I really felt like that came out of left field, but I've also never seen that critique before, so I'm wondering if anyone had additional thoughts.



On Mon, Jun 18, 2012 at 6:54 PM, Rich Jones <rich <at> anomos.info> wrote:
Interesting, Alex - would you like to share your opinions and start a discussion?

This is the author, for those interested: http://en.wikipedia.org/wiki/David_Lowery

R

On Mon, Jun 18, 2012 at 6:33 PM, Alex Leavitt <alexleavitt <at> gmail.com> wrote:
http://thetrichordist.wordpress.com/2012/06/18/letter-to-emily-white-at-npr-all-songs-considered/

Alex

---

Alexander Leavitt
PhD Student
USC Annenberg School for Communication & Journalism
http://alexleavitt.com
Twitter: <at> alexleavitt





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--
Alec Story
Cornell University
Biological Sciences, Computer Science 2012

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Ali Sternburg, J.D.
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Nate Otto | 19 Jun 2012 18:44
Picon
Gravatar

Re: "[Young people have] been been badly misinformed by the Free Culture movement."

I love how the " the duration of the copyright term is pretty much irrelevant for an ethical discussion." is so casually slipped in there.

The main thrust of what I've read so far is that it is not government's responsibility to ensure that artists are fairly compensated. Except that it is explicitly Congress's job to "promote the progress of science and the useful arts" through arranging the underlying principles of the marketplace.

Governments so far have set up a metaphor of intellectual property to guide this marketplace, and this article is fully grounded in that tradition. I think there are problems with that metaphor that are brought to our attention by what digital technology makes possible.

In giving advice to people who want to work in the music industry, I would point to reports like "The Sky is Rising" that Ali linked to and encourage people to embrace the possibilities of business models not built on the artificial scarcity of digital objects. It is not moral to create scarcity out of abundance for the cause of rent seeking.

This all might not be relevant to SFC's response to the piece, but I completely agree that this is a moral discussion.

But not all moral premises are valid.  When budgeting morally, what percent of income does a generation in an average of $25k of debt have to spend on CDs? As much as their parents could spend?

Anyway, there is a moral discussion to be had, but it does not start from accepting every metaphor that guided the music business before it became possible to distribute all music to everyone who wanted it without additional costs.

I may have more to add in a day or two, the next time I come up for air.

-Nate

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Karl Fogel | 19 Jun 2012 18:57
Favicon
Gravatar

Re: "[Young people have] been been badly misinformed by the Free Culture movement."

FWIW, we've just been discussing over at QuestionCopyright.org whether
to do a length rebuttal of David Lowery's open letter [1].

While it would take a while to construct a good response [2], on the
other hand a good one would likely get some eyeballs -- including some
of the people who saw the original.  So it's a great opportunity.

If anyone here is drafting such a beast, please let us know, here or via
http://questioncopyright.org/contact.  A truly well-done rebuttal is
something we'd love to run; we've just got other stuff in the pipeline
right now that makes it hard to draft a response to this too (lesson #1:
number of opportunities will always exceed available resources :-) ).

I saw http://piratepad.net/KY6e7xIdkm which is a good brainstorm of
ideas, but not, of course, a finished piece.

-Karl

[1] http://thetrichordist.wordpress.com/2012/06/18/letter-to-emily-white-at-
npr-all-songs-considered/

[2] http://theoatmeal.com/blog/tesla_response is one rather nice example
    of how to do such rebuttals :-).

Nate Otto <ottonomy <at> gmail.com> writes:
>I love how the " the duration of the copyright term is pretty much
>irrelevant for an ethical discussion." is so casually slipped in
>there. 
>
>The main thrust of what I've read so far is that it is not government's
>responsibility to ensure that artists are fairly compensated. Except
>that it is explicitly Congress's job to "promote the progress of
>science and the useful arts" through arranging the underlying
>principles of the marketplace. 
>
>Governments so far have set up a metaphor of intellectual property to
>guide this marketplace, and this article is fully grounded in that
>tradition. I think there are problems with that metaphor that are
>brought to our attention by what digital technology makes possible. 
>
>In giving advice to people who want to work in the music industry, I
>would point to reports like "The Sky is Rising" that Ali linked to and
>encourage people to embrace the possibilities of business models not
>built on the artificial scarcity of digital objects. It is not moral
>to create scarcity out of abundance for the cause of rent seeking. 
>
>This all might not be relevant to SFC's response to the piece, but I
>completely agree that this is a moral discussion. 
>
>But not all moral premises are valid.  When budgeting morally, what
>percent of income does a generation in an average of $25k of debt have
>to spend on CDs? As much as their parents could spend? 
>
>Anyway, there is a moral discussion to be had, but it does not start
>from accepting every metaphor that guided the music business before it
>became possible to distribute all music to everyone who wanted it
>without additional costs. 
>
>I may have more to add in a day or two, the next time I come up for
>air. 
>
>-Nate
>
>_______________________________________________
>Discuss mailing list
>Discuss <at> freeculture.org
>http://lists.freeculture.org/mailman/listinfo/discuss
>FAQ: http://wiki.freeculture.org/Fc-discuss
_______________________________________________
Discuss mailing list
Discuss <at> freeculture.org
http://lists.freeculture.org/mailman/listinfo/discuss
FAQ: http://wiki.freeculture.org/Fc-discuss
Jennifer Baek | 19 Jun 2012 19:11
Picon

Re: "[Young people have] been been badly misinformed by the Free Culture movement."

I like the idea of a response fashioned like the one theoatmeal did. Maybe we can do both a visual piece as well as a written piece?
 
I'm on board to help out with both in collaboration with Questioncopyright. I'm in DC for the summer with too much free time. :>
 
Jennifer
On Tue, Jun 19, 2012 at 12:57 PM, Karl Fogel <kfogel <at> questioncopyright.org> wrote:
FWIW, we've just been discussing over at QuestionCopyright.org whether
to do a length rebuttal of David Lowery's open letter [1].

While it would take a while to construct a good response [2], on the
other hand a good one would likely get some eyeballs -- including some
of the people who saw the original.  So it's a great opportunity.

If anyone here is drafting such a beast, please let us know, here or via
http://questioncopyright.org/contact.  A truly well-done rebuttal is
something we'd love to run; we've just got other stuff in the pipeline
right now that makes it hard to draft a response to this too (lesson #1:
number of opportunities will always exceed available resources :-) ).

I saw http://piratepad.net/KY6e7xIdkm which is a good brainstorm of
ideas, but not, of course, a finished piece.

-Karl

[1] http://thetrichordist.wordpress.com/2012/06/18/letter-to-emily-white-at-
npr-all-songs-considered/


[2] http://theoatmeal.com/blog/tesla_response is one rather nice example
   of how to do such rebuttals :-).

Nate Otto <ottonomy <at> gmail.com> writes:
>I love how the " the duration of the copyright term is pretty much
>irrelevant for an ethical discussion." is so casually slipped in
>there.
>
>The main thrust of what I've read so far is that it is not government's
>responsibility to ensure that artists are fairly compensated. Except
>that it is explicitly Congress's job to "promote the progress of
>science and the useful arts" through arranging the underlying
>principles of the marketplace.
>
>Governments so far have set up a metaphor of intellectual property to
>guide this marketplace, and this article is fully grounded in that
>tradition. I think there are problems with that metaphor that are
>brought to our attention by what digital technology makes possible.
>
>In giving advice to people who want to work in the music industry, I
>would point to reports like "The Sky is Rising" that Ali linked to and
>encourage people to embrace the possibilities of business models not
>built on the artificial scarcity of digital objects. It is not moral
>to create scarcity out of abundance for the cause of rent seeking.
>
>This all might not be relevant to SFC's response to the piece, but I
>completely agree that this is a moral discussion.
>
>But not all moral premises are valid.  When budgeting morally, what
>percent of income does a generation in an average of $25k of debt have
>to spend on CDs? As much as their parents could spend?
>
>Anyway, there is a moral discussion to be had, but it does not start
>from accepting every metaphor that guided the music business before it
>became possible to distribute all music to everyone who wanted it
>without additional costs.
>
>I may have more to add in a day or two, the next time I come up for
>air.
>
>-Nate
>

_______________________________________________
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http://lists.freeculture.org/mailman/listinfo/discuss
FAQ: http://wiki.freeculture.org/Fc-discuss
Karl Fogel | 19 Jun 2012 19:26
Favicon
Gravatar

Re: "[Young people have] been been badly misinformed by the Free Culture movement."

Jennifer Baek <baek01 <at> gmail.com> writes:
>I like the idea of a response fashioned like the one theoatmeal did.
>Maybe we can do both a visual piece as well as a written piece? 
>
>I'm on board to help out with both in collaboration with
>Questioncopyright. I'm in DC for the summer with too much free time.

Hey, terrific.  I've CC'd the QCO editors list.  Let's make this really
easy: tell me your preferred username, and we'll set you up with an
editor account at QuestionCopyright.org and go from there! :-)

(You'll have others actively reading and commenting, of course -- no one
would expect you to go and do this in isolation.  We can keep this list
in the loop as much as you want too.)

Best,
-K

>On Tue, Jun 19, 2012 at 12:57 PM, Karl Fogel
><kfogel <at> questioncopyright.org> wrote:
>
>    FWIW, we've just been discussing over at QuestionCopyright.org
>    whether
>    to do a length rebuttal of David Lowery's open letter [1].
>    
>    While it would take a while to construct a good response [2], on
>    the
>    other hand a good one would likely get some eyeballs -- including
>    some
>    of the people who saw the original.  So it's a great opportunity.
>    
>    If anyone here is drafting such a beast, please let us know, here
>    or via
>    http://questioncopyright.org/contact.  A truly well-done rebuttal
>    is
>    something we'd love to run; we've just got other stuff in the
>    pipeline
>    right now that makes it hard to draft a response to this too
>    (lesson #1:
>    number of opportunities will always exceed available resources :-)
>    ).
>    
>    I saw http://piratepad.net/KY6e7xIdkm which is a good brainstorm
>    of
>    ideas, but not, of course, a finished piece.
>    
>    -Karl
>    
>    [1]
>    http://thetrichordist.wordpress.com/2012/06/18/letter-to-emily-white-
>    at-
>    npr-all-songs-considered/
>    
>    [2] http://theoatmeal.com/blog/tesla_response is one rather nice
>    example
>       of how to do such rebuttals :-).
>    
>    
>    
>    Nate Otto <ottonomy <at> gmail.com> writes:
>    >I love how the " the duration of the copyright term is pretty
>    much
>    >irrelevant for an ethical discussion." is so casually slipped in
>    >there.
>    >
>    >The main thrust of what I've read so far is that it is not
>    government's
>    >responsibility to ensure that artists are fairly compensated.
>    Except
>    >that it is explicitly Congress's job to "promote the progress of
>    >science and the useful arts" through arranging the underlying
>    >principles of the marketplace.
>    >
>    >Governments so far have set up a metaphor of intellectual
>    property to
>    >guide this marketplace, and this article is fully grounded in
>    that
>    >tradition. I think there are problems with that metaphor that are
>    >brought to our attention by what digital technology makes
>    possible.
>    >
>    >In giving advice to people who want to work in the music
>    industry, I
>    >would point to reports like "The Sky is Rising" that Ali linked
>    to and
>    >encourage people to embrace the possibilities of business models
>    not
>    >built on the artificial scarcity of digital objects. It is not
>    moral
>    >to create scarcity out of abundance for the cause of rent
>    seeking.
>    >
>    >This all might not be relevant to SFC's response to the piece,
>    but I
>    >completely agree that this is a moral discussion.
>    >
>    >But not all moral premises are valid.  When budgeting morally,
>    what
>    >percent of income does a generation in an average of $25k of debt
>    have
>    >to spend on CDs? As much as their parents could spend?
>    >
>    >Anyway, there is a moral discussion to be had, but it does not
>    start
>    >from accepting every metaphor that guided the music business
>    before it
>    >became possible to distribute all music to everyone who wanted it
>    >without additional costs.
>    >
>    >I may have more to add in a day or two, the next time I come up
>    for
>    >air.
>    >
>    >-Nate
>    >
>    
>    
>    >_______________________________________________
>    >Discuss mailing list
>    >Discuss <at> freeculture.org
>    >http://lists.freeculture.org/mailman/listinfo/discuss
>    >FAQ: http://wiki.freeculture.org/Fc-discuss
>    _______________________________________________
>    Discuss mailing list
>    Discuss <at> freeculture.org
>    http://lists.freeculture.org/mailman/listinfo/discuss
>    FAQ: http://wiki.freeculture.org/Fc-discuss
>    
_______________________________________________
Discuss mailing list
Discuss <at> freeculture.org
http://lists.freeculture.org/mailman/listinfo/discuss
FAQ: http://wiki.freeculture.org/Fc-discuss
Jennifer Baek | 19 Jun 2012 19:32
Picon

Re: "[Young people have] been been badly misinformed by the Free Culture movement."

My username can just be: jenbaek. Thanks so much for facilitating this!
 
 
On Tue, Jun 19, 2012 at 1:26 PM, Karl Fogel <kfogel <at> questioncopyright.org> wrote:
Jennifer Baek <baek01 <at> gmail.com> writes:
>I like the idea of a response fashioned like the one theoatmeal did.
>Maybe we can do both a visual piece as well as a written piece?
>
>I'm on board to help out with both in collaboration with
>Questioncopyright. I'm in DC for the summer with too much free time.

Hey, terrific.  I've CC'd the QCO editors list.  Let's make this really
easy: tell me your preferred username, and we'll set you up with an
editor account at QuestionCopyright.org and go from there! :-)

(You'll have others actively reading and commenting, of course -- no one
would expect you to go and do this in isolation.  We can keep this list
in the loop as much as you want too.)

Best,
-K

>On Tue, Jun 19, 2012 at 12:57 PM, Karl Fogel
><kfogel <at> questioncopyright.org> wrote:
>
>    FWIW, we've just been discussing over at QuestionCopyright.org
>    whether
>    to do a length rebuttal of David Lowery's open letter [1].
>
>    While it would take a while to construct a good response [2], on
>    the
>    other hand a good one would likely get some eyeballs -- including
>    some
>    of the people who saw the original.  So it's a great opportunity.
>
>    If anyone here is drafting such a beast, please let us know, here
>    or via
>    http://questioncopyright.org/contact.  A truly well-done rebuttal
>    is
>    something we'd love to run; we've just got other stuff in the
>    pipeline
>    right now that makes it hard to draft a response to this too
>    (lesson #1:
>    number of opportunities will always exceed available resources :-)
>    ).
>
>    I saw http://piratepad.net/KY6e7xIdkm which is a good brainstorm
>    of
>    ideas, but not, of course, a finished piece.
>
>    -Karl
>
>    [1]
>    http://thetrichordist.wordpress.com/2012/06/18/letter-to-emily-white-
>    at-
>    npr-all-songs-considered/
>
>    [2] http://theoatmeal.com/blog/tesla_response is one rather nice
>    example
>       of how to do such rebuttals :-).
>
>
>
>    Nate Otto <ottonomy <at> gmail.com> writes:
>    >I love how the " the duration of the copyright term is pretty
>    much
>    >irrelevant for an ethical discussion." is so casually slipped in
>    >there.
>    >
>    >The main thrust of what I've read so far is that it is not
>    government's
>    >responsibility to ensure that artists are fairly compensated.
>    Except
>    >that it is explicitly Congress's job to "promote the progress of
>    >science and the useful arts" through arranging the underlying
>    >principles of the marketplace.
>    >
>    >Governments so far have set up a metaphor of intellectual
>    property to
>    >guide this marketplace, and this article is fully grounded in
>    that
>    >tradition. I think there are problems with that metaphor that are
>    >brought to our attention by what digital technology makes
>    possible.
>    >
>    >In giving advice to people who want to work in the music
>    industry, I
>    >would point to reports like "The Sky is Rising" that Ali linked
>    to and
>    >encourage people to embrace the possibilities of business models
>    not
>    >built on the artificial scarcity of digital objects. It is not
>    moral
>    >to create scarcity out of abundance for the cause of rent
>    seeking.
>    >
>    >This all might not be relevant to SFC's response to the piece,
>    but I
>    >completely agree that this is a moral discussion.
>    >
>    >But not all moral premises are valid.  When budgeting morally,
>    what
>    >percent of income does a generation in an average of $25k of debt
>    have
>    >to spend on CDs? As much as their parents could spend?
>    >
>    >Anyway, there is a moral discussion to be had, but it does not
>    start
>    >from accepting every metaphor that guided the music business
>    before it
>    >became possible to distribute all music to everyone who wanted it
>    >without additional costs.
>    >
>    >I may have more to add in a day or two, the next time I come up
>    for
>    >air.
>    >
>    >-Nate
>    >
>
>
>    >_______________________________________________
>    >Discuss mailing list
>    >Discuss <at> freeculture.org
>    >http://lists.freeculture.org/mailman/listinfo/discuss
>    >FAQ: http://wiki.freeculture.org/Fc-discuss
>    _______________________________________________
>    Discuss mailing list
>    Discuss <at> freeculture.org
>    http://lists.freeculture.org/mailman/listinfo/discuss
>    FAQ: http://wiki.freeculture.org/Fc-discuss
>

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Discuss mailing list
Discuss <at> freeculture.org
http://lists.freeculture.org/mailman/listinfo/discuss
FAQ: http://wiki.freeculture.org/Fc-discuss
Rich Jones | 19 Jun 2012 19:30
Picon

Re: "[Young people have] been been badly misinformed by the Free Culture movement."

The essay is long enough and has enough which warrants reply that I think an inline, Oatmeal-style reply would work really well! I've added the full text of the essay to the PiratePad.

R

On Tue, Jun 19, 2012 at 10:11 AM, Jennifer Baek <baek01 <at> gmail.com> wrote:
I like the idea of a response fashioned like the one theoatmeal did. Maybe we can do both a visual piece as well as a written piece?
 
I'm on board to help out with both in collaboration with Questioncopyright. I'm in DC for the summer with too much free time. :>
 
Jennifer
On Tue, Jun 19, 2012 at 12:57 PM, Karl Fogel <kfogel <at> questioncopyright.org> wrote:
FWIW, we've just been discussing over at QuestionCopyright.org whether
to do a length rebuttal of David Lowery's open letter [1].

While it would take a while to construct a good response [2], on the
other hand a good one would likely get some eyeballs -- including some
of the people who saw the original.  So it's a great opportunity.

If anyone here is drafting such a beast, please let us know, here or via
http://questioncopyright.org/contact.  A truly well-done rebuttal is
something we'd love to run; we've just got other stuff in the pipeline
right now that makes it hard to draft a response to this too (lesson #1:
number of opportunities will always exceed available resources :-) ).

I saw http://piratepad.net/KY6e7xIdkm which is a good brainstorm of
ideas, but not, of course, a finished piece.

-Karl

[1] http://thetrichordist.wordpress.com/2012/06/18/letter-to-emily-white-at-
npr-all-songs-considered/


[2] http://theoatmeal.com/blog/tesla_response is one rather nice example
   of how to do such rebuttals :-).

Nate Otto <ottonomy <at> gmail.com> writes:
>I love how the " the duration of the copyright term is pretty much
>irrelevant for an ethical discussion." is so casually slipped in
>there.
>
>The main thrust of what I've read so far is that it is not government's
>responsibility to ensure that artists are fairly compensated. Except
>that it is explicitly Congress's job to "promote the progress of
>science and the useful arts" through arranging the underlying
>principles of the marketplace.
>
>Governments so far have set up a metaphor of intellectual property to
>guide this marketplace, and this article is fully grounded in that
>tradition. I think there are problems with that metaphor that are
>brought to our attention by what digital technology makes possible.
>
>In giving advice to people who want to work in the music industry, I
>would point to reports like "The Sky is Rising" that Ali linked to and
>encourage people to embrace the possibilities of business models not
>built on the artificial scarcity of digital objects. It is not moral
>to create scarcity out of abundance for the cause of rent seeking.
>
>This all might not be relevant to SFC's response to the piece, but I
>completely agree that this is a moral discussion.
>
>But not all moral premises are valid.  When budgeting morally, what
>percent of income does a generation in an average of $25k of debt have
>to spend on CDs? As much as their parents could spend?
>
>Anyway, there is a moral discussion to be had, but it does not start
>from accepting every metaphor that guided the music business before it
>became possible to distribute all music to everyone who wanted it
>without additional costs.
>
>I may have more to add in a day or two, the next time I come up for
>air.
>
>-Nate
>


_______________________________________________
Discuss mailing list
Discuss <at> freeculture.org
http://lists.freeculture.org/mailman/listinfo/discuss
FAQ: http://wiki.freeculture.org/Fc-discuss


_______________________________________________
Discuss mailing list
Discuss <at> freeculture.org
http://lists.freeculture.org/mailman/listinfo/discuss
FAQ: http://wiki.freeculture.org/Fc-discuss
Rob Myers | 19 Jun 2012 19:40
Gravatar

Re: "[Young people have] been been badly misinformed by the Free Culture movement."

On 06/19/2012 06:30 PM, Rich Jones wrote:
> The essay is long enough and has enough which warrants reply that I
> think an inline, Oatmeal-style reply would work really well! I've added
> the full text of the essay to the PiratePad.

When you say "Oatmeal-style" do you mean the full rage with cartoons?

If that's the case I'd be careful how you play it.

- Rob.
_______________________________________________
Discuss mailing list
Discuss <at> freeculture.org
http://lists.freeculture.org/mailman/listinfo/discuss
FAQ: http://wiki.freeculture.org/Fc-discuss

Rich Jones | 19 Jun 2012 20:06
Favicon
Gravatar

Re: "[Young people have] been been badly misinformed by the Free Culture movement."

Ha! No, just inline text.

On Tue, Jun 19, 2012 at 10:40 AM, Rob Myers <rob <at> robmyers.org> wrote:
On 06/19/2012 06:30 PM, Rich Jones wrote:
The essay is long enough and has enough which warrants reply that I
think an inline, Oatmeal-style reply would work really well! I've added
the full text of the essay to the PiratePad.

When you say "Oatmeal-style" do you mean the full rage with cartoons?

If that's the case I'd be careful how you play it.

- Rob.

_______________________________________________
Discuss mailing list
Discuss <at> freeculture.org
http://lists.freeculture.org/mailman/listinfo/discuss
FAQ: http://wiki.freeculture.org/Fc-discuss
Rob Myers | 19 Jun 2012 20:28
Gravatar

Re: "[Young people have] been been badly misinformed by the Free Culture movement."

On 06/19/2012 07:06 PM, Rich Jones wrote:
> Ha! No, just inline text.

Whew! :-D

- Rob.
_______________________________________________
Discuss mailing list
Discuss <at> freeculture.org
http://lists.freeculture.org/mailman/listinfo/discuss
FAQ: http://wiki.freeculture.org/Fc-discuss

Jennifer Baek | 19 Jun 2012 20:41
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Re: "[Young people have] been been badly misinformed by the Free Culture movement."

I actually like the idea of having polished commentary in the way theoatmeal did it. Not just inline, but having commentary be on the side. There's something appealing about it, and visually compelling...like a teacher marking up an essay.
 
If we work together to come up with what we want to say to rebut this "letter to emily," I can go into illustrator and turn it into a graphic... no comics necessary.

 
On Tue, Jun 19, 2012 at 2:28 PM, Rob Myers <rob <at> robmyers.org> wrote:
On 06/19/2012 07:06 PM, Rich Jones wrote:
Ha! No, just inline text.

Whew! :-D


- Rob.
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Boris Mindzak | 19 Jun 2012 21:02
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Re: "[Young people have] been been badly misinformed by the Free Culture movement."

I think we have hit most of the points to get (there are a lot of them) and I love the idea of a side by side mark up, maybe prefaced with a summary of sorts.

I would also like to add the way that this is written, it seems that Clowery would be against any resale of media (Since the artist isn't getting a cut, it must be stealing!)

Along with that, I wonder what he would say about going back to the idea that music gets commissioned. Commissioning of music is far older then copyright. Through things like kickstarter, it is way easier these days to pay for the creation of something up front. Example: Amanda Palmer

Sorry about the unorganized thoughts, writing quickly during a break at work.

On Tue, Jun 19, 2012 at 11:41 AM, Jennifer Baek <baek01 <at> gmail.com> wrote:
I actually like the idea of having polished commentary in the way theoatmeal did it. Not just inline, but having commentary be on the side. There's something appealing about it, and visually compelling...like a teacher marking up an essay.
 
If we work together to come up with what we want to say to rebut this "letter to emily," I can go into illustrator and turn it into a graphic... no comics necessary.

 
On Tue, Jun 19, 2012 at 2:28 PM, Rob Myers <rob <at> robmyers.org> wrote:
On 06/19/2012 07:06 PM, Rich Jones wrote:
Ha! No, just inline text.

Whew! :-D


- Rob.
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Discuss mailing list
Discuss <at> freeculture.org
http://lists.freeculture.org/mailman/listinfo/discuss
FAQ: http://wiki.freeculture.org/Fc-discuss


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http://lists.freeculture.org/mailman/listinfo/discuss
FAQ: http://wiki.freeculture.org/Fc-discuss


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Michael Wolfe | 19 Jun 2012 19:31
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Re: "[Young people have] been been badly misinformed by the Free Culture movement."

I think avoiding bear sex is probably for the best at this point in time. Maybe later?

Anyhow, this gets me all sorts of riled up. The frustrating part is that all 'round the internet, people are calling this "thoughtful" and "honest" when it's chock-full of malicious rhetoric (pinning musician suicides on an NPR intern's refusal to pay for music?) and flat-out misinformation.

For starters, he writes:

but simply because it is technologically possible for corporations or individuals to exploit artists work without their permission on a massive scale and globally

The fallacy here is that, of course, "technological possibility" is what enabled sound recording copyright in the first place. The copyright system he treats as a moral imperative is young, not ancient — particularly with regard to sound recordings. The author cautions us not to conflate technological capability with morality, while hawking a morality born of technological capability. Don't get me started!

Ultimately, the piece does little to advance the discourse despite the press it's getting. This ain't about solutions for supporting and funding culture; it's about berating young whippersnappers for being shameless. The only solution is offered in the central analogy: a town without any moral concept of theft. Disregarding various problems with the quality of the analogy, let's consider the solutions that he uses the analogy to propose:
  • Pay for police; or
  • Let theft run rampant.
His proposed solution (at least by implication) is a police force! It goes without saying that this poses serious issues from a social welfare perspective. If the goal is to remunerate artists, how is policing the best solution? It has high overhead, results in costly liabilities for end users, shuts down the benefiting third-party industries the author bemoans as being free riders, eliminates many of the positive externalities associated with free (both gratis and libre) information spreading, and is unlikely to significantly provide artists with better financial footing. In short: the costs of implementation swamp all benefits. Why should such a complicated and wasteful solution be preferred? A wealth transfer would achieve the desired results without the mess.

I could go on. I do like that he thinks there's a "Free Culture" corporate conspiracy though. Pretty funny.



On Wed, Jun 20, 2012 at 12:11 AM, Jennifer Baek <baek01 <at> gmail.com> wrote:
I like the idea of a response fashioned like the one theoatmeal did. Maybe we can do both a visual piece as well as a written piece?
 
I'm on board to help out with both in collaboration with Questioncopyright. I'm in DC for the summer with too much free time. :>
 
Jennifer
On Tue, Jun 19, 2012 at 12:57 PM, Karl Fogel <kfogel <at> questioncopyright.org> wrote:
FWIW, we've just been discussing over at QuestionCopyright.org whether
to do a length rebuttal of David Lowery's open letter [1].

While it would take a while to construct a good response [2], on the
other hand a good one would likely get some eyeballs -- including some
of the people who saw the original.  So it's a great opportunity.

If anyone here is drafting such a beast, please let us know, here or via
http://questioncopyright.org/contact.  A truly well-done rebuttal is
something we'd love to run; we've just got other stuff in the pipeline
right now that makes it hard to draft a response to this too (lesson #1:
number of opportunities will always exceed available resources :-) ).

I saw http://piratepad.net/KY6e7xIdkm which is a good brainstorm of
ideas, but not, of course, a finished piece.

-Karl

[1] http://thetrichordist.wordpress.com/2012/06/18/letter-to-emily-white-at-
npr-all-songs-considered/


[2] http://theoatmeal.com/blog/tesla_response is one rather nice example
   of how to do such rebuttals :-).

Nate Otto <ottonomy <at> gmail.com> writes:
>I love how the " the duration of the copyright term is pretty much
>irrelevant for an ethical discussion." is so casually slipped in
>there.
>
>The main thrust of what I've read so far is that it is not government's
>responsibility to ensure that artists are fairly compensated. Except
>that it is explicitly Congress's job to "promote the progress of
>science and the useful arts" through arranging the underlying
>principles of the marketplace.
>
>Governments so far have set up a metaphor of intellectual property to
>guide this marketplace, and this article is fully grounded in that
>tradition. I think there are problems with that metaphor that are
>brought to our attention by what digital technology makes possible.
>
>In giving advice to people who want to work in the music industry, I
>would point to reports like "The Sky is Rising" that Ali linked to and
>encourage people to embrace the possibilities of business models not
>built on the artificial scarcity of digital objects. It is not moral
>to create scarcity out of abundance for the cause of rent seeking.
>
>This all might not be relevant to SFC's response to the piece, but I
>completely agree that this is a moral discussion.
>
>But not all moral premises are valid.  When budgeting morally, what
>percent of income does a generation in an average of $25k of debt have
>to spend on CDs? As much as their parents could spend?
>
>Anyway, there is a moral discussion to be had, but it does not start
>from accepting every metaphor that guided the music business before it
>became possible to distribute all music to everyone who wanted it
>without additional costs.
>
>I may have more to add in a day or two, the next time I come up for
>air.
>
>-Nate
>


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Discuss mailing list
Discuss <at> freeculture.org
http://lists.freeculture.org/mailman/listinfo/discuss
FAQ: http://wiki.freeculture.org/Fc-discuss


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Karl Fogel | 19 Jun 2012 19:55
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Re: "[Young people have] been been badly misinformed by the Free Culture movement."

Michael Wolfe <mwolfe <at> post.harvard.edu> writes:
>I think avoiding bear sex is probably for the best at this point in
>time. Maybe later?
>
>Anyhow, this gets me all sorts of riled up. The frustrating part is
>that all 'round the internet, people are calling this "thoughtful" and
>"honest" when it's chock-full of malicious rhetoric (pinning musician
>suicides on an NPR intern's refusal to pay for music?) and flat-out
>misinformation.

That was one of the things that appalled me most about it, yeah.  I
mean, in addition to Lowery's unacknowledged (and questionable) framing
assumptions, he's also indulging in plain rhetorical dirty tricks --
blaming people who share music for musicians' suicides is a *mite* over
the line.

Rich Jones <miserlou <at> gmail.com>
>The essay is long enough and has enough which warrants reply that I
>think an inline, Oatmeal-style reply would work really well! I've
>added the full text of the essay to the PiratePad.

Thanks, Rich.

Jen, please feel to go between the PiratePad and an in-progress QCO page
however is most convenient for you.  We'll be publishing on QCO, but you
may find it easier to draft (and involve others) in the PiratePad, and
for QCO's part we're happy to work at either location.

I've sent you your QCO account info by separate mail, btw.

I agree with Rich that a point-by-point reply, Oatmeal-style, would work
really well here -- but write whatever seems most effective to you.  If
some other strategy seems better, go for it.  To put it mildly, Lowery's
piece offers lots of "surface area" for rebuttal!

Best,
-Karl

>For starters, he writes:
>
>    but simply because it is technologically possible for corporations
>    or individuals to exploit artists work without their permission on
>    a massive scale and globally
>
>
>The fallacy here is that, of course, "technological possibility" is
>what enabled sound recording copyright in the first place. The
>copyright system he treats as a moral imperative is young, not ancient
>— particularly with regard to sound recordings. The author cautions us
>not to conflate technological capability with morality, while hawking
>a morality born of technological capability. Don't get me started!
>
>Ultimately, the piece does little to advance the discourse despite the
>press it's getting. This ain't about solutions for supporting and
>funding culture; it's about berating young whippersnappers for being
>shameless. The only solution is offered in the central analogy: a town
>without any moral concept of theft. Disregarding various problems with
>the quality of the analogy, let's consider the solutions that he uses
>the analogy to propose:
>
>* Pay for police; or
>
>* Let theft run rampant.
>
>His proposed solution (at least by implication) is a police force! It
>goes without saying that this poses serious issues from a social
>welfare perspective. If the goal is to remunerate artists, how is
>policing the best solution? It has high overhead, results in costly
>liabilities for end users, shuts down the benefiting third-party
>industries the author bemoans as being free riders, eliminates many of
>the positive externalities associated with free (both gratis and
>libre) information spreading, and is unlikely to significantly provide
>artists with better financial footing. In short: the costs of
>implementation swamp all benefits. Why should such a complicated and
>wasteful solution be preferred? A wealth transfer would achieve the
>desired results without the mess.
>
>I could go on. I do like that he thinks there's a "Free Culture"
>corporate conspiracy though. Pretty funny.
>
>
>
>On Wed, Jun 20, 2012 at 12:11 AM, Jennifer Baek <baek01 <at> gmail.com>
>wrote:
>
>    I like the idea of a response fashioned like the one theoatmeal
>    did. Maybe we can do both a visual piece as well as a written
>    piece? 
>     
>    I'm on board to help out with both in collaboration with
>    Questioncopyright. I'm in DC for the summer with too much free
>    time. :>
>     
>    Jennifer
>    
>    
>    
>    On Tue, Jun 19, 2012 at 12:57 PM, Karl Fogel
>    <kfogel <at> questioncopyright.org> wrote:
>    
>    FWIW, we've just been discussing over at QuestionCopyright.org
>        whether
>        to do a length rebuttal of David Lowery's open letter [1].
>        
>        While it would take a while to construct a good response [2],
>        on the
>        other hand a good one would likely get some eyeballs --
>        including some
>        of the people who saw the original.  So it's a great
>        opportunity.
>        
>        If anyone here is drafting such a beast, please let us know,
>        here or via
>        http://questioncopyright.org/contact.  A truly well-done
>        rebuttal is
>        something we'd love to run; we've just got other stuff in the
>        pipeline
>        right now that makes it hard to draft a response to this too
>        (lesson #1:
>        number of opportunities will always exceed available resources
>        :-) ).
>        
>        I saw http://piratepad.net/KY6e7xIdkm which is a good
>        brainstorm of
>        ideas, but not, of course, a finished piece.
>        
>        -Karl
>        
>        [1]
>        http://thetrichordist.wordpress.com/2012/06/18/letter-to-emily-
>        white-at-
>        npr-all-songs-considered/
>        
>        [2] http://theoatmeal.com/blog/tesla_response is one rather
>        nice example
>           of how to do such rebuttals :-).
>        
>        
>        
>        Nate Otto <ottonomy <at> gmail.com> writes:
>        >I love how the " the duration of the copyright term is pretty
>        much
>        >irrelevant for an ethical discussion." is so casually slipped
>        in
>        >there.
>        >
>        >The main thrust of what I've read so far is that it is not
>        government's
>        >responsibility to ensure that artists are fairly compensated.
>        Except
>        >that it is explicitly Congress's job to "promote the progress
>        of
>        >science and the useful arts" through arranging the underlying
>        >principles of the marketplace.
>        >
>        >Governments so far have set up a metaphor of intellectual
>        property to
>        >guide this marketplace, and this article is fully grounded in
>        that
>        >tradition. I think there are problems with that metaphor that
>        are
>        >brought to our attention by what digital technology makes
>        possible.
>        >
>        >In giving advice to people who want to work in the music
>        industry, I
>        >would point to reports like "The Sky is Rising" that Ali
>        linked to and
>        >encourage people to embrace the possibilities of business
>        models not
>        >built on the artificial scarcity of digital objects. It is
>        not moral
>        >to create scarcity out of abundance for the cause of rent
>        seeking.
>        >
>        >This all might not be relevant to SFC's response to the
>        piece, but I
>        >completely agree that this is a moral discussion.
>        >
>        >But not all moral premises are valid.  When budgeting
>        morally, what
>        >percent of income does a generation in an average of $25k of
>        debt have
>        >to spend on CDs? As much as their parents could spend?
>        >
>        >Anyway, there is a moral discussion to be had, but it does
>        not start
>        >from accepting every metaphor that guided the music business
>        before it
>        >became possible to distribute all music to everyone who
>        wanted it
>        >without additional costs.
>        >
>        >I may have more to add in a day or two, the next time I come
>        up for
>        >air.
>        >
>        >-Nate
>        >
>        
>        
>        >_______________________________________________
>        >Discuss mailing list
>        >Discuss <at> freeculture.org
>        >http://lists.freeculture.org/mailman/listinfo/discuss
>        >FAQ: http://wiki.freeculture.org/Fc-discuss
>        _______________________________________________
>        Discuss mailing list
>        Discuss <at> freeculture.org
>        http://lists.freeculture.org/mailman/listinfo/discuss
>        FAQ: http://wiki.freeculture.org/Fc-discuss
>        
>
>    
>
>    _______________________________________________
>    Discuss mailing list
>    Discuss <at> freeculture.org
>    http://lists.freeculture.org/mailman/listinfo/discuss
>    FAQ: http://wiki.freeculture.org/Fc-discuss
>    
>    
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Discuss mailing list
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FAQ: http://wiki.freeculture.org/Fc-discuss
abram stern (aphid | 19 Jun 2012 19:35
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Re: "[Young people have] been been badly misinformed by the Free Culture movement."

That'd be fantastic.  I've seen the Lowery piece passed around by a few bands I like and have a lot of respect for, and don't really have the bandwidth atm to craft a pithy response.
-a

On Tue, Jun 19, 2012 at 10:11 AM, Jennifer Baek <baek01 <at> gmail.com> wrote:
I like the idea of a response fashioned like the one theoatmeal did. Maybe we can do both a visual piece as well as a written piece?
 
I'm on board to help out with both in collaboration with Questioncopyright. I'm in DC for the summer with too much free time. :>
 
Jennifer
On Tue, Jun 19, 2012 at 12:57 PM, Karl Fogel <kfogel <at> questioncopyright.org> wrote:
FWIW, we've just been discussing over at QuestionCopyright.org whether
to do a length rebuttal of David Lowery's open letter [1].

While it would take a while to construct a good response [2], on the
other hand a good one would likely get some eyeballs -- including some
of the people who saw the original.  So it's a great opportunity.

If anyone here is drafting such a beast, please let us know, here or via
http://questioncopyright.org/contact.  A truly well-done rebuttal is
something we'd love to run; we've just got other stuff in the pipeline
right now that makes it hard to draft a response to this too (lesson #1:
number of opportunities will always exceed available resources :-) ).

I saw http://piratepad.net/KY6e7xIdkm which is a good brainstorm of
ideas, but not, of course, a finished piece.

-Karl

[1] http://thetrichordist.wordpress.com/2012/06/18/letter-to-emily-white-at-
npr-all-songs-considered/


[2] http://theoatmeal.com/blog/tesla_response is one rather nice example
   of how to do such rebuttals :-).

Nate Otto <ottonomy <at> gmail.com> writes:
>I love how the " the duration of the copyright term is pretty much
>irrelevant for an ethical discussion." is so casually slipped in
>there.
>
>The main thrust of what I've read so far is that it is not government's
>responsibility to ensure that artists are fairly compensated. Except
>that it is explicitly Congress's job to "promote the progress of
>science and the useful arts" through arranging the underlying
>principles of the marketplace.
>
>Governments so far have set up a metaphor of intellectual property to
>guide this marketplace, and this article is fully grounded in that
>tradition. I think there are problems with that metaphor that are
>brought to our attention by what digital technology makes possible.
>
>In giving advice to people who want to work in the music industry, I
>would point to reports like "The Sky is Rising" that Ali linked to and
>encourage people to embrace the possibilities of business models not
>built on the artificial scarcity of digital objects. It is not moral
>to create scarcity out of abundance for the cause of rent seeking.
>
>This all might not be relevant to SFC's response to the piece, but I
>completely agree that this is a moral discussion.
>
>But not all moral premises are valid.  When budgeting morally, what
>percent of income does a generation in an average of $25k of debt have
>to spend on CDs? As much as their parents could spend?
>
>Anyway, there is a moral discussion to be had, but it does not start
>from accepting every metaphor that guided the music business before it
>became possible to distribute all music to everyone who wanted it
>without additional costs.
>
>I may have more to add in a day or two, the next time I come up for
>air.
>
>-Nate
>


_______________________________________________
Discuss mailing list
Discuss <at> freeculture.org
http://lists.freeculture.org/mailman/listinfo/discuss
FAQ: http://wiki.freeculture.org/Fc-discuss


_______________________________________________
Discuss mailing list
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Adi Kamdar | 19 Jun 2012 19:59
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Gravatar

Re: "[Young people have] been been badly misinformed by the Free Culture movement."

A line by line commentary might be easiest and most effective. Rich posted the piece into the piratepad, and I'm gonna spend the next little bit adding my comments. Come! http://piratepad.net/KY6e7xIdkm


Adi



On Tue, Jun 19, 2012 at 10:35 AM, abram stern (aphid) <aphid <at> ucsc.edu> wrote:
That'd be fantastic.  I've seen the Lowery piece passed around by a few bands I like and have a lot of respect for, and don't really have the bandwidth atm to craft a pithy response.
-a


On Tue, Jun 19, 2012 at 10:11 AM, Jennifer Baek <baek01 <at> gmail.com> wrote:
I like the idea of a response fashioned like the one theoatmeal did. Maybe we can do both a visual piece as well as a written piece?
 
I'm on board to help out with both in collaboration with Questioncopyright. I'm in DC for the summer with too much free time. :>
 
Jennifer
On Tue, Jun 19, 2012 at 12:57 PM, Karl Fogel <kfogel <at> questioncopyright.org> wrote:
FWIW, we've just been discussing over at QuestionCopyright.org whether
to do a length rebuttal of David Lowery's open letter [1].

While it would take a while to construct a good response [2], on the
other hand a good one would likely get some eyeballs -- including some
of the people who saw the original.  So it's a great opportunity.

If anyone here is drafting such a beast, please let us know, here or via
http://questioncopyright.org/contact.  A truly well-done rebuttal is
something we'd love to run; we've just got other stuff in the pipeline
right now that makes it hard to draft a response to this too (lesson #1:
number of opportunities will always exceed available resources :-) ).

I saw http://piratepad.net/KY6e7xIdkm which is a good brainstorm of
ideas, but not, of course, a finished piece.

-Karl

[1] http://thetrichordist.wordpress.com/2012/06/18/letter-to-emily-white-at-
npr-all-songs-considered/


[2] http://theoatmeal.com/blog/tesla_response is one rather nice example
   of how to do such rebuttals :-).

Nate Otto <ottonomy <at> gmail.com> writes:
>I love how the " the duration of the copyright term is pretty much
>irrelevant for an ethical discussion." is so casually slipped in
>there.
>
>The main thrust of what I've read so far is that it is not government's
>responsibility to ensure that artists are fairly compensated. Except
>that it is explicitly Congress's job to "promote the progress of
>science and the useful arts" through arranging the underlying
>principles of the marketplace.
>
>Governments so far have set up a metaphor of intellectual property to
>guide this marketplace, and this article is fully grounded in that
>tradition. I think there are problems with that metaphor that are
>brought to our attention by what digital technology makes possible.
>
>In giving advice to people who want to work in the music industry, I
>would point to reports like "The Sky is Rising" that Ali linked to and
>encourage people to embrace the possibilities of business models not
>built on the artificial scarcity of digital objects. It is not moral
>to create scarcity out of abundance for the cause of rent seeking.
>
>This all might not be relevant to SFC's response to the piece, but I
>completely agree that this is a moral discussion.
>
>But not all moral premises are valid.  When budgeting morally, what
>percent of income does a generation in an average of $25k of debt have
>to spend on CDs? As much as their parents could spend?
>
>Anyway, there is a moral discussion to be had, but it does not start
>from accepting every metaphor that guided the music business before it
>became possible to distribute all music to everyone who wanted it
>without additional costs.
>
>I may have more to add in a day or two, the next time I come up for
>air.
>
>-Nate
>


_______________________________________________
Discuss mailing list
Discuss <at> freeculture.org
http://lists.freeculture.org/mailman/listinfo/discuss
FAQ: http://wiki.freeculture.org/Fc-discuss



_______________________________________________
Discuss mailing list
Discuss <at> freeculture.org
http://lists.freeculture.org/mailman/listinfo/discuss
FAQ: http://wiki.freeculture.org/Fc-discuss


_______________________________________________
Discuss mailing list
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http://lists.freeculture.org/mailman/listinfo/discuss
FAQ: http://wiki.freeculture.org/Fc-discuss
Parker Phinney | 19 Jun 2012 20:01
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Gravatar

Re: "[Young people have] been been badly misinformed by the Free Culture movement."

i wonder if this could help:


seems unneedingly douchey to simply link to the fallacies instead of actually spelling them out in the response, but it's a useful reference and for us while writing a response and for any readers of our response who are confused (so we can include it at the end).

On Tue, Jun 19, 2012 at 10:35 AM, abram stern (aphid) <aphid <at> ucsc.edu> wrote:
That'd be fantastic.  I've seen the Lowery piece passed around by a few bands I like and have a lot of respect for, and don't really have the bandwidth atm to craft a pithy response.
-a


On Tue, Jun 19, 2012 at 10:11 AM, Jennifer Baek <baek01 <at> gmail.com> wrote:
I like the idea of a response fashioned like the one theoatmeal did. Maybe we can do both a visual piece as well as a written piece?
 
I'm on board to help out with both in collaboration with Questioncopyright. I'm in DC for the summer with too much free time. :>
 
Jennifer
On Tue, Jun 19, 2012 at 12:57 PM, Karl Fogel <kfogel <at> questioncopyright.org> wrote:
FWIW, we've just been discussing over at QuestionCopyright.org whether
to do a length rebuttal of David Lowery's open letter [1].

While it would take a while to construct a good response [2], on the
other hand a good one would likely get some eyeballs -- including some
of the people who saw the original.  So it's a great opportunity.

If anyone here is drafting such a beast, please let us know, here or via
http://questioncopyright.org/contact.  A truly well-done rebuttal is
something we'd love to run; we've just got other stuff in the pipeline
right now that makes it hard to draft a response to this too (lesson #1:
number of opportunities will always exceed available resources :-) ).

I saw http://piratepad.net/KY6e7xIdkm which is a good brainstorm of
ideas, but not, of course, a finished piece.

-Karl

[1] http://thetrichordist.wordpress.com/2012/06/18/letter-to-emily-white-at-
npr-all-songs-considered/


[2] http://theoatmeal.com/blog/tesla_response is one rather nice example
   of how to do such rebuttals :-).

Nate Otto <ottonomy <at> gmail.com> writes:
>I love how the " the duration of the copyright term is pretty much
>irrelevant for an ethical discussion." is so casually slipped in
>there.
>
>The main thrust of what I've read so far is that it is not government's
>responsibility to ensure that artists are fairly compensated. Except
>that it is explicitly Congress's job to "promote the progress of
>science and the useful arts" through arranging the underlying
>principles of the marketplace.
>
>Governments so far have set up a metaphor of intellectual property to
>guide this marketplace, and this article is fully grounded in that
>tradition. I think there are problems with that metaphor that are
>brought to our attention by what digital technology makes possible.
>
>In giving advice to people who want to work in the music industry, I
>would point to reports like "The Sky is Rising" that Ali linked to and
>encourage people to embrace the possibilities of business models not
>built on the artificial scarcity of digital objects. It is not moral
>to create scarcity out of abundance for the cause of rent seeking.
>
>This all might not be relevant to SFC's response to the piece, but I
>completely agree that this is a moral discussion.
>
>But not all moral premises are valid.  When budgeting morally, what
>percent of income does a generation in an average of $25k of debt have
>to spend on CDs? As much as their parents could spend?
>
>Anyway, there is a moral discussion to be had, but it does not start
>from accepting every metaphor that guided the music business before it
>became possible to distribute all music to everyone who wanted it
>without additional costs.
>
>I may have more to add in a day or two, the next time I come up for
>air.
>
>-Nate
>


_______________________________________________
Discuss mailing list
Discuss <at> freeculture.org
http://lists.freeculture.org/mailman/listinfo/discuss
FAQ: http://wiki.freeculture.org/Fc-discuss



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--
http://www.madebyparker.com
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Elizabeth Stark | 19 Jun 2012 20:09
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Gravatar

Re: "[Young people have] been been badly misinformed by the Free Culture movement."

There's a *lot* to rebut in this article, but one thing that stood out to me is how he says, let's pin this on what artists should make, hey, it's only $17.82 a month! This is what folks supporting systems like a voluntary collective license and other direct-to-artist solutions have been arguing for years — a way to cut out middlemen and find ways to directly remunerate artists. Sadly this argument falls completely flat, as the ~.20 cents per song direct-to-artist scenario is not an option for the purchase of most any music today.


And agreed that pinning the death of people who clearly suffered from mental illness issues on lack of willingness of a generation to pay for music is a cheap shot at best. 

I'd recommend that he read Courtney Love's famous article on the music industry's pillaging of artists: http://www.salon.com/2000/06/14/love_7/.

On Tue, Jun 19, 2012 at 10:35 AM, abram stern (aphid) <aphid <at> ucsc.edu> wrote:
That'd be fantastic.  I've seen the Lowery piece passed around by a few bands I like and have a lot of respect for, and don't really have the bandwidth atm to craft a pithy response.
-a


On Tue, Jun 19, 2012 at 10:11 AM, Jennifer Baek <baek01 <at> gmail.com> wrote:
I like the idea of a response fashioned like the one theoatmeal did. Maybe we can do both a visual piece as well as a written piece?
 
I'm on board to help out with both in collaboration with Questioncopyright. I'm in DC for the summer with too much free time. :>
 
Jennifer
On Tue, Jun 19, 2012 at 12:57 PM, Karl Fogel <kfogel <at> questioncopyright.org> wrote:
FWIW, we've just been discussing over at QuestionCopyright.org whether
to do a length rebuttal of David Lowery's open letter [1].

While it would take a while to construct a good response [2], on the
other hand a good one would likely get some eyeballs -- including some
of the people who saw the original.  So it's a great opportunity.

If anyone here is drafting such a beast, please let us know, here or via
http://questioncopyright.org/contact.  A truly well-done rebuttal is
something we'd love to run; we've just got other stuff in the pipeline
right now that makes it hard to draft a response to this too (lesson #1:
number of opportunities will always exceed available resources :-) ).

I saw http://piratepad.net/KY6e7xIdkm which is a good brainstorm of
ideas, but not, of course, a finished piece.

-Karl

[1] http://thetrichordist.wordpress.com/2012/06/18/letter-to-emily-white-at-
npr-all-songs-considered/


[2] http://theoatmeal.com/blog/tesla_response is one rather nice example
   of how to do such rebuttals :-).

Nate Otto <ottonomy <at> gmail.com> writes:
>I love how the " the duration of the copyright term is pretty much
>irrelevant for an ethical discussion." is so casually slipped in
>there.
>
>The main thrust of what I've read so far is that it is not government's
>responsibility to ensure that artists are fairly compensated. Except
>that it is explicitly Congress's job to "promote the progress of
>science and the useful arts" through arranging the underlying
>principles of the marketplace.
>
>Governments so far have set up a metaphor of intellectual property to
>guide this marketplace, and this article is fully grounded in that
>tradition. I think there are problems with that metaphor that are
>brought to our attention by what digital technology makes possible.
>
>In giving advice to people who want to work in the music industry, I
>would point to reports like "The Sky is Rising" that Ali linked to and
>encourage people to embrace the possibilities of business models not
>built on the artificial scarcity of digital objects. It is not moral
>to create scarcity out of abundance for the cause of rent seeking.
>
>This all might not be relevant to SFC's response to the piece, but I
>completely agree that this is a moral discussion.
>
>But not all moral premises are valid.  When budgeting morally, what
>percent of income does a generation in an average of $25k of debt have
>to spend on CDs? As much as their parents could spend?
>
>Anyway, there is a moral discussion to be had, but it does not start
>from accepting every metaphor that guided the music business before it
>became possible to distribute all music to everyone who wanted it
>without additional costs.
>
>I may have more to add in a day or two, the next time I come up for
>air.
>
>-Nate
>


_______________________________________________
Discuss mailing list
Discuss <at> freeculture.org
http://lists.freeculture.org/mailman/listinfo/discuss
FAQ: http://wiki.freeculture.org/Fc-discuss



_______________________________________________
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Discuss <at> freeculture.org
http://lists.freeculture.org/mailman/listinfo/discuss
FAQ: http://wiki.freeculture.org/Fc-discuss


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Karl Fogel | 19 Jun 2012 21:46
Favicon
Gravatar

Re: "[Young people have] been been badly misinformed by the Free Culture movement."

Elizabeth Stark <emstark <at> gmail.com> writes:
>There's a *lot* to rebut in this article, but one thing that stood out
>to me is how he says, let's pin this on what artists should make, hey,
>it's only $17.82 a month! This is what folks supporting systems like a
>voluntary collective license and other direct-to-artist solutions have
>been arguing for years — a way to cut out middlemen and find ways to
>directly remunerate artists. Sadly this argument falls completely
>flat, as the ~.20 cents per song direct-to-artist scenario is not an
>option for the purchase of most any music today.
>
>And agreed that pinning the death of people who clearly suffered from
>mental illness issues on lack of willingness of a generation to pay
>for music is a cheap shot at best. 
>
>I'd recommend that he read Courtney Love's famous article on the music
>industry's pillaging of
>artists: http://www.salon.com/2000/06/14/love_7/.

Good points all.  

But I'd also caution: to accept his frame that it's about numbers ("Hmm,
which way makes more measurable/reliable income for artists?  Whichever
way it is, must be the best!") is to lose the argument before it begins.

Numbers are part of the story -- but so is freedom, and people sharing
music they love, and helping artists over the long term by getting the
word out and creating new fans.

One of the traps of rebuttals is that even as they refute every
individual point, they still end up affirming the overall frame of
reference & assumptions of the piece being rebutted.  This rebuttal
needs to refute the worst points (and rhetorical excesses) in Lowery's
piece, but it also needs to completely reframe the issue.

-K

>On Tue, Jun 19, 2012 at 10:35 AM, abram stern (aphid) <aphid <at> ucsc.edu>
>wrote:
>
>    That'd be fantastic.  I've seen the Lowery piece passed around by
>    a few bands I like and have a lot of respect for, and don't really
>    have the bandwidth atm to craft a pithy response.
>    -a
>    
>    
>    
>    
>    On Tue, Jun 19, 2012 at 10:11 AM, Jennifer Baek <baek01 <at> gmail.com>
>    wrote:
>    
>    
>        I like the idea of a response fashioned like the one
>        theoatmeal did. Maybe we can do both a visual piece as well as
>        a written piece? 
>         
>        I'm on board to help out with both in collaboration with
>        Questioncopyright. I'm in DC for the summer with too much free
>        time. :>
>         
>        Jennifer
>        
>        
>        
>        On Tue, Jun 19, 2012 at 12:57 PM, Karl Fogel
>        <kfogel <at> questioncopyright.org> wrote:
>        
>        FWIW, we've just been discussing over at QuestionCopyright.org
>            whether
>            to do a length rebuttal of David Lowery's open letter [1].
>            
>            While it would take a while to construct a good response
>            [2], on the
>            other hand a good one would likely get some eyeballs --
>            including some
>            of the people who saw the original.  So it's a great
>            opportunity.
>            
>            If anyone here is drafting such a beast, please let us
>            know, here or via
>            http://questioncopyright.org/contact.  A truly well-done
>            rebuttal is
>            something we'd love to run; we've just got other stuff in
>            the pipeline
>            right now that makes it hard to draft a response to this
>            too (lesson #1:
>            number of opportunities will always exceed available
>            resources :-) ).
>            
>            I saw http://piratepad.net/KY6e7xIdkm which is a good
>            brainstorm of
>            ideas, but not, of course, a finished piece.
>            
>            -Karl
>            
>            [1]
>            http://thetrichordist.wordpress.com/2012/06/18/letter-to-emily-
>            white-at-
>            npr-all-songs-considered/
>            
>            [2] http://theoatmeal.com/blog/tesla_response is one
>            rather nice example
>               of how to do such rebuttals :-).
>            
>            
>            
>            Nate Otto <ottonomy <at> gmail.com> writes:
>            >I love how the " the duration of the copyright term is
>            pretty much
>            >irrelevant for an ethical discussion." is so casually
>            slipped in
>            >there.
>            >
>            >The main thrust of what I've read so far is that it is
>            not government's
>            >responsibility to ensure that artists are fairly
>            compensated. Except
>            >that it is explicitly Congress's job to "promote the
>            progress of
>            >science and the useful arts" through arranging the
>            underlying
>            >principles of the marketplace.
>            >
>            >Governments so far have set up a metaphor of intellectual
>            property to
>            >guide this marketplace, and this article is fully
>            grounded in that
>            >tradition. I think there are problems with that metaphor
>            that are
>            >brought to our attention by what digital technology makes
>            possible.
>            >
>            >In giving advice to people who want to work in the music
>            industry, I
>            >would point to reports like "The Sky is Rising" that Ali
>            linked to and
>            >encourage people to embrace the possibilities of business
>            models not
>            >built on the artificial scarcity of digital objects. It
>            is not moral
>            >to create scarcity out of abundance for the cause of rent
>            seeking.
>            >
>            >This all might not be relevant to SFC's response to the
>            piece, but I
>            >completely agree that this is a moral discussion.
>            >
>            >But not all moral premises are valid.  When budgeting
>            morally, what
>            >percent of income does a generation in an average of $25k
>            of debt have
>            >to spend on CDs? As much as their parents could spend?
>            >
>            >Anyway, there is a moral discussion to be had, but it
>            does not start
>            >from accepting every metaphor that guided the music
>            business before it
>            >became possible to distribute all music to everyone who
>            wanted it
>            >without additional costs.
>            >
>            >I may have more to add in a day or two, the next time I
>            come up for
>            >air.
>            >
>            >-Nate
>            >
>            
>            
>            >_______________________________________________
>            >Discuss mailing list
>            >Discuss <at> freeculture.org
>            >http://lists.freeculture.org/mailman/listinfo/discuss
>            >FAQ: http://wiki.freeculture.org/Fc-discuss
>            _______________________________________________
>            Discuss mailing list
>            Discuss <at> freeculture.org
>            http://lists.freeculture.org/mailman/listinfo/discuss
>            FAQ: http://wiki.freeculture.org/Fc-discuss
>            
>
>        
>
>        _______________________________________________
>        Discuss mailing list
>        Discuss <at> freeculture.org
>        http://lists.freeculture.org/mailman/listinfo/discuss
>        FAQ: http://wiki.freeculture.org/Fc-discuss
>        
>        
>
>    
>
>    _______________________________________________
>    Discuss mailing list
>    Discuss <at> freeculture.org
>    http://lists.freeculture.org/mailman/listinfo/discuss
>    FAQ: http://wiki.freeculture.org/Fc-discuss
>    
>    
>
>_______________________________________________
>Discuss mailing list
>Discuss <at> freeculture.org
>http://lists.freeculture.org/mailman/listinfo/discuss
>FAQ: http://wiki.freeculture.org/Fc-discuss
_______________________________________________
Discuss mailing list
Discuss <at> freeculture.org
http://lists.freeculture.org/mailman/listinfo/discuss
FAQ: http://wiki.freeculture.org/Fc-discuss
Thomas Levine | 19 Jun 2012 21:59
Favicon
Gravatar

Re: "[Young people have] been been badly misinformed by the Free Culture movement."

When someone says things so grossly wrong as to warrant the line-by-line corrections that we are preparing, I generally wonder what drove the person to say such things.

On Tue, Jun 19, 2012 at 12:46 PM, Karl Fogel <kfogel <at> questioncopyright.org> wrote:
Elizabeth Stark <emstark <at> gmail.com> writes:
>There's a *lot* to rebut in this article, but one thing that stood out
>to me is how he says, let's pin this on what artists should make, hey,
>it's only $17.82 a month! This is what folks supporting systems like a
>voluntary collective license and other direct-to-artist solutions have
>been arguing for years — a way to cut out middlemen and find ways to
>directly remunerate artists. Sadly this argument falls completely
>flat, as the ~.20 cents per song direct-to-artist scenario is not an
>option for the purchase of most any music today.
>
>And agreed that pinning the death of people who clearly suffered from
>mental illness issues on lack of willingness of a generation to pay
>for music is a cheap shot at best. 
>
>I'd recommend that he read Courtney Love's famous article on the music
>industry's pillaging of
>artists: http://www.salon.com/2000/06/14/love_7/.

Good points all.

But I'd also caution: to accept his frame that it's about numbers ("Hmm,
which way makes more measurable/reliable income for artists?  Whichever
way it is, must be the best!") is to lose the argument before it begins.

Numbers are part of the story -- but so is freedom, and people sharing
music they love, and helping artists over the long term by getting the
word out and creating new fans.

One of the traps of rebuttals is that even as they refute every
individual point, they still end up affirming the overall frame of
reference & assumptions of the piece being rebutted.  This rebuttal
needs to refute the worst points (and rhetorical excesses) in Lowery's
piece, but it also needs to completely reframe the issue.

-K

>On Tue, Jun 19, 2012 at 10:35 AM, abram stern (aphid) <aphid <at> ucsc.edu>
>wrote:
>
>    That'd be fantastic.  I've seen the Lowery piece passed around by
>    a few bands I like and have a lot of respect for, and don't really
>    have the bandwidth atm to craft a pithy response.
>    -a
>
>
>
>
>    On Tue, Jun 19, 2012 at 10:11 AM, Jennifer Baek <baek01 <at> gmail.com>
>    wrote:
>
>
>        I like the idea of a response fashioned like the one
>        theoatmeal did. Maybe we can do both a visual piece as well as
>        a written piece?
>         
>        I'm on board to help out with both in collaboration with
>        Questioncopyright. I'm in DC for the summer with too much free
>        time. :>
>         
>        Jennifer
>
>
>
>        On Tue, Jun 19, 2012 at 12:57 PM, Karl Fogel
>        <kfogel <at> questioncopyright.org> wrote:
>
>        FWIW, we've just been discussing over at QuestionCopyright.org
>            whether
>            to do a length rebuttal of David Lowery's open letter [1].
>
>            While it would take a while to construct a good response
>            [2], on the
>            other hand a good one would likely get some eyeballs --
>            including some
>            of the people who saw the original.  So it's a great
>            opportunity.
>
>            If anyone here is drafting such a beast, please let us
>            know, here or via
>            http://questioncopyright.org/contact.  A truly well-done
>            rebuttal is
>            something we'd love to run; we've just got other stuff in
>            the pipeline
>            right now that makes it hard to draft a response to this
>            too (lesson #1:
>            number of opportunities will always exceed available
>            resources :-) ).
>
>            I saw http://piratepad.net/KY6e7xIdkm which is a good
>            brainstorm of
>            ideas, but not, of course, a finished piece.
>
>            -Karl
>
>            [1]
>            http://thetrichordist.wordpress.com/2012/06/18/letter-to-emily-
>            white-at-
>            npr-all-songs-considered/
>
>            [2] http://theoatmeal.com/blog/tesla_response is one
>            rather nice example
>               of how to do such rebuttals :-).
>
>
>
>            Nate Otto <ottonomy <at> gmail.com> writes:
>            >I love how the " the duration of the copyright term is
>            pretty much
>            >irrelevant for an ethical discussion." is so casually
>            slipped in
>            >there.
>            >
>            >The main thrust of what I've read so far is that it is
>            not government's
>            >responsibility to ensure that artists are fairly
>            compensated. Except
>            >that it is explicitly Congress's job to "promote the
>            progress of
>            >science and the useful arts" through arranging the
>            underlying
>            >principles of the marketplace.
>            >
>            >Governments so far have set up a metaphor of intellectual
>            property to
>            >guide this marketplace, and this article is fully
>            grounded in that
>            >tradition. I think there are problems with that metaphor
>            that are
>            >brought to our attention by what digital technology makes
>            possible.
>            >
>            >In giving advice to people who want to work in the music
>            industry, I
>            >would point to reports like "The Sky is Rising" that Ali
>            linked to and
>            >encourage people to embrace the possibilities of business
>            models not
>            >built on the artificial scarcity of digital objects. It
>            is not moral
>            >to create scarcity out of abundance for the cause of rent
>            seeking.
>            >
>            >This all might not be relevant to SFC's response to the
>            piece, but I
>            >completely agree that this is a moral discussion.
>            >
>            >But not all moral premises are valid.  When budgeting
>            morally, what
>            >percent of income does a generation in an average of $25k
>            of debt have
>            >to spend on CDs? As much as their parents could spend?
>            >
>            >Anyway, there is a moral discussion to be had, but it
>            does not start
>            >from accepting every metaphor that guided the music
>            business before it
>            >became possible to distribute all music to everyone who
>            wanted it
>            >without additional costs.
>            >
>            >I may have more to add in a day or two, the next time I
>            come up for
>            >air.
>            >
>            >-Nate
>            >
>
>
>            >_______________________________________________
>            >Discuss mailing list
>            >Discuss <at> freeculture.org
>            >http://lists.freeculture.org/mailman/listinfo/discuss
>            >FAQ: http://wiki.freeculture.org/Fc-discuss
>            _______________________________________________
>            Discuss mailing list
>            Discuss <at> freeculture.org
>            http://lists.freeculture.org/mailman/listinfo/discuss
>            FAQ: http://wiki.freeculture.org/Fc-discuss
>
>
>
>
>        _______________________________________________
>        Discuss mailing list
>        Discuss <at> freeculture.org
>        http://lists.freeculture.org/mailman/listinfo/discuss
>        FAQ: http://wiki.freeculture.org/Fc-discuss
>
>
>
>
>
>    _______________________________________________
>    Discuss mailing list
>    Discuss <at> freeculture.org
>    http://lists.freeculture.org/mailman/listinfo/discuss
>    FAQ: http://wiki.freeculture.org/Fc-discuss
>
>
>
>_______________________________________________
>Discuss mailing list
>Discuss <at> freeculture.org
>http://lists.freeculture.org/mailman/listinfo/discuss
>FAQ: http://wiki.freeculture.org/Fc-discuss
_______________________________________________
Discuss mailing list
Discuss <at> freeculture.org
http://lists.freeculture.org/mailman/listinfo/discuss
FAQ: http://wiki.freeculture.org/Fc-discuss

_______________________________________________
Discuss mailing list
Discuss <at> freeculture.org
http://lists.freeculture.org/mailman/listinfo/discuss
FAQ: http://wiki.freeculture.org/Fc-discuss
Alec Story | 19 Jun 2012 22:02
Picon
Favicon
Gravatar

Re: "[Young people have] been been badly misinformed by the Free Culture movement."

I think it's pretty clear the monetary interest the music industry has in discrediting the free culture movement.  This article is one battle in that war.

On Tue, Jun 19, 2012 at 3:59 PM, Thomas Levine <perluette <at> thomaslevine.com> wrote:
When someone says things so grossly wrong as to warrant the line-by-line corrections that we are preparing, I generally wonder what drove the person to say such things.


On Tue, Jun 19, 2012 at 12:46 PM, Karl Fogel <kfogel <at> questioncopyright.org> wrote:
Elizabeth Stark <emstark <at> gmail.com> writes:
>There's a *lot* to rebut in this article, but one thing that stood out
>to me is how he says, let's pin this on what artists should make, hey,
>it's only $17.82 a month! This is what folks supporting systems like a
>voluntary collective license and other direct-to-artist solutions have
>been arguing for years — a way to cut out middlemen and find ways to
>directly remunerate artists. Sadly this argument falls completely
>flat, as the ~.20 cents per song direct-to-artist scenario is not an
>option for the purchase of most any music today.
>
>And agreed that pinning the death of people who clearly suffered from
>mental illness issues on lack of willingness of a generation to pay
>for music is a cheap shot at best. 
>
>I'd recommend that he read Courtney Love's famous article on the music
>industry's pillaging of
>artists: http://www.salon.com/2000/06/14/love_7/.

Good points all.

But I'd also caution: to accept his frame that it's about numbers ("Hmm,
which way makes more measurable/reliable income for artists?  Whichever
way it is, must be the best!") is to lose the argument before it begins.

Numbers are part of the story -- but so is freedom, and people sharing
music they love, and helping artists over the long term by getting the
word out and creating new fans.

One of the traps of rebuttals is that even as they refute every
individual point, they still end up affirming the overall frame of
reference & assumptions of the piece being rebutted.  This rebuttal
needs to refute the worst points (and rhetorical excesses) in Lowery's
piece, but it also needs to completely reframe the issue.

-K

>On Tue, Jun 19, 2012 at 10:35 AM, abram stern (aphid) <aphid <at> ucsc.edu>
>wrote:
>
>    That'd be fantastic.  I've seen the Lowery piece passed around by
>    a few bands I like and have a lot of respect for, and don't really
>    have the bandwidth atm to craft a pithy response.
>    -a
>
>
>
>
>    On Tue, Jun 19, 2012 at 10:11 AM, Jennifer Baek <baek01 <at> gmail.com>
>    wrote:
>
>
>        I like the idea of a response fashioned like the one
>        theoatmeal did. Maybe we can do both a visual piece as well as
>        a written piece?
>         
>        I'm on board to help out with both in collaboration with
>        Questioncopyright. I'm in DC for the summer with too much free
>        time. :>
>         
>        Jennifer
>
>
>
>        On Tue, Jun 19, 2012 at 12:57 PM, Karl Fogel
>        <kfogel <at> questioncopyright.org> wrote:
>
>        FWIW, we've just been discussing over at QuestionCopyright.org
>            whether
>            to do a length rebuttal of David Lowery's open letter [1].
>
>            While it would take a while to construct a good response
>            [2], on the
>            other hand a good one would likely get some eyeballs --
>            including some
>            of the people who saw the original.  So it's a great
>            opportunity.
>
>            If anyone here is drafting such a beast, please let us
>            know, here or via
>            http://questioncopyright.org/contact.  A truly well-done
>            rebuttal is
>            something we'd love to run; we've just got other stuff in
>            the pipeline
>            right now that makes it hard to draft a response to this
>            too (lesson #1:
>            number of opportunities will always exceed available
>            resources :-) ).
>
>            I saw http://piratepad.net/KY6e7xIdkm which is a good
>            brainstorm of
>            ideas, but not, of course, a finished piece.
>
>            -Karl
>
>            [1]
>            http://thetrichordist.wordpress.com/2012/06/18/letter-to-emily-
>            white-at-
>            npr-all-songs-considered/
>
>            [2] http://theoatmeal.com/blog/tesla_response is one
>            rather nice example
>               of how to do such rebuttals :-).
>
>
>
>            Nate Otto <ottonomy <at> gmail.com> writes:
>            >I love how the " the duration of the copyright term is
>            pretty much
>            >irrelevant for an ethical discussion." is so casually
>            slipped in
>            >there.
>            >
>            >The main thrust of what I've read so far is that it is
>            not government's
>            >responsibility to ensure that artists are fairly
>            compensated. Except
>            >that it is explicitly Congress's job to "promote the
>            progress of
>            >science and the useful arts" through arranging the
>            underlying
>            >principles of the marketplace.
>            >
>            >Governments so far have set up a metaphor of intellectual
>            property to
>            >guide this marketplace, and this article is fully
>            grounded in that
>            >tradition. I think there are problems with that metaphor
>            that are
>            >brought to our attention by what digital technology makes
>            possible.
>            >
>            >In giving advice to people who want to work in the music
>            industry, I
>            >would point to reports like "The Sky is Rising" that Ali
>            linked to and
>            >encourage people to embrace the possibilities of business
>            models not
>            >built on the artificial scarcity of digital objects. It
>            is not moral
>            >to create scarcity out of abundance for the cause of rent
>            seeking.
>            >
>            >This all might not be relevant to SFC's response to the
>            piece, but I
>            >completely agree that this is a moral discussion.
>            >
>            >But not all moral premises are valid.  When budgeting
>            morally, what
>            >percent of income does a generation in an average of $25k
>            of debt have
>            >to spend on CDs? As much as their parents could spend?
>            >
>            >Anyway, there is a moral discussion to be had, but it
>            does not start
>            >from accepting every metaphor that guided the music
>            business before it
>            >became possible to distribute all music to everyone who
>            wanted it
>            >without additional costs.
>            >
>            >I may have more to add in a day or two, the next time I
>            come up for
>            >air.
>            >
>            >-Nate
>            >
>
>
>            >_______________________________________________
>            >Discuss mailing list
>            >Discuss <at> freeculture.org
>            >http://lists.freeculture.org/mailman/listinfo/discuss
>            >FAQ: http://wiki.freeculture.org/Fc-discuss
>            _______________________________________________
>            Discuss mailing list
>            Discuss <at> freeculture.org
>            http://lists.freeculture.org/mailman/listinfo/discuss
>            FAQ: http://wiki.freeculture.org/Fc-discuss
>
>
>
>
>        _______________________________________________
>        Discuss mailing list
>        Discuss <at> freeculture.org
>        http://lists.freeculture.org/mailman/listinfo/discuss
>        FAQ: http://wiki.freeculture.org/Fc-discuss
>
>
>
>
>
>    _______________________________________________
>    Discuss mailing list
>    Discuss <at> freeculture.org
>    http://lists.freeculture.org/mailman/listinfo/discuss
>    FAQ: http://wiki.freeculture.org/Fc-discuss
>
>
>
>_______________________________________________
>Discuss mailing list
>Discuss <at> freeculture.org
>http://lists.freeculture.org/mailman/listinfo/discuss
>FAQ: http://wiki.freeculture.org/Fc-discuss
_______________________________________________
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FAQ: http://wiki.freeculture.org/Fc-discuss


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--
Alec Story
Cornell University
Biological Sciences, Computer Science 2012
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Rob Myers | 19 Jun 2012 22:30
Gravatar

Re: "[Young people have] been been badly misinformed by the Free Culture movement."

On 06/19/2012 08:46 PM, Karl Fogel wrote:
> This rebuttal
> needs to refute the worst points (and rhetorical excesses) in Lowery's
> piece, but it also needs to completely reframe the issue.

This is a very good point. Refute, then Judo throw to reframe...

- Rob.
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Lagroue, Jared (student | 19 Jun 2012 21:12
Favicon

Re: the "other" free culture movement -- SOPA inspired?

Ali, I'm writing my master's thesis on the viral movement that arose against SOPA, and this is exactly what I'm looking for:

"I've seen similar claims made related to the misconception of the public momentum against SOPA being primarily orchestrated and financed by Google, but I'm not sure if that's related."  If you could hook me up with places you've seen that, I'd be really grateful!

In a kind of way, a "free culture" movement did arise as part of this viral movement against SOPA -- yet it lacked the level of definition that our "Free Culture" movement has.  For some, it was all out anti-IP (free=gratis).  For others, it was about preserving participatory culture & protecting noncommercial re-use & transformation of media -- essentially people wanting to use others' photos on their tumblr accounts, etc. (free=libre).  Which mirrors our own cause.  Yet a lot of claims were bought into about the "shutting down" of social networks, and the movement really exaggerated the idea of internet censorship... to cause more emotional than rational opposition, and thus a lack of clarity on what people really were standing for.

In terms of this article, however, it seems that the authors have coined their own "free culture" movement as they understand it, based on an anti-property paradigm (I had friends posting on facebook about whether we should abandon IP during SOPA), and ignorant of what exists in terms of our "Free Culture".  I suppose this is a case of "they know nothing of my work".  I wonder if this was borrowed from the SOPA movement.

Which makes me curious, what presence and outreach did we, Free Culture, have during SOPA in reaching out to the viral movement?  Do we have a twitter?  Were we "preaching" our conception of "libre" freedom? Or were we "clumped" with everyone else, leading to these possible mis-characterizations?  

Also, Fred Benenson, if you're reading this, your visualization of SOPA on twitter is completely awesome! I'd love to chat about it, and possibly use the data in my research, with permission.  (http://fredbenenson.com/blog/2012/01/18/twitter-conversations-about-sopa/)

Thoughts welcome,

Jared



On Jun 19, 2012, at 8:51 AM, Ali Sternburg wrote:

Thanks!  Good stuff.

More on the Cary Sherman talk here:  http://news.cnet.com/8301-1023_3-57450807-93/riaa-ceo-cary-sherman-walks-into-tech-lions-den/

More music industry data here (this was prepared for Wednesday's hearing on the potential UMG-EMI merger):  http://www.consumerfed.org/pdfs/Studies.CaseAganstUMG-EMIMerger.pdf

On Tue, Jun 19, 2012 at 11:37 AM, Jennifer Baek <baek01 <at> gmail.com> wrote:
Forgive me if this is a little ranty. I'm at work, but wanted to respond.
 
Statistics will be different depending on where its coming from. At Personal Democracy Forum, Clay Sherman from the RIAA spouted statistics, which may hold truth in some contexts. Sherman said there are 41 percent fewer people describing themselves as musicians now then in 1999. John Perry Barlow. who spoke after Sherman. said that he believes more people than ever are earning a living from music because they don't have to deal with music labels. Who's right??
 
I like to think that one's assessment of the harm to the music "industry" depends on how you look at or want to define the industry: Is the industry defined by record sales? Is the industry defined by record labels? Or is it defined by how many musicians are out there making a living? How many people are listening, attending, concerts, and/or buying merch? What is the definition of harm and who is being harmed? I think it needs to be clarified who's stakes we are really talking about before we can work towards any sort of solution.
 
Here's the link to his talk:
http://personaldemocracy.com/media/music-industry-digital-age
The argument made in this "Letter to Emily" seems quite dated. Even the RIAA-guy recognizes that the music industry and the means of making revenue are changing. The "music industry" is catching on that they should work to meet consumer behavior and expectations, and part of this entails working with technology companies and innovators to come up with new business models to save the industry. Sherman cited things like Spotify, which more and more of my facebook friends are catching on to, Rhapsody, etc. Hey, these things work and people use it! Maybe it's not bringing the industry to its former "glory." Yes, the BIG THREE are no longer the gatekeepers exploiting, aggrandizing, and profitting off of artists. (How much do musicians make from record sales anyways? Such a small %. I mean... there is something called a 360 deal).  Look, I don't really see that as such a bad thing.
 
I agree with Ali, SFC should release a statement-- or at the very least tackle whatever misconception there is about free culture. We can collectively work on one in an Etherpad!
 
Thx for reading,
Jennifer
On Tue, Jun 19, 2012 at 11:13 AM, Ali Sternburg <alisternburg <at> gmail.com> wrote:

(Disclaimer: I've only skimmed, and I don't know anything about the author or the site.)

I'm not even sure who and what he's referring to every time he says Free Culture (which he capitalizes) movement.  People who don't pay for music but just because they're lazy and cheap and not because of principles?  I think a response by the SFC Board or Core could be warranted.  This article is getting a lot of comments and shares.  (Example:  I'm Facebook friends with Rivers Cuomo from Weezer for some reason (I think because we went to the same college and I saw a lot of friends were, I don't remember) and he shared it.)

Alex, I've seen similar claims made related to the misconception of the public momentum against SOPA being primarily orchestrated and financed by Google, but I'm not sure if that's related.

Alec, in response to those numbers, some excerpts from:  http://www.techdirt.com/skyisrising/ (the annotated Google Doc version)

On the consumption side, music is also being consumed at near record-setting levels. According to Nielsen SoundScan figures, the overall sale of music (including albums, singles, digital tracks, etc.) exceeded 1.5 billion transactions in 2010. That's up from 845 million transactions in 2000. These overall sales figures seem to rise and fall a bit over the years, but they don't necessarily drop during economic recessions.

...

In 2005, the IFPI estimated the global music industry to be worth $132 billion -- which included revenues from music in radio advertising, recorded music sales, musical instrument sales, live performance revenues and portable digital music player sales (among a few other income categories). By 2010, the IFPI estimated the market to be worth $168 billion, but it had also changed how it categorized some of the revenues and added categories such as audio home systems, music-related video game sales and music revenues from TV advertising (in addition to a few other categories).

...

But, despite the increasing production and consumption of music, the music industry doesn't seem rosy to everyone. The revenues from recorded music, such as CD sales, have been falling steadily over the last several years. This shouldn't come as a huge surprise, either. Historically, music has been sold on various kinds of physical media: vinyl records, 8-track tapes, cassette tapes, CDs and other less well-known formats. Each of these formats has seen its peak, and each of them may someday cease to be sold entirely -- though that time has not come yet even for vinyl (as there are signs that vinyl records still have plenty of useful life left and their sales were up ~41% for 2011). Still, as the CD format wanes, the revenues from selling CD albums are diminishing, too. The problem, it seems, is that consumers are buying more single tracks now instead of entire albums and that consumers have an expectation that digital music tracks should be cheaper than purchasing plastic discs. The result is that the number of single digital tracks purchased is rising (initially with double-digit growth), but the revenue from selling single tracks isn't matching that of the peak years of selling CD albums. This trend was apparent in 2007, as the volume of physical recorded music was dropping (also by double digit percentages). The problem here is that the major labels have been relying on CD sales as their main income stream and are only just starting to diversify their revenue and business models. Interestingly, a former executive at Universal Music, Tim Renner, has said that the major labels had a chance to diversify their income streams when "they had the money and could have built the competence by buying concert agencies and merchandising companies." However, this hindsight isn't necessarily the way forward for the major music labels now.

On Tue, Jun 19, 2012 at 9:44 AM, Alec Story <avs38 <at> cornell.edu> wrote:
The letter quotes some numbers:

Recorded music revenue is down 64% since 1999.

Per capita spending on music is 47% lower than it was in 1973!!

The number of professional musicians has fallen 25% since 2000.

Of the 75,000 albums released in 2010 only 2,000 sold more than 5,000 copies. Only 1,000 sold more than 10,000 copies. Without going into details, 10,000 albums is about the point where independent artists begin to go into the black on professional album production, marketing and promotion.


This is the first time I've heard that - everything else I've seen has suggested that big media companies have been growing just fine in the past decade.  Can anyone who knows better comment?  I'm sure that some of the revenue decrease is just due to the un-bundling of the album.

On Mon, Jun 18, 2012 at 10:04 PM, Alex Leavitt <alexleavitt <at> gmail.com> wrote:
Don't have much time to respond with anything lengthy at the moment; mainly wanted to share, since it garnered so many (supportive) comments. I think my main criticism is the characterization of the "free culture movement" as led by corporate stakeholders (eg., Megaupload, Google, etc.). I really felt like that came out of left field, but I've also never seen that critique before, so I'm wondering if anyone had additional thoughts.



On Mon, Jun 18, 2012 at 6:54 PM, Rich Jones <rich <at> anomos.info> wrote:
Interesting, Alex - would you like to share your opinions and start a discussion?

This is the author, for those interested: http://en.wikipedia.org/wiki/David_Lowery

R

On Mon, Jun 18, 2012 at 6:33 PM, Alex Leavitt <alexleavitt <at> gmail.com> wrote:
http://thetrichordist.wordpress.com/2012/06/18/letter-to-emily-white-at-npr-all-songs-considered/

Alex

---

Alexander Leavitt
PhD Student
USC Annenberg School for Communication & Journalism
http://alexleavitt.com
Twitter: <at> alexleavitt





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Biological Sciences, Computer Science 2012

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<ATT00001..txt>

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Elizabeth Stark | 19 Jun 2012 21:30
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Gravatar

Re: the "other" free culture movement -- SOPA inspired?

FWIW, lots of folks that spent years involved in the free culture movement were directly involved in organizing the anti-SOPA campaign (Fred, Parker, Tiffiniy, Holmes, myself).


Here's one example of a particularly outlandish claim to Google's orchestration of the movement: http://www.forbes.com/sites/scottcleland/2012/01/24/the-real-reasons-google-killed-sopapipa/.

On Tue, Jun 19, 2012 at 12:12 PM, Lagroue, Jared (student) <Jared.Lagroue <at> pepperdine.edu> wrote:
Ali, I'm writing my master's thesis on the viral movement that arose against SOPA, and this is exactly what I'm looking for:

"I've seen similar claims made related to the misconception of the public momentum against SOPA being primarily orchestrated and financed by Google, but I'm not sure if that's related."  If you could hook me up with places you've seen that, I'd be really grateful!

In a kind of way, a "free culture" movement did arise as part of this viral movement against SOPA -- yet it lacked the level of definition that our "Free Culture" movement has.  For some, it was all out anti-IP (free=gratis).  For others, it was about preserving participatory culture & protecting noncommercial re-use & transformation of media -- essentially people wanting to use others' photos on their tumblr accounts, etc. (free=libre).  Which mirrors our own cause.  Yet a lot of claims were bought into about the "shutting down" of social networks, and the movement really exaggerated the idea of internet censorship... to cause more emotional than rational opposition, and thus a lack of clarity on what people really were standing for.

In terms of this article, however, it seems that the authors have coined their own "free culture" movement as they understand it, based on an anti-property paradigm (I had friends posting on facebook about whether we should abandon IP during SOPA), and ignorant of what exists in terms of our "Free Culture".  I suppose this is a case of "they know nothing of my work".  I wonder if this was borrowed from the SOPA movement.

Which makes me curious, what presence and outreach did we, Free Culture, have during SOPA in reaching out to the viral movement?  Do we have a twitter?  Were we "preaching" our conception of "libre" freedom? Or were we "clumped" with everyone else, leading to these possible mis-characterizations?  

Also, Fred Benenson, if you're reading this, your visualization of SOPA on twitter is completely awesome! I'd love to chat about it, and possibly use the data in my research, with permission.  (http://fredbenenson.com/blog/2012/01/18/twitter-conversations-about-sopa/)

Thoughts welcome,

Jared



On Jun 19, 2012, at 8:51 AM, Ali Sternburg wrote:

Thanks!  Good stuff.

More on the Cary Sherman talk here:  http://news.cnet.com/8301-1023_3-57450807-93/riaa-ceo-cary-sherman-walks-into-tech-lions-den/

More music industry data here (this was prepared for Wednesday's hearing on the potential UMG-EMI merger):  http://www.consumerfed.org/pdfs/Studies.CaseAganstUMG-EMIMerger.pdf

On Tue, Jun 19, 2012 at 11:37 AM, Jennifer Baek <baek01 <at> gmail.com> wrote:
Forgive me if this is a little ranty. I'm at work, but wanted to respond.
 
Statistics will be different depending on where its coming from. At Personal Democracy Forum, Clay Sherman from the RIAA spouted statistics, which may hold truth in some contexts. Sherman said there are 41 percent fewer people describing themselves as musicians now then in 1999. John Perry Barlow. who spoke after Sherman. said that he believes more people than ever are earning a living from music because they don't have to deal with music labels. Who's right??
 
I like to think that one's assessment of the harm to the music "industry" depends on how you look at or want to define the industry: Is the industry defined by record sales? Is the industry defined by record labels? Or is it defined by how many musicians are out there making a living? How many people are listening, attending, concerts, and/or buying merch? What is the definition of harm and who is being harmed? I think it needs to be clarified who's stakes we are really talking about before we can work towards any sort of solution.
 
Here's the link to his talk:
http://personaldemocracy.com/media/music-industry-digital-age
The argument made in this "Letter to Emily" seems quite dated. Even the RIAA-guy recognizes that the music industry and the means of making revenue are changing. The "music industry" is catching on that they should work to meet consumer behavior and expectations, and part of this entails working with technology companies and innovators to come up with new business models to save the industry. Sherman cited things like Spotify, which more and more of my facebook friends are catching on to, Rhapsody, etc. Hey, these things work and people use it! Maybe it's not bringing the industry to its former "glory." Yes, the BIG THREE are no longer the gatekeepers exploiting, aggrandizing, and profitting off of artists. (How much do musicians make from record sales anyways? Such a small %. I mean... there is something called a 360 deal).  Look, I don't really see that as such a bad thing.
 
I agree with Ali, SFC should release a statement-- or at the very least tackle whatever misconception there is about free culture. We can collectively work on one in an Etherpad!
 
Thx for reading,
Jennifer
On Tue, Jun 19, 2012 at 11:13 AM, Ali Sternburg <alisternburg <at> gmail.com> wrote:

(Disclaimer: I've only skimmed, and I don't know anything about the author or the site.)

I'm not even sure who and what he's referring to every time he says Free Culture (which he capitalizes) movement.  People who don't pay for music but just because they're lazy and cheap and not because of principles?  I think a response by the SFC Board or Core could be warranted.  This article is getting a lot of comments and shares.  (Example:  I'm Facebook friends with Rivers Cuomo from Weezer for some reason (I think because we went to the same college and I saw a lot of friends were, I don't remember) and he shared it.)

Alex, I've seen similar claims made related to the misconception of the public momentum against SOPA being primarily orchestrated and financed by Google, but I'm not sure if that's related.

Alec, in response to those numbers, some excerpts from:  http://www.techdirt.com/skyisrising/ (the annotated Google Doc version)

On the consumption side, music is also being consumed at near record-setting levels. According to Nielsen SoundScan figures, the overall sale of music (including albums, singles, digital tracks, etc.) exceeded 1.5 billion transactions in 2010. That's up from 845 million transactions in 2000. These overall sales figures seem to rise and fall a bit over the years, but they don't necessarily drop during economic recessions.

...

In 2005, the IFPI estimated the global music industry to be worth $132 billion -- which included revenues from music in radio advertising, recorded music sales, musical instrument sales, live performance revenues and portable digital music player sales (among a few other income categories). By 2010, the IFPI estimated the market to be worth $168 billion, but it had also changed how it categorized some of the revenues and added categories such as audio home systems, music-related video game sales and music revenues from TV advertising (in addition to a few other categories).

...

But, despite the increasing production and consumption of music, the music industry doesn't seem rosy to everyone. The revenues from recorded music, such as CD sales, have been falling steadily over the last several years. This shouldn't come as a huge surprise, either. Historically, music has been sold on various kinds of physical media: vinyl records, 8-track tapes, cassette tapes, CDs and other less well-known formats. Each of these formats has seen its peak, and each of them may someday cease to be sold entirely -- though that time has not come yet even for vinyl (as there are signs that vinyl records still have plenty of useful life left and their sales were up ~41% for 2011). Still, as the CD format wanes, the revenues from selling CD albums are diminishing, too. The problem, it seems, is that consumers are buying more single tracks now instead of entire albums and that consumers have an expectation that digital music tracks should be cheaper than purchasing plastic discs. The result is that the number of single digital tracks purchased is rising (initially with double-digit growth), but the revenue from selling single tracks isn't matching that of the peak years of selling CD albums. This trend was apparent in 2007, as the volume of physical recorded music was dropping (also by double digit percentages). The problem here is that the major labels have been relying on CD sales as their main income stream and are only just starting to diversify their revenue and business models. Interestingly, a former executive at Universal Music, Tim Renner, has said that the major labels had a chance to diversify their income streams when "they had the money and could have built the competence by buying concert agencies and merchandising companies." However, this hindsight isn't necessarily the way forward for the major music labels now.

On Tue, Jun 19, 2012 at 9:44 AM, Alec Story <avs38 <at> cornell.edu> wrote:
The letter quotes some numbers:

Recorded music revenue is down 64% since 1999.

Per capita spending on music is 47% lower than it was in 1973!!

The number of professional musicians has fallen 25% since 2000.

Of the 75,000 albums released in 2010 only 2,000 sold more than 5,000 copies. Only 1,000 sold more than 10,000 copies. Without going into details, 10,000 albums is about the point where independent artists begin to go into the black on professional album production, marketing and promotion.


This is the first time I've heard that - everything else I've seen has suggested that big media companies have been growing just fine in the past decade.  Can anyone who knows better comment?  I'm sure that some of the revenue decrease is just due to the un-bundling of the album.

On Mon, Jun 18, 2012 at 10:04 PM, Alex Leavitt <alexleavitt <at> gmail.com> wrote:
Don't have much time to respond with anything lengthy at the moment; mainly wanted to share, since it garnered so many (supportive) comments. I think my main criticism is the characterization of the "free culture movement" as led by corporate stakeholders (eg., Megaupload, Google, etc.). I really felt like that came out of left field, but I've also never seen that critique before, so I'm wondering if anyone had additional thoughts.



On Mon, Jun 18, 2012 at 6:54 PM, Rich Jones <rich <at> anomos.info> wrote:
Interesting, Alex - would you like to share your opinions and start a discussion?

This is the author, for those interested: http://en.wikipedia.org/wiki/David_Lowery

R

On Mon, Jun 18, 2012 at 6:33 PM, Alex Leavitt <alexleavitt <at> gmail.com> wrote:
http://thetrichordist.wordpress.com/2012/06/18/letter-to-emily-white-at-npr-all-songs-considered/

Alex

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Kevin Driscoll | 19 Jun 2012 22:28
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Re: the "other" free culture movement -- SOPA inspired?

Hi everyone,

I'm really enjoying all the conversation today!

> From: Karl Fogel <kfogel <at> questioncopyright.org>
>
> One of the traps of rebuttals is that even as they refute every
> individual point, they still end up affirming the overall frame of
> reference & assumptions of the piece being rebutted.  This rebuttal
> needs to refute the worst points (and rhetorical excesses) in Lowery's
> piece, but it also needs to completely reframe the issue.

Agreed. One strategy might be to return to Emily's original NPR blog
post. Her original frame was descriptive: young people's listening
culture is organized around streaming and sharing. She then went on to
speculate about how best to compensate artists given this reality.
From the start, she never even considered an artifact-based music
economy.

> From: Elizabeth Stark <emstark <at> gmail.com>
>
> FWIW, lots of folks that spent years involved in the free culture movement
> were directly involved in organizing the anti-SOPA campaign (Fred, Parker,
> Tiffiniy, Holmes, myself).

There's an interesting parallel with the Occupy movement here. Many
on-the-ground Occupy organizers were trained up a decade ago in the
anti-globalization movement. Elizabeth points to a similar legacy of
free culture activism.

For Occupy, the ambiguity is constructive because it makes the
movement seem like a passionate popular response to recent injustice.
This is preferable to the alternative story: "same old hippies banging
drums in the park."

In constrast, my sense is that the ambiguity is counter-productive for
free culture (internet freedom?). The lack of a clear history makes it
easier to portray us as mere Silicon Valley astro-turfing.

> Here's one example of a particularly outlandish claim to Google's
> orchestration of the movement:
> http://www.forbes.com/sites/scottcleland/2012/01/24/the-real-reasons-google-killed-sopapipa/

Let me play devil's advocate for a moment:

Google clearly does not orchestrate the movement but it has provided
considerable financial support. Because of this, it's not difficult
for skeptics to construct a strong conspiracy theory.

Fun exercise: Which corporation appears on all of these pages? (Hint:
it starts with a 'G.)
* http://conf11.freeculture.org/about/
* http://www.fsf.org/patrons
* https://creativecommons.net/supporters/
* http://cyber.law.harvard.edu/about/support
* http://openvideoconference.org/supporters/
* http://wikimediafoundation.org/wiki/Benefactors

Given that Google is not a mission-bound non-profit like Mozilla and
that its business model involves selling ads on anything that shows up
on the web, I think it behooves SFC (and the free culture/internet
freedom movement at large) to express exactly how we are NOT a
corporate conspiracy. Step one is increased visibility of student
activists. Student voices will help to challenge the notion that this
is all astro-turf.

Kevin
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Alec Story | 19 Jun 2012 17:59
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Re: "[Young people have] been been badly misinformed by the Free Culture movement."

On that note, here's an etherpad to use:
http://piratepad.net/KY6e7xIdkm

On Tue, Jun 19, 2012 at 11:37 AM, Jennifer Baek <baek01 <at> gmail.com> wrote:
Forgive me if this is a little ranty. I'm at work, but wanted to respond.
 
Statistics will be different depending on where its coming from. At Personal Democracy Forum, Clay Sherman from the RIAA spouted statistics, which may hold truth in some contexts. Sherman said there are 41 percent fewer people describing themselves as musicians now then in 1999. John Perry Barlow. who spoke after Sherman. said that he believes more people than ever are earning a living from music because they don't have to deal with music labels. Who's right??
 
I like to think that one's assessment of the harm to the music "industry" depends on how you look at or want to define the industry: Is the industry defined by record sales? Is the industry defined by record labels? Or is it defined by how many musicians are out there making a living? How many people are listening, attending, concerts, and/or buying merch? What is the definition of harm and who is being harmed? I think it needs to be clarified who's stakes we are really talking about before we can work towards any sort of solution.
 
Here's the link to his talk:
http://personaldemocracy.com/media/music-industry-digital-age
The argument made in this "Letter to Emily" seems quite dated. Even the RIAA-guy recognizes that the music industry and the means of making revenue are changing. The "music industry" is catching on that they should work to meet consumer behavior and expectations, and part of this entails working with technology companies and innovators to come up with new business models to save the industry. Sherman cited things like Spotify, which more and more of my facebook friends are catching on to, Rhapsody, etc. Hey, these things work and people use it! Maybe it's not bringing the industry to its former "glory." Yes, the BIG THREE are no longer the gatekeepers exploiting, aggrandizing, and profitting off of artists. (How much do musicians make from record sales anyways? Such a small %. I mean... there is something called a 360 deal).  Look, I don't really see that as such a bad thing.
 
I agree with Ali, SFC should release a statement-- or at the very least tackle whatever misconception there is about free culture. We can collectively work on one in an Etherpad!
 
Thx for reading,
Jennifer
On Tue, Jun 19, 2012 at 11:13 AM, Ali Sternburg <alisternburg <at> gmail.com> wrote:

(Disclaimer: I've only skimmed, and I don't know anything about the author or the site.)

I'm not even sure who and what he's referring to every time he says Free Culture (which he capitalizes) movement.  People who don't pay for music but just because they're lazy and cheap and not because of principles?  I think a response by the SFC Board or Core could be warranted.  This article is getting a lot of comments and shares.  (Example:  I'm Facebook friends with Rivers Cuomo from Weezer for some reason (I think because we went to the same college and I saw a lot of friends were, I don't remember) and he shared it.)

Alex, I've seen similar claims made related to the misconception of the public momentum against SOPA being primarily orchestrated and financed by Google, but I'm not sure if that's related.

Alec, in response to those numbers, some excerpts from:  http://www.techdirt.com/skyisrising/ (the annotated Google Doc version)

On the consumption side, music is also being consumed at near record-setting levels. According to Nielsen SoundScan figures, the overall sale of music (including albums, singles, digital tracks, etc.) exceeded 1.5 billion transactions in 2010. That's up from 845 million transactions in 2000. These overall sales figures seem to rise and fall a bit over the years, but they don't necessarily drop during economic recessions.

...

In 2005, the IFPI estimated the global music industry to be worth $132 billion -- which included revenues from music in radio advertising, recorded music sales, musical instrument sales, live performance revenues and portable digital music player sales (among a few other income categories). By 2010, the IFPI estimated the market to be worth $168 billion, but it had also changed how it categorized some of the revenues and added categories such as audio home systems, music-related video game sales and music revenues from TV advertising (in addition to a few other categories).

...

But, despite the increasing production and consumption of music, the music industry doesn't seem rosy to everyone. The revenues from recorded music, such as CD sales, have been falling steadily over the last several years. This shouldn't come as a huge surprise, either. Historically, music has been sold on various kinds of physical media: vinyl records, 8-track tapes, cassette tapes, CDs and other less well-known formats. Each of these formats has seen its peak, and each of them may someday cease to be sold entirely -- though that time has not come yet even for vinyl (as there are signs that vinyl records still have plenty of useful life left and their sales were up ~41% for 2011). Still, as the CD format wanes, the revenues from selling CD albums are diminishing, too. The problem, it seems, is that consumers are buying more single tracks now instead of entire albums and that consumers have an expectation that digital music tracks should be cheaper than purchasing plastic discs. The result is that the number of single digital tracks purchased is rising (initially with double-digit growth), but the revenue from selling single tracks isn't matching that of the peak years of selling CD albums. This trend was apparent in 2007, as the volume of physical recorded music was dropping (also by double digit percentages). The problem here is that the major labels have been relying on CD sales as their main income stream and are only just starting to diversify their revenue and business models. Interestingly, a former executive at Universal Music, Tim Renner, has said that the major labels had a chance to diversify their income streams when "they had the money and could have built the competence by buying concert agencies and merchandising companies." However, this hindsight isn't necessarily the way forward for the major music labels now.

On Tue, Jun 19, 2012 at 9:44 AM, Alec Story <avs38 <at> cornell.edu> wrote:
The letter quotes some numbers:

Recorded music revenue is down 64% since 1999.

Per capita spending on music is 47% lower than it was in 1973!!

The number of professional musicians has fallen 25% since 2000.

Of the 75,000 albums released in 2010 only 2,000 sold more than 5,000 copies. Only 1,000 sold more than 10,000 copies. Without going into details, 10,000 albums is about the point where independent artists begin to go into the black on professional album production, marketing and promotion.


This is the first time I've heard that - everything else I've seen has suggested that big media companies have been growing just fine in the past decade.  Can anyone who knows better comment?  I'm sure that some of the revenue decrease is just due to the un-bundling of the album.

On Mon, Jun 18, 2012 at 10:04 PM, Alex Leavitt <alexleavitt <at> gmail.com> wrote:
Don't have much time to respond with anything lengthy at the moment; mainly wanted to share, since it garnered so many (supportive) comments. I think my main criticism is the characterization of the "free culture movement" as led by corporate stakeholders (eg., Megaupload, Google, etc.). I really felt like that came out of left field, but I've also never seen that critique before, so I'm wondering if anyone had additional thoughts.



On Mon, Jun 18, 2012 at 6:54 PM, Rich Jones <rich <at> anomos.info> wrote:
Interesting, Alex - would you like to share your opinions and start a discussion?

This is the author, for those interested: http://en.wikipedia.org/wiki/David_Lowery

R

On Mon, Jun 18, 2012 at 6:33 PM, Alex Leavitt <alexleavitt <at> gmail.com> wrote:
http://thetrichordist.wordpress.com/2012/06/18/letter-to-emily-white-at-npr-all-songs-considered/

Alex

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USC Annenberg School for Communication & Journalism
http://alexleavitt.com
Twitter: <at> alexleavitt





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Nate Otto | 19 Jun 2012 22:41
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Re: "[Young people have] been been badly misinformed by the Free Culture movement."

I'll take a look at the etherpad later, but I'd caution against doing a whole point-by-point rebuttal of the letter. I think a concise response focusing on just one or two main points would ultimately be more effective. (But I'm no longer a student, and I can't say that I speak for SFC, only as an independent supporter of free culture)

The points that stood out for me as asking for response are first: the main thrust that individuals have a responsibility to pay the structures currently set up to support artists and petition the government in support of the "property rights" framing that in turn supports these entrenched players and to not question whether this all makes sense in the context of the Internet, which is the best media distribution system the world has ever seen.

The second is:
"What the corporate backed Free Culture movement is asking us to do is analogous to changing our morality and principles to allow the equivalent of looting."

Changing the metaphors underlying "culture as property" is a possible outcome of the Free Culture movement. We are having a conversation about how to have a free culture where artists can live happily. Entrenched players may join in, but they have to realize that "looting" is a word that comes out of their framing of the issue; we may not accept that framing as what is needed to support a 21st C (conected) culture.

-Nate

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Karl Fogel | 19 Jun 2012 23:29
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Re: "[Young people have] been been badly misinformed by the Free Culture movement."

[Unifying two threads here by adding QCO discuss <at>  list as a recipient --
we'd been discussing this over there too.]

So, Nina Paley just pointed out that the wonderful (and fast) Mike
Masnick of Techdirt has posted this quick response piece:

  http://www.techdirt.com/articles/20120619/11493419390/david-lowery-wants-pony.shtml

I really like Mike's response, but there's an important thing it doesn't
do, which is turn the tables on David Lowery's morality argument.

Masnick basically says "This is the new reality: get over it, and find a
way to work in it, because you have no choice.  Asking for anything else
is asking for a pony."  (Okay, I'm paraphrasing!)

That's a useful message, but it's still essentially an amoral -- by
which I do *not* mean "immoral" -- argument.  Yet I don't see any reason
to cede the moral high ground to Lowery.  He's the one arguing against
people sharing culture, and in favor of monopoly and control, after all.

So despite Masnick's excellent job, I think there's a big opening for a
deeper and explicitly anti-monopoly rebuttal here, and that it will get
some traction.

I'm sending this partly for Jennifer Baek's benefit, since she's working
on a rebuttal (along with anyone else who wants to, of course).  Jen,
Masnick's piece is worth reading, and maybe referring to, but I
certainly don't think it says everything that could be said.

Also, just to second what Alex Leavitt said: "Wow! I'm so glad to see
the amazing discussion this has generated."  Absolutely!  David may have
written a bad essay, but he's still generating something good...

Best,
-K

Nate Otto <ottonomy <at> gmail.com> writes:
>I'll take a look at the etherpad later, but I'd caution against doing
>a whole point-by-point rebuttal of the letter. I think a concise
>response focusing on just one or two main points would ultimately be
>more effective. (But I'm no longer a student, and I can't say that I
>speak for SFC, only as an independent supporter of free culture)
>
>The points that stood out for me as asking for response are first: the
>main thrust that individuals have a responsibility to pay the
>structures currently set up to support artists and petition the
>government in support of the "property rights" framing that in turn
>supports these entrenched players and to not question whether this all
>makes sense in the context of the Internet, which is the best media
>distribution system the world has ever seen.
>
>The second is:
>"What the corporate backed Free Culture movement is asking us to do is
>analogous to changing our morality and principles to allow the
>equivalent of looting."
>
>Changing the metaphors underlying "culture as property" is a possible
>outcome of the Free Culture movement. We are having a conversation
>about how to have a free culture where artists can live happily.
>Entrenched players may join in, but they have to realize that
>"looting" is a word that comes out of their framing of the issue; we
>may not accept that framing as what is needed to support a 21st C
>(conected) culture. 
>
>-Nate
>
>_______________________________________________
>Discuss mailing list
>Discuss <at> freeculture.org
>http://lists.freeculture.org/mailman/listinfo/discuss
>FAQ: http://wiki.freeculture.org/Fc-discuss
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Alex Leavitt | 20 Jun 2012 02:57
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Re: "[Young people have] been been badly misinformed by the Free Culture movement."




On Tue, Jun 19, 2012 at 2:29 PM, Karl Fogel <kfogel <at> questioncopyright.org> wrote:
[Unifying two threads here by adding QCO discuss <at> list as a recipient --
we'd been discussing this over there too.]

So, Nina Paley just pointed out that the wonderful (and fast) Mike
Masnick of Techdirt has posted this quick response piece:

 http://www.techdirt.com/articles/20120619/11493419390/david-lowery-wants-pony.shtml

I really like Mike's response, but there's an important thing it doesn't
do, which is turn the tables on David Lowery's morality argument.

Masnick basically says "This is the new reality: get over it, and find a
way to work in it, because you have no choice.  Asking for anything else
is asking for a pony."  (Okay, I'm paraphrasing!)

That's a useful message, but it's still essentially an amoral -- by
which I do *not* mean "immoral" -- argument.  Yet I don't see any reason
to cede the moral high ground to Lowery.  He's the one arguing against
people sharing culture, and in favor of monopoly and control, after all.

So despite Masnick's excellent job, I think there's a big opening for a
deeper and explicitly anti-monopoly rebuttal here, and that it will get
some traction.

I'm sending this partly for Jennifer Baek's benefit, since she's working
on a rebuttal (along with anyone else who wants to, of course).  Jen,
Masnick's piece is worth reading, and maybe referring to, but I
certainly don't think it says everything that could be said.

Also, just to second what Alex Leavitt said: "Wow! I'm so glad to see
the amazing discussion this has generated."  Absolutely!  David may have
written a bad essay, but he's still generating something good...

Best,
-K

Nate Otto <ottonomy <at> gmail.com> writes:
>I'll take a look at the etherpad later, but I'd caution against doing
>a whole point-by-point rebuttal of the letter. I think a concise
>response focusing on just one or two main points would ultimately be
>more effective. (But I'm no longer a student, and I can't say that I
>speak for SFC, only as an independent supporter of free culture)
>
>The points that stood out for me as asking for response are first: the
>main thrust that individuals have a responsibility to pay the
>structures currently set up to support artists and petition the
>government in support of the "property rights" framing that in turn
>supports these entrenched players and to not question whether this all
>makes sense in the context of the Internet, which is the best media
>distribution system the world has ever seen.
>
>The second is:
>"What the corporate backed Free Culture movement is asking us to do is
>analogous to changing our morality and principles to allow the
>equivalent of looting."
>
>Changing the metaphors underlying "culture as property" is a possible
>outcome of the Free Culture movement. We are having a conversation
>about how to have a free culture where artists can live happily.
>Entrenched players may join in, but they have to realize that
>"looting" is a word that comes out of their framing of the issue; we
>may not accept that framing as what is needed to support a 21st C
>(conected) culture.
>
>-Nate
>

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Alex Kozak | 20 Jun 2012 05:49
Gravatar

Re: "[Young people have] been been badly misinformed by the Free Culture movement."

Sorry for taking this a bit off track (continue scheming response etc) but something in the response really upsets me, which is the subtle implication that culture abundance and loving music contributed to his friend's suicide. Not cool.

These guys just seem completely out of touch with our generation.

On Jun 19, 2012 8:57 PM, "Alex Leavitt" <alexleavitt <at> gmail.com> wrote:



On Tue, Jun 19, 2012 at 2:29 PM, Karl Fogel <kfogel <at> questioncopyright.org> wrote:
[Unifying two threads here by adding QCO discuss <at> list as a recipient --
we'd been discussing this over there too.]

So, Nina Paley just pointed out that the wonderful (and fast) Mike
Masnick of Techdirt has posted this quick response piece:

 http://www.techdirt.com/articles/20120619/11493419390/david-lowery-wants-pony.shtml

I really like Mike's response, but there's an important thing it doesn't
do, which is turn the tables on David Lowery's morality argument.

Masnick basically says "This is the new reality: get over it, and find a
way to work in it, because you have no choice.  Asking for anything else
is asking for a pony."  (Okay, I'm paraphrasing!)

That's a useful message, but it's still essentially an amoral -- by
which I do *not* mean "immoral" -- argument.  Yet I don't see any reason
to cede the moral high ground to Lowery.  He's the one arguing against
people sharing culture, and in favor of monopoly and control, after all.

So despite Masnick's excellent job, I think there's a big opening for a
deeper and explicitly anti-monopoly rebuttal here, and that it will get
some traction.

I'm sending this partly for Jennifer Baek's benefit, since she's working
on a rebuttal (along with anyone else who wants to, of course).  Jen,
Masnick's piece is worth reading, and maybe referring to, but I
certainly don't think it says everything that could be said.

Also, just to second what Alex Leavitt said: "Wow! I'm so glad to see
the amazing discussion this has generated."  Absolutely!  David may have
written a bad essay, but he's still generating something good...

Best,
-K

Nate Otto <ottonomy <at> gmail.com> writes:
>I'll take a look at the etherpad later, but I'd caution against doing
>a whole point-by-point rebuttal of the letter. I think a concise
>response focusing on just one or two main points would ultimately be
>more effective. (But I'm no longer a student, and I can't say that I
>speak for SFC, only as an independent supporter of free culture)
>
>The points that stood out for me as asking for response are first: the
>main thrust that individuals have a responsibility to pay the
>structures currently set up to support artists and petition the
>government in support of the "property rights" framing that in turn
>supports these entrenched players and to not question whether this all
>makes sense in the context of the Internet, which is the best media
>distribution system the world has ever seen.
>
>The second is:
>"What the corporate backed Free Culture movement is asking us to do is
>analogous to changing our morality and principles to allow the
>equivalent of looting."
>
>Changing the metaphors underlying "culture as property" is a possible
>outcome of the Free Culture movement. We are having a conversation
>about how to have a free culture where artists can live happily.
>Entrenched players may join in, but they have to realize that
>"looting" is a word that comes out of their framing of the issue; we
>may not accept that framing as what is needed to support a 21st C
>(conected) culture.
>
>-Nate
>


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Discuss mailing list
Discuss <at> freeculture.org
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Jennifer Baek | 20 Jun 2012 06:24
Picon

Re: "[Young people have] been been badly misinformed by the Free Culture movement."

I agree with you... It might be worth it to address that. He's definitely trying to appeal to ones emotions and morality. I got a hint of religious rhetoric. Paying penance?!

I won't be around a computer for a greater part of the day tomorrow since I'm going on a field trip with my internship tomorrow.

Everyone, please continue to mark up the piratepad: http://piratepad.net/KY6e7xIdkm

After we've brainstormed, we'll work on polishing our response!

Thanks!

On Tue, Jun 19, 2012 at 11:49 PM, Alex Kozak <alex <at> massthink.net> wrote:

Sorry for taking this a bit off track (continue scheming response etc) but something in the response really upsets me, which is the subtle implication that culture abundance and loving music contributed to his friend's suicide. Not cool.

These guys just seem completely out of touch with our generation.

On Jun 19, 2012 8:57 PM, "Alex Leavitt" <alexleavitt <at> gmail.com> wrote:



On Tue, Jun 19, 2012 at 2:29 PM, Karl Fogel <kfogel <at> questioncopyright.org> wrote:
[Unifying two threads here by adding QCO discuss <at> list as a recipient --
we'd been discussing this over there too.]

So, Nina Paley just pointed out that the wonderful (and fast) Mike
Masnick of Techdirt has posted this quick response piece:

 http://www.techdirt.com/articles/20120619/11493419390/david-lowery-wants-pony.shtml

I really like Mike's response, but there's an important thing it doesn't
do, which is turn the tables on David Lowery's morality argument.

Masnick basically says "This is the new reality: get over it, and find a
way to work in it, because you have no choice.  Asking for anything else
is asking for a pony."  (Okay, I'm paraphrasing!)

That's a useful message, but it's still essentially an amoral -- by
which I do *not* mean "immoral" -- argument.  Yet I don't see any reason
to cede the moral high ground to Lowery.  He's the one arguing against
people sharing culture, and in favor of monopoly and control, after all.

So despite Masnick's excellent job, I think there's a big opening for a
deeper and explicitly anti-monopoly rebuttal here, and that it will get
some traction.

I'm sending this partly for Jennifer Baek's benefit, since she's working
on a rebuttal (along with anyone else who wants to, of course).  Jen,
Masnick's piece is worth reading, and maybe referring to, but I
certainly don't think it says everything that could be said.

Also, just to second what Alex Leavitt said: "Wow! I'm so glad to see
the amazing discussion this has generated."  Absolutely!  David may have
written a bad essay, but he's still generating something good...

Best,
-K

Nate Otto <ottonomy <at> gmail.com> writes:
>I'll take a look at the etherpad later, but I'd caution against doing
>a whole point-by-point rebuttal of the letter. I think a concise
>response focusing on just one or two main points would ultimately be
>more effective. (But I'm no longer a student, and I can't say that I
>speak for SFC, only as an independent supporter of free culture)
>
>The points that stood out for me as asking for response are first: the
>main thrust that individuals have a responsibility to pay the
>structures currently set up to support artists and petition the
>government in support of the "property rights" framing that in turn
>supports these entrenched players and to not question whether this all
>makes sense in the context of the Internet, which is the best media
>distribution system the world has ever seen.
>
>The second is:
>"What the corporate backed Free Culture movement is asking us to do is
>analogous to changing our morality and principles to allow the
>equivalent of looting."
>
>Changing the metaphors underlying "culture as property" is a possible
>outcome of the Free Culture movement. We are having a conversation
>about how to have a free culture where artists can live happily.
>Entrenched players may join in, but they have to realize that
>"looting" is a word that comes out of their framing of the issue; we
>may not accept that framing as what is needed to support a 21st C
>(conected) culture.
>
>-Nate
>


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Discuss mailing list
Discuss <at> freeculture.org
http://lists.freeculture.org/mailman/listinfo/discuss
FAQ: http://wiki.freeculture.org/Fc-discuss


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http://lists.freeculture.org/mailman/listinfo/discuss
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Aditi Rajaram | 20 Jun 2012 17:13
Picon

Re: "[Young people have] been been badly misinformed by the Free Culture movement."

Stoked that we're responding (opened up the PiratePad and looking through now). The original piece made me so mad I had to stop in the middle a couple a times before I could go back and finish reading it.


On Tue, Jun 19, 2012 at 9:24 PM, Jennifer Baek <baek01 <at> gmail.com> wrote:
I agree with you... It might be worth it to address that. He's definitely trying to appeal to ones emotions and morality. I got a hint of religious rhetoric. Paying penance?!

I won't be around a computer for a greater part of the day tomorrow since I'm going on a field trip with my internship tomorrow.

Everyone, please continue to mark up the piratepad: http://piratepad.net/KY6e7xIdkm

After we've brainstormed, we'll work on polishing our response!

Thanks!


On Tue, Jun 19, 2012 at 11:49 PM, Alex Kozak <alex <at> massthink.net> wrote:

Sorry for taking this a bit off track (continue scheming response etc) but something in the response really upsets me, which is the subtle implication that culture abundance and loving music contributed to his friend's suicide. Not cool.

These guys just seem completely out of touch with our generation.

On Jun 19, 2012 8:57 PM, "Alex Leavitt" <alexleavitt <at> gmail.com> wrote:



On Tue, Jun 19, 2012 at 2:29 PM, Karl Fogel <kfogel <at> questioncopyright.org> wrote:
[Unifying two threads here by adding QCO discuss <at> list as a recipient --
we'd been discussing this over there too.]

So, Nina Paley just pointed out that the wonderful (and fast) Mike
Masnick of Techdirt has posted this quick response piece:

 http://www.techdirt.com/articles/20120619/11493419390/david-lowery-wants-pony.shtml

I really like Mike's response, but there's an important thing it doesn't
do, which is turn the tables on David Lowery's morality argument.

Masnick basically says "This is the new reality: get over it, and find a
way to work in it, because you have no choice.  Asking for anything else
is asking for a pony."  (Okay, I'm paraphrasing!)

That's a useful message, but it's still essentially an amoral -- by
which I do *not* mean "immoral" -- argument.  Yet I don't see any reason
to cede the moral high ground to Lowery.  He's the one arguing against
people sharing culture, and in favor of monopoly and control, after all.

So despite Masnick's excellent job, I think there's a big opening for a
deeper and explicitly anti-monopoly rebuttal here, and that it will get
some traction.

I'm sending this partly for Jennifer Baek's benefit, since she's working
on a rebuttal (along with anyone else who wants to, of course).  Jen,
Masnick's piece is worth reading, and maybe referring to, but I
certainly don't think it says everything that could be said.

Also, just to second what Alex Leavitt said: "Wow! I'm so glad to see
the amazing discussion this has generated."  Absolutely!  David may have
written a bad essay, but he's still generating something good...

Best,
-K

Nate Otto <ottonomy <at> gmail.com> writes:
>I'll take a look at the etherpad later, but I'd caution against doing
>a whole point-by-point rebuttal of the letter. I think a concise
>response focusing on just one or two main points would ultimately be
>more effective. (But I'm no longer a student, and I can't say that I
>speak for SFC, only as an independent supporter of free culture)
>
>The points that stood out for me as asking for response are first: the
>main thrust that individuals have a responsibility to pay the
>structures currently set up to support artists and petition the
>government in support of the "property rights" framing that in turn
>supports these entrenched players and to not question whether this all
>makes sense in the context of the Internet, which is the best media
>distribution system the world has ever seen.
>
>The second is:
>"What the corporate backed Free Culture movement is asking us to do is
>analogous to changing our morality and principles to allow the
>equivalent of looting."
>
>Changing the metaphors underlying "culture as property" is a possible
>outcome of the Free Culture movement. We are having a conversation
>about how to have a free culture where artists can live happily.
>Entrenched players may join in, but they have to realize that
>"looting" is a word that comes out of their framing of the issue; we
>may not accept that framing as what is needed to support a 21st C
>(conected) culture.
>
>-Nate
>


_______________________________________________
Discuss mailing list
Discuss <at> freeculture.org
http://lists.freeculture.org/mailman/listinfo/discuss
FAQ: http://wiki.freeculture.org/Fc-discuss


_______________________________________________
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Discuss <at> freeculture.org
http://lists.freeculture.org/mailman/listinfo/discuss
FAQ: http://wiki.freeculture.org/Fc-discuss



_______________________________________________
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Discuss <at> freeculture.org
http://lists.freeculture.org/mailman/listinfo/discuss
FAQ: http://wiki.freeculture.org/Fc-discuss


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FAQ: http://wiki.freeculture.org/Fc-discuss
Jennifer Baek | 21 Jun 2012 05:50
Picon

Re: "[Young people have] been been badly misinformed by the Free Culture movement."

http://www.huffingtonpost.com/travis-morrison/hey-dude-from-cracker-im_b_1610557.html via Katie Baxter

On Wed, Jun 20, 2012 at 11:13 AM, Aditi Rajaram <aditi.rajaram <at> gmail.com> wrote:
Stoked that we're responding (opened up the PiratePad and looking through now). The original piece made me so mad I had to stop in the middle a couple a times before I could go back and finish reading it.

On Tue, Jun 19, 2012 at 9:24 PM, Jennifer Baek <baek01 <at> gmail.com> wrote:
I agree with you... It might be worth it to address that. He's definitely trying to appeal to ones emotions and morality. I got a hint of religious rhetoric. Paying penance?!

I won't be around a computer for a greater part of the day tomorrow since I'm going on a field trip with my internship tomorrow.

Everyone, please continue to mark up the piratepad: http://piratepad.net/KY6e7xIdkm

After we've brainstormed, we'll work on polishing our response!

Thanks!


On Tue, Jun 19, 2012 at 11:49 PM, Alex Kozak <alex <at> massthink.net> wrote:

Sorry for taking this a bit off track (continue scheming response etc) but something in the response really upsets me, which is the subtle implication that culture abundance and loving music contributed to his friend's suicide. Not cool.

These guys just seem completely out of touch with our generation.

On Jun 19, 2012 8:57 PM, "Alex Leavitt" <alexleavitt <at> gmail.com> wrote:



On Tue, Jun 19, 2012 at 2:29 PM, Karl Fogel <kfogel <at> questioncopyright.org> wrote:
[Unifying two threads here by adding QCO discuss <at> list as a recipient --
we'd been discussing this over there too.]

So, Nina Paley just pointed out that the wonderful (and fast) Mike
Masnick of Techdirt has posted this quick response piece:

 http://www.techdirt.com/articles/20120619/11493419390/david-lowery-wants-pony.shtml

I really like Mike's response, but there's an important thing it doesn't
do, which is turn the tables on David Lowery's morality argument.

Masnick basically says "This is the new reality: get over it, and find a
way to work in it, because you have no choice.  Asking for anything else
is asking for a pony."  (Okay, I'm paraphrasing!)

That's a useful message, but it's still essentially an amoral -- by
which I do *not* mean "immoral" -- argument.  Yet I don't see any reason
to cede the moral high ground to Lowery.  He's the one arguing against
people sharing culture, and in favor of monopoly and control, after all.

So despite Masnick's excellent job, I think there's a big opening for a
deeper and explicitly anti-monopoly rebuttal here, and that it will get
some traction.

I'm sending this partly for Jennifer Baek's benefit, since she's working
on a rebuttal (along with anyone else who wants to, of course).  Jen,
Masnick's piece is worth reading, and maybe referring to, but I
certainly don't think it says everything that could be said.

Also, just to second what Alex Leavitt said: "Wow! I'm so glad to see
the amazing discussion this has generated."  Absolutely!  David may have
written a bad essay, but he's still generating something good...

Best,
-K

Nate Otto <ottonomy <at> gmail.com> writes:
>I'll take a look at the etherpad later, but I'd caution against doing
>a whole point-by-point rebuttal of the letter. I think a concise
>response focusing on just one or two main points would ultimately be
>more effective. (But I'm no longer a student, and I can't say that I
>speak for SFC, only as an independent supporter of free culture)
>
>The points that stood out for me as asking for response are first: the
>main thrust that individuals have a responsibility to pay the
>structures currently set up to support artists and petition the
>government in support of the "property rights" framing that in turn
>supports these entrenched players and to not question whether this all
>makes sense in the context of the Internet, which is the best media
>distribution system the world has ever seen.
>
>The second is:
>"What the corporate backed Free Culture movement is asking us to do is
>analogous to changing our morality and principles to allow the
>equivalent of looting."
>
>Changing the metaphors underlying "culture as property" is a possible
>outcome of the Free Culture movement. We are having a conversation
>about how to have a free culture where artists can live happily.
>Entrenched players may join in, but they have to realize that
>"looting" is a word that comes out of their framing of the issue; we
>may not accept that framing as what is needed to support a 21st C
>(conected) culture.
>
>-Nate
>


_______________________________________________
Discuss mailing list
Discuss <at> freeculture.org
http://lists.freeculture.org/mailman/listinfo/discuss
FAQ: http://wiki.freeculture.org/Fc-discuss


_______________________________________________
Discuss mailing list
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http://lists.freeculture.org/mailman/listinfo/discuss
FAQ: http://wiki.freeculture.org/Fc-discuss



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FAQ: http://wiki.freeculture.org/Fc-discuss


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FAQ: http://wiki.freeculture.org/Fc-discuss
Jennifer Baek | 21 Jun 2012 06:45
Picon

Re: "[Young people have] been been badly misinformed by the Free Culture movement."

Hi, I've attached a screenshot of something I whipped up on Illustrator. What do you think? Some feedback on format would be great. Content, we'll continue to work on together on the piratepad. The content in the screenshot isn't *final*, I just copy and pasted what was in the pirate pad.

I created this because it was getting difficult for me to conceptualize how we were going to do in line commentary.

Thanks,
Jennifer

On Wed, Jun 20, 2012 at 11:50 PM, Jennifer Baek <baek01 <at> gmail.com> wrote:
http://www.huffingtonpost.com/travis-morrison/hey-dude-from-cracker-im_b_1610557.html via Katie Baxter


On Wed, Jun 20, 2012 at 11:13 AM, Aditi Rajaram <aditi.rajaram <at> gmail.com> wrote:
Stoked that we're responding (opened up the PiratePad and looking through now). The original piece made me so mad I had to stop in the middle a couple a times before I could go back and finish reading it.

On Tue, Jun 19, 2012 at 9:24 PM, Jennifer Baek <baek01 <at> gmail.com> wrote:
I agree with you... It might be worth it to address that. He's definitely trying to appeal to ones emotions and morality. I got a hint of religious rhetoric. Paying penance?!

I won't be around a computer for a greater part of the day tomorrow since I'm going on a field trip with my internship tomorrow.

Everyone, please continue to mark up the piratepad: http://piratepad.net/KY6e7xIdkm

After we've brainstormed, we'll work on polishing our response!

Thanks!


On Tue, Jun 19, 2012 at 11:49 PM, Alex Kozak <alex <at> massthink.net> wrote:

Sorry for taking this a bit off track (continue scheming response etc) but something in the response really upsets me, which is the subtle implication that culture abundance and loving music contributed to his friend's suicide. Not cool.

These guys just seem completely out of touch with our generation.

On Jun 19, 2012 8:57 PM, "Alex Leavitt" <alexleavitt <at> gmail.com> wrote:



On Tue, Jun 19, 2012 at 2:29 PM, Karl Fogel <kfogel <at> questioncopyright.org> wrote:
[Unifying two threads here by adding QCO discuss <at> list as a recipient --
we'd been discussing this over there too.]

So, Nina Paley just pointed out that the wonderful (and fast) Mike
Masnick of Techdirt has posted this quick response piece:

 http://www.techdirt.com/articles/20120619/11493419390/david-lowery-wants-pony.shtml

I really like Mike's response, but there's an important thing it doesn't
do, which is turn the tables on David Lowery's morality argument.

Masnick basically says "This is the new reality: get over it, and find a
way to work in it, because you have no choice.  Asking for anything else
is asking for a pony."  (Okay, I'm paraphrasing!)

That's a useful message, but it's still essentially an amoral -- by
which I do *not* mean "immoral" -- argument.  Yet I don't see any reason
to cede the moral high ground to Lowery.  He's the one arguing against
people sharing culture, and in favor of monopoly and control, after all.

So despite Masnick's excellent job, I think there's a big opening for a
deeper and explicitly anti-monopoly rebuttal here, and that it will get
some traction.

I'm sending this partly for Jennifer Baek's benefit, since she's working
on a rebuttal (along with anyone else who wants to, of course).  Jen,
Masnick's piece is worth reading, and maybe referring to, but I
certainly don't think it says everything that could be said.

Also, just to second what Alex Leavitt said: "Wow! I'm so glad to see
the amazing discussion this has generated."  Absolutely!  David may have
written a bad essay, but he's still generating something good...

Best,
-K

Nate Otto <ottonomy <at> gmail.com> writes:
>I'll take a look at the etherpad later, but I'd caution against doing
>a whole point-by-point rebuttal of the letter. I think a concise
>response focusing on just one or two main points would ultimately be
>more effective. (But I'm no longer a student, and I can't say that I
>speak for SFC, only as an independent supporter of free culture)
>
>The points that stood out for me as asking for response are first: the
>main thrust that individuals have a responsibility to pay the
>structures currently set up to support artists and petition the
>government in support of the "property rights" framing that in turn
>supports these entrenched players and to not question whether this all
>makes sense in the context of the Internet, which is the best media
>distribution system the world has ever seen.
>
>The second is:
>"What the corporate backed Free Culture movement is asking us to do is
>analogous to changing our morality and principles to allow the
>equivalent of looting."
>
>Changing the metaphors underlying "culture as property" is a possible
>outcome of the Free Culture movement. We are having a conversation
>about how to have a free culture where artists can live happily.
>Entrenched players may join in, but they have to realize that
>"looting" is a word that comes out of their framing of the issue; we
>may not accept that framing as what is needed to support a 21st C
>(conected) culture.
>
>-Nate
>


_______________________________________________
Discuss mailing list
Discuss <at> freeculture.org
http://lists.freeculture.org/mailman/listinfo/discuss
FAQ: http://wiki.freeculture.org/Fc-discuss


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http://lists.freeculture.org/mailman/listinfo/discuss
FAQ: http://wiki.freeculture.org/Fc-discuss



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FAQ: http://wiki.freeculture.org/Fc-discuss



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Karl Fogel | 21 Jun 2012 18:24
Favicon
Gravatar

Re: [Qco-discuss] "[Young people have] been been badly misinformed by the Free Culture movement."

Jennifer Baek <baek01 <at> gmail.com> writes:
>Hi, I've attached a screenshot of something I whipped up on
>Illustrator. What do you think? Some feedback on format would be
>great. Content, we'll continue to work on together on the piratepad.
>The content in the screenshot isn't *final*, I just copy and pasted
>what was in the pirate pad.
>
>I created this because it was getting difficult for me to
>conceptualize how we were going to do in line commentary. 

Love that look!

I think in this kind of point-by-point response, there are two ways to
go...

One way is what you did in the screenshot -- keep the original content
in the center and put the responses along the sides, using different
visual styles for the two to keep them distinct.  

This keeps the focus on the original content, which has advantages and
disadvantages.  It says "Our purpose here is to annotate and deconstruct
what this person said", but it also means that the structure and major
themes of the response are still controlled by the original piece.  It
also means readers are re-exposed to all of the original letter, even
the parts that don't need rebuttal or that are repetitive with other
parts that we may be rebutting elsewhere.

The alternative is to write an essay that says the things you think need
saying, including selected quotes from the original letter inline.  In
other words, something like this:

   Dear Emily White,

   You've recently been told that you shouldn't share music -- that
   doing so hurts artists and is unethical.  You were told you should
   change your behavior, and that you should try to get your friends to
   change theirs.

   We think you got bad advice.  You're not hurting artists, you're
   helping them.  Although David Lowery was sincere and really believes
   what he wrote in his <link>letter to you</link>, we'd like to explain
   why he's wrong both about who the copyright system serves, and about
   what the Free Culture movement stands for.

         <insert (indented, italicized) first excerpt from Lowery's
         letter here.  It doesn't have to be the first thing he
         wrote in the letter -- it's just the first point you want
         to address.  In other words, the excerpts from his letter
         don't have to reproduce the entire letter; we're here to
         serve the Free Culture movement's purposes, not Lowery's.
         Obviously we shouldn't use misrepresentative excerpts or
         otherwise be unfair, but there is no moral obligation to
         reproduce every repetitive thing in his letter either.  I
         don't even think the excerpts necessarily have to appear in
         the same order in which they appeared in his letter, as
         long as we don't change the order of his argument or his
         logic in such a way as to misrepresent him.>

   Here is the response to the above excerpt.

         <and here is another excerpt from his letter>

   Here is the response to that second excerpt.

   And here is maybe a new paragraph that is not necessarily a response
   to any particular part of Lowery's letter, but is just making some
   point that you want to make, or summing up what you've said so far.

         <maybe here's more Lowery>

   More response.

Etc, etc -- you get the idea.

Again, I think either way can work.  I just wanted to offer an
alternative structure for consideration, since you seemed to be asking
for thoughts on structure before thoughts on content.

Big kudos to you for taking this great discussion we're all having here
and turning it into something useful to the public!

Best,
-Karl

>On Wed, Jun 20, 2012 at 11:50 PM, Jennifer Baek <baek01 <at> gmail.com>
>wrote:
>
>    http://www.huffingtonpost.com/travis-morrison/hey-dude-from-cracker-
>    im_b_1610557.html via Katie Baxter
>    
>    
>    
>    
>    On Wed, Jun 20, 2012 at 11:13 AM, Aditi Rajaram
>    <aditi.rajaram <at> gmail.com> wrote:
>    
>    Stoked that we're responding (opened up the PiratePad and looking
>        through now). The original piece made me so mad I had to stop
>        in the middle a couple a times before I could go back and
>        finish reading it.
>        
>        
>        
>        
>        On Tue, Jun 19, 2012 at 9:24 PM, Jennifer Baek
>        <baek01 <at> gmail.com> wrote:
>        
>        I agree with you... It might be worth it to address that. He's
>            definitely trying to appeal to ones emotions and morality.
>            I got a hint of religious rhetoric. Paying penance?!
>            
>            I won't be around a computer for a greater part of the day
>            tomorrow since I'm going on a field trip with my
>            internship tomorrow.
>            
>            Everyone, please continue to mark up the piratepad:
>            http://piratepad.net/KY6e7xIdkm 
>            
>            After we've brainstormed, we'll work on polishing our
>            response!
>            
>            Thanks!
>            
>            
>            
>            
>            On Tue, Jun 19, 2012 at 11:49 PM, Alex Kozak
>            <alex <at> massthink.net> wrote:
>            
>                            Sorry for taking this a bit off track
>                (continue scheming response etc) but something in the
>                response really upsets me, which is the subtle
>                implication that culture abundance and loving music
>                contributed to his friend's suicide. Not cool.
>
>                These guys just seem completely out of touch with our
>                generation.
>
>                
>                
>                On Jun 19, 2012 8:57 PM, "Alex Leavitt"
>                <alexleavitt <at> gmail.com> wrote:
>                
>                
>                    Hit a NYT
>                    blog: http://mediadecoder.blogs.nytimes.com/2012/06/19/npr-
>                    intern-gets-an-earful-after-blogging-about-11000-songs-
>                    almost-none-paid-for/
>                    
>                    
>
>                    
>                    
>                    
>                    On Tue, Jun 19, 2012 at 2:29 PM, Karl Fogel
>                    <kfogel <at> questioncopyright.org> wrote:
>                    
>                    [Unifying two threads here by adding QCO discuss <at> 
>                        list as a recipient --
>                        we'd been discussing this over there too.]
>                        
>                        So, Nina Paley just pointed out that the
>                        wonderful (and fast) Mike
>                        Masnick of Techdirt has posted this quick
>                        response piece:
>                        
>                         http://www.techdirt.com/articles/20120619/11493419390/david-
>                        lowery-wants-pony.shtml
>                        
>                        I really like Mike's response, but there's an
>                        important thing it doesn't
>                        do, which is turn the tables on David Lowery's
>                        morality argument.
>                        
>                        Masnick basically says "This is the new
>                        reality: get over it, and find a
>                        way to work in it, because you have no choice.
>                         Asking for anything else
>                        is asking for a pony."  (Okay, I'm
>                        paraphrasing!)
>                        
>                        That's a useful message, but it's still
>                        essentially an amoral -- by
>                        which I do *not* mean "immoral" -- argument.
>                         Yet I don't see any reason
>                        to cede the moral high ground to Lowery.  He's
>                        the one arguing against
>                        people sharing culture, and in favor of
>                        monopoly and control, after all.
>                        
>                        So despite Masnick's excellent job, I think
>                        there's a big opening for a
>                        deeper and explicitly anti-monopoly rebuttal
>                        here, and that it will get
>                        some traction.
>                        
>                        I'm sending this partly for Jennifer Baek's
>                        benefit, since she's working
>                        on a rebuttal (along with anyone else who
>                        wants to, of course).  Jen,
>                        Masnick's piece is worth reading, and maybe
>                        referring to, but I
>                        certainly don't think it says everything that
>                        could be said.
>                        
>                        Also, just to second what Alex Leavitt said:
>                        "Wow! I'm so glad to see
>                        the amazing discussion this has generated."
>                         Absolutely!  David may have
>                        written a bad essay, but he's still generating
>                        something good...
>                        
>                        Best,
>                        -K
>                        
>                        
>                        
>                        Nate Otto <ottonomy <at> gmail.com> writes:
>                        >I'll take a look at the etherpad later, but
>                        I'd caution against doing
>                        >a whole point-by-point rebuttal of the
>                        letter. I think a concise
>                        >response focusing on just one or two main
>                        points would ultimately be
>                        >more effective. (But I'm no longer a student,
>                        and I can't say that I
>                        >speak for SFC, only as an independent
>                        supporter of free culture)
>                        >
>                        >The points that stood out for me as asking
>                        for response are first: the
>                        >main thrust that individuals have a
>                        responsibility to pay the
>                        >structures currently set up to support
>                        artists and petition the
>                        >government in support of the "property
>                        rights" framing that in turn
>                        >supports these entrenched players and to not
>                        question whether this all
>                        >makes sense in the context of the Internet,
>                        which is the best media
>                        >distribution system the world has ever seen.
>                        >
>                        >The second is:
>                        >"What the corporate backed Free Culture
>                        movement is asking us to do is
>                        >analogous to changing our morality and
>                        principles to allow the
>                        >equivalent of looting."
>                        >
>                        >Changing the metaphors underlying "culture as
>                        property" is a possible
>                        >outcome of the Free Culture movement. We are
>                        having a conversation
>                        >about how to have a free culture where
>                        artists can live happily.
>                        >Entrenched players may join in, but they have
>                        to realize that
>                        >"looting" is a word that comes out of their
>                        framing of the issue; we
>                        >may not accept that framing as what is needed
>                        to support a 21st C
>                        >(conected) culture.
>                        >
>                        >-Nate
>                        >
>                        
>                        
>                        >______________________________________________
>                        _
>                        >Discuss mailing list
>                        >Discuss <at> freeculture.org
>                        >http://lists.freeculture.org/mailman/listinfo/discuss
>                        >FAQ: http://wiki.freeculture.org/Fc-discuss
>                        _______________________________________________
>                        Discuss mailing list
>                        Discuss <at> freeculture.org
>                        http://lists.freeculture.org/mailman/listinfo/discuss
>                        FAQ: http://wiki.freeculture.org/Fc-discuss
>                        
>
>                    
>                    _______________________________________________
>                    Discuss mailing list
>                    Discuss <at> freeculture.org
>                    http://lists.freeculture.org/mailman/listinfo/discuss
>                    FAQ: http://wiki.freeculture.org/Fc-discuss
>                    
>                    
>
>                _______________________________________________
>                Discuss mailing list
>                Discuss <at> freeculture.org
>                http://lists.freeculture.org/mailman/listinfo/discuss
>                FAQ: http://wiki.freeculture.org/Fc-discuss
>                
>                
>
>            
>
>            _______________________________________________
>            Discuss mailing list
>            Discuss <at> freeculture.org
>            http://lists.freeculture.org/mailman/listinfo/discuss
>            FAQ: http://wiki.freeculture.org/Fc-discuss
>            
>            
>
>        
>
>        _______________________________________________
>        Discuss mailing list
>        Discuss <at> freeculture.org
>        http://lists.freeculture.org/mailman/listinfo/discuss
>        FAQ: http://wiki.freeculture.org/Fc-discuss
>        
>        
>
>    
>
>
>_______________________________________________
>QuestionCopyright.org discussion list
>discuss <at> questioncopyright.org
>http://www.red-bean.com/mailman/listinfo/qco-discuss
_______________________________________________
Discuss mailing list
Discuss <at> freeculture.org
http://lists.freeculture.org/mailman/listinfo/discuss
FAQ: http://wiki.freeculture.org/Fc-discuss
Jennifer Baek | 24 Jun 2012 03:58
Picon

Re: [Qco-discuss] "[Young people have] been been badly misinformed by the Free Culture movement."

In Defense of Free Music: A Generational, Ethical High Road Over the Industry’s Corruption and Exploitation

http://www.mediapocalypse.com/in-defense-of-free-music-a-generational-ethical-high-road-over-the-industrys-corruption-and-exploitation/

A response to Lowery's letter worth reading.


On Thu, Jun 21, 2012 at 12:24 PM, Karl Fogel <kfogel <at> questioncopyright.org> wrote:
Jennifer Baek <baek01 <at> gmail.com> writes:
>Hi, I've attached a screenshot of something I whipped up on
>Illustrator. What do you think? Some feedback on format would be
>great. Content, we'll continue to work on together on the piratepad.
>The content in the screenshot isn't *final*, I just copy and pasted
>what was in the pirate pad.
>
>I created this because it was getting difficult for me to
>conceptualize how we were going to do in line commentary.

Love that look!

I think in this kind of point-by-point response, there are two ways to
go...

One way is what you did in the screenshot -- keep the original content
in the center and put the responses along the sides, using different
visual styles for the two to keep them distinct.

This keeps the focus on the original content, which has advantages and
disadvantages.  It says "Our purpose here is to annotate and deconstruct
what this person said", but it also means that the structure and major
themes of the response are still controlled by the original piece.  It
also means readers are re-exposed to all of the original letter, even
the parts that don't need rebuttal or that are repetitive with other
parts that we may be rebutting elsewhere.

The alternative is to write an essay that says the things you think need
saying, including selected quotes from the original letter inline.  In
other words, something like this:

  Dear Emily White,

  You've recently been told that you shouldn't share music -- that
  doing so hurts artists and is unethical.  You were told you should
  change your behavior, and that you should try to get your friends to
  change theirs.

  We think you got bad advice.  You're not hurting artists, you're
  helping them.  Although David Lowery was sincere and really believes
  what he wrote in his <link>letter to you</link>, we'd like to explain
  why he's wrong both about who the copyright system serves, and about
  what the Free Culture movement stands for.

        <insert (indented, italicized) first excerpt from Lowery's
        letter here.  It doesn't have to be the first thing he
        wrote in the letter -- it's just the first point you want
        to address.  In other words, the excerpts from his letter
        don't have to reproduce the entire letter; we're here to
        serve the Free Culture movement's purposes, not Lowery's.
        Obviously we shouldn't use misrepresentative excerpts or
        otherwise be unfair, but there is no moral obligation to
        reproduce every repetitive thing in his letter either.  I
        don't even think the excerpts necessarily have to appear in
        the same order in which they appeared in his letter, as
        long as we don't change the order of his argument or his
        logic in such a way as to misrepresent him.>

  Here is the response to the above excerpt.

        <and here is another excerpt from his letter>

  Here is the response to that second excerpt.

  And here is maybe a new paragraph that is not necessarily a response
  to any particular part of Lowery's letter, but is just making some
  point that you want to make, or summing up what you've said so far.

        <maybe here's more Lowery>

  More response.

Etc, etc -- you get the idea.

Again, I think either way can work.  I just wanted to offer an
alternative structure for consideration, since you seemed to be asking
for thoughts on structure before thoughts on content.

Big kudos to you for taking this great discussion we're all having here
and turning it into something useful to the public!

Best,
-Karl

>On Wed, Jun 20, 2012 at 11:50 PM, Jennifer Baek <baek01 <at> gmail.com>
>wrote:
>
>    http://www.huffingtonpost.com/travis-morrison/hey-dude-from-cracker-
>    im_b_1610557.html via Katie Baxter
>
>
>
>
>    On Wed, Jun 20, 2012 at 11:13 AM, Aditi Rajaram
>    <aditi.rajaram <at> gmail.com> wrote:
>
>    Stoked that we're responding (opened up the PiratePad and looking
>        through now). The original piece made me so mad I had to stop
>        in the middle a couple a times before I could go back and
>        finish reading it.
>
>
>
>
>        On Tue, Jun 19, 2012 at 9:24 PM, Jennifer Baek
>        <baek01 <at> gmail.com> wrote:
>
>        I agree with you... It might be worth it to address that. He's
>            definitely trying to appeal to ones emotions and morality.
>            I got a hint of religious rhetoric. Paying penance?!
>
>            I won't be around a computer for a greater part of the day
>            tomorrow since I'm going on a field trip with my
>            internship tomorrow.
>
>            Everyone, please continue to mark up the piratepad:
>            http://piratepad.net/KY6e7xIdkm
>
>            After we've brainstormed, we'll work on polishing our
>            response!
>
>            Thanks!
>
>
>
>
>            On Tue, Jun 19, 2012 at 11:49 PM, Alex Kozak
>            <alex <at> massthink.net> wrote:
>
>                            Sorry for taking this a bit off track
>                (continue scheming response etc) but something in the
>                response really upsets me, which is the subtle
>                implication that culture abundance and loving music
>                contributed to his friend's suicide. Not cool.
>
>                These guys just seem completely out of touch with our
>                generation.
>
>
>
>                On Jun 19, 2012 8:57 PM, "Alex Leavitt"
>                <alexleavitt <at> gmail.com> wrote:
>
>
>                    Hit a NYT
>                    blog: http://mediadecoder.blogs.nytimes.com/2012/06/19/npr-
>                    intern-gets-an-earful-after-blogging-about-11000-songs-
>                    almost-none-paid-for/
>
>
>
>
>
>
>                    On Tue, Jun 19, 2012 at 2:29 PM, Karl Fogel
>                    <kfogel <at> questioncopyright.org> wrote:
>
>                    [Unifying two threads here by adding QCO discuss <at>
>                        list as a recipient --
>                        we'd been discussing this over there too.]
>
>                        So, Nina Paley just pointed out that the
>                        wonderful (and fast) Mike
>                        Masnick of Techdirt has posted this quick
>                        response piece:
>
>                         http://www.techdirt.com/articles/20120619/11493419390/david-
>                        lowery-wants-pony.shtml
>
>                        I really like Mike's response, but there's an
>                        important thing it doesn't
>                        do, which is turn the tables on David Lowery's
>                        morality argument.
>
>                        Masnick basically says "This is the new
>                        reality: get over it, and find a
>                        way to work in it, because you have no choice.
>                         Asking for anything else
>                        is asking for a pony."  (Okay, I'm
>                        paraphrasing!)
>
>                        That's a useful message, but it's still
>                        essentially an amoral -- by
>                        which I do *not* mean "immoral" -- argument.
>                         Yet I don't see any reason
>                        to cede the moral high ground to Lowery.  He's
>                        the one arguing against
>                        people sharing culture, and in favor of
>                        monopoly and control, after all.
>
>                        So despite Masnick's excellent job, I think
>                        there's a big opening for a
>                        deeper and explicitly anti-monopoly rebuttal
>                        here, and that it will get
>                        some traction.
>
>                        I'm sending this partly for Jennifer Baek's
>                        benefit, since she's working
>                        on a rebuttal (along with anyone else who
>                        wants to, of course).  Jen,
>                        Masnick's piece is worth reading, and maybe
>                        referring to, but I
>                        certainly don't think it says everything that
>                        could be said.
>
>                        Also, just to second what Alex Leavitt said:
>                        "Wow! I'm so glad to see
>                        the amazing discussion this has generated."
>                         Absolutely!  David may have
>                        written a bad essay, but he's still generating
>                        something good...
>
>                        Best,
>                        -K
>
>
>
>                        Nate Otto <ottonomy <at> gmail.com> writes:
>                        >I'll take a look at the etherpad later, but
>                        I'd caution against doing
>                        >a whole point-by-point rebuttal of the
>                        letter. I think a concise
>                        >response focusing on just one or two main
>                        points would ultimately be
>                        >more effective. (But I'm no longer a student,
>                        and I can't say that I
>                        >speak for SFC, only as an independent
>                        supporter of free culture)
>                        >
>                        >The points that stood out for me as asking
>                        for response are first: the
>                        >main thrust that individuals have a
>                        responsibility to pay the
>                        >structures currently set up to support
>                        artists and petition the
>                        >government in support of the "property
>                        rights" framing that in turn
>                        >supports these entrenched players and to not
>                        question whether this all
>                        >makes sense in the context of the Internet,
>                        which is the best media
>                        >distribution system the world has ever seen.
>                        >
>                        >The second is:
>                        >"What the corporate backed Free Culture
>                        movement is asking us to do is
>                        >analogous to changing our morality and
>                        principles to allow the
>                        >equivalent of looting."
>                        >
>                        >Changing the metaphors underlying "culture as
>                        property" is a possible
>                        >outcome of the Free Culture movement. We are
>                        having a conversation
>                        >about how to have a free culture where
>                        artists can live happily.
>                        >Entrenched players may join in, but they have
>                        to realize that
>                        >"looting" is a word that comes out of their
>                        framing of the issue; we
>                        >may not accept that framing as what is needed
>                        to support a 21st C
>                        >(conected) culture.
>                        >
>                        >-Nate
>                        >
>
>
>                        >______________________________________________
>                        _
>                        >Discuss mailing list
>                        >Discuss <at> freeculture.org
>                        >http://lists.freeculture.org/mailman/listinfo/discuss
>                        >FAQ: http://wiki.freeculture.org/Fc-discuss
>                        _______________________________________________
>                        Discuss mailing list
>                        Discuss <at> freeculture.org
>                        http://lists.freeculture.org/mailman/listinfo/discuss
>                        FAQ: http://wiki.freeculture.org/Fc-discuss
>
>
>
>                    _______________________________________________
>                    Discuss mailing list
>                    Discuss <at> freeculture.org
>                    http://lists.freeculture.org/mailman/listinfo/discuss
>                    FAQ: http://wiki.freeculture.org/Fc-discuss
>
>
>
>                _______________________________________________
>                Discuss mailing list
>                Discuss <at> freeculture.org
>                http://lists.freeculture.org/mailman/listinfo/discuss
>                FAQ: http://wiki.freeculture.org/Fc-discuss
>
>
>
>
>
>            _______________________________________________
>            Discuss mailing list
>            Discuss <at> freeculture.org
>            http://lists.freeculture.org/mailman/listinfo/discuss
>            FAQ: http://wiki.freeculture.org/Fc-discuss
>
>
>
>
>
>        _______________________________________________
>        Discuss mailing list
>        Discuss <at> freeculture.org
>        http://lists.freeculture.org/mailman/listinfo/discuss
>        FAQ: http://wiki.freeculture.org/Fc-discuss
>
>
>
>
>
>
>_______________________________________________
>QuestionCopyright.org discussion list
>discuss <at> questioncopyright.org
>http://www.red-bean.com/mailman/listinfo/qco-discuss

_______________________________________________
Discuss mailing list
Discuss <at> freeculture.org
http://lists.freeculture.org/mailman/listinfo/discuss
FAQ: http://wiki.freeculture.org/Fc-discuss
Karl Fogel | 24 Jun 2012 05:49
Favicon
Gravatar

Re: [Qco-discuss] "[Young people have] been been badly misinformed by the Free Culture movement."

Jennifer Baek <baek01 <at> gmail.com> writes:
>In Defense of Free Music: A Generational, Ethical High Road Over the
>Industry’s Corruption and Exploitation 
>
>http://www.mediapocalypse.com/in-defense-of-free-music-a-generational-ethical-
>high-road-over-the-industrys-corruption-and-exploitation/
>
>A response to Lowery's letter worth reading.

Really good -- thanks for forwarding!  I've put up a piece about it on
QCO, basically just introducing Zac's article and then pointing to it:

  http://questioncopyright.org/zac_shaw_defends_free_culture

I really like his robust assertions about the Free Culture movement's
ethics.  It may at least give the David Lowerys of the world a pause,
and the realization that they can't just *assume* the high road but
rather have to explain why they think they're on it.

Jen, how's your piece coming?

(Not meant as pressure, by the way.  If you think Zac Shaw said what you
wanted to say, that's fine -- but if you're still doing a response, I'm
sure I'm not alone in looking forward to seeing it.)

-K

>On Thu, Jun 21, 2012 at 12:24 PM, Karl Fogel
><kfogel <at> questioncopyright.org> wrote:
>
>    Jennifer Baek <baek01 <at> gmail.com> writes:
>    >Hi, I've attached a screenshot of something I whipped up on
>    >Illustrator. What do you think? Some feedback on format would be
>    >great. Content, we'll continue to work on together on the
>    piratepad.
>    >The content in the screenshot isn't *final*, I just copy and
>    pasted
>    >what was in the pirate pad.
>    >
>    >I created this because it was getting difficult for me to
>    >conceptualize how we were going to do in line commentary.
>    
>    
>    Love that look!
>    
>    I think in this kind of point-by-point response, there are two
>    ways to
>    go...
>    
>    One way is what you did in the screenshot -- keep the original
>    content
>    in the center and put the responses along the sides, using
>    different
>    visual styles for the two to keep them distinct.
>    
>    This keeps the focus on the original content, which has advantages
>    and
>    disadvantages.  It says "Our purpose here is to annotate and
>    deconstruct
>    what this person said", but it also means that the structure and
>    major
>    themes of the response are still controlled by the original piece.
>     It
>    also means readers are re-exposed to all of the original letter,
>    even
>    the parts that don't need rebuttal or that are repetitive with
>    other
>    parts that we may be rebutting elsewhere.
>    
>    The alternative is to write an essay that says the things you
>    think need
>    saying, including selected quotes from the original letter inline.
>     In
>    other words, something like this:
>    
>      Dear Emily White,
>    
>      You've recently been told that you shouldn't share music -- that
>      doing so hurts artists and is unethical.  You were told you
>    should
>      change your behavior, and that you should try to get your
>    friends to
>      change theirs.
>    
>      We think you got bad advice.  You're not hurting artists, you're
>      helping them.  Although David Lowery was sincere and really
>    believes
>      what he wrote in his <link>letter to you</link>, we'd like to
>    explain
>      why he's wrong both about who the copyright system serves, and
>    about
>      what the Free Culture movement stands for.
>    
>            <insert (indented, italicized) first excerpt from Lowery's
>            letter here.  It doesn't have to be the first thing he
>            wrote in the letter -- it's just the first point you want
>            to address.  In other words, the excerpts from his letter
>            don't have to reproduce the entire letter; we're here to
>            serve the Free Culture movement's purposes, not Lowery's.
>            Obviously we shouldn't use misrepresentative excerpts or
>            otherwise be unfair, but there is no moral obligation to
>            reproduce every repetitive thing in his letter either.  I
>            don't even think the excerpts necessarily have to appear
>    in
>            the same order in which they appeared in his letter, as
>            long as we don't change the order of his argument or his
>            logic in such a way as to misrepresent him.>
>    
>      Here is the response to the above excerpt.
>    
>            <and here is another excerpt from his letter>
>    
>      Here is the response to that second excerpt.
>    
>      And here is maybe a new paragraph that is not necessarily a
>    response
>      to any particular part of Lowery's letter, but is just making
>    some
>      point that you want to make, or summing up what you've said so
>    far.
>    
>            <maybe here's more Lowery>
>    
>      More response.
>    
>    Etc, etc -- you get the idea.
>    
>    Again, I think either way can work.  I just wanted to offer an
>    alternative structure for consideration, since you seemed to be
>    asking
>    for thoughts on structure before thoughts on content.
>    
>    Big kudos to you for taking this great discussion we're all having
>    here
>    and turning it into something useful to the public!
>    
>    Best,
>    -Karl
>    
>    
>    
>    >On Wed, Jun 20, 2012 at 11:50 PM, Jennifer Baek
>    <baek01 <at> gmail.com>
>    >wrote:
>    >
>    >  
>     http://www.huffingtonpost.com/travis-morrison/hey-dude-from-cracker-
>    >    im_b_1610557.html via Katie Baxter
>    >
>    >
>    >
>    >
>    >    On Wed, Jun 20, 2012 at 11:13 AM, Aditi Rajaram
>    >    <aditi.rajaram <at> gmail.com> wrote:
>    >
>    >    Stoked that we're responding (opened up the PiratePad and
>    looking
>    >        through now). The original piece made me so mad I had to
>    stop
>    >        in the middle a couple a times before I could go back and
>    >        finish reading it.
>    >
>    >
>    >
>    >
>    >        On Tue, Jun 19, 2012 at 9:24 PM, Jennifer Baek
>    >        <baek01 <at> gmail.com> wrote:
>    >
>    >        I agree with you... It might be worth it to address that.
>    He's
>    >            definitely trying to appeal to ones emotions and
>    morality.
>    >            I got a hint of religious rhetoric. Paying penance?!
>    >
>    >            I won't be around a computer for a greater part of
>    the day
>    >            tomorrow since I'm going on a field trip with my
>    >            internship tomorrow.
>    >
>    >            Everyone, please continue to mark up the piratepad:
>    >            http://piratepad.net/KY6e7xIdkm
>    >
>    >            After we've brainstormed, we'll work on polishing our
>    >            response!
>    >
>    >            Thanks!
>    >
>    >
>    >
>    >
>    >            On Tue, Jun 19, 2012 at 11:49 PM, Alex Kozak
>    >            <alex <at> massthink.net> wrote:
>    >
>    >                            Sorry for taking this a bit off track
>    >                (continue scheming response etc) but something in
>    the
>    >                response really upsets me, which is the subtle
>    >                implication that culture abundance and loving
>    music
>    >                contributed to his friend's suicide. Not cool.
>    >
>    >                These guys just seem completely out of touch with
>    our
>    >                generation.
>    >
>    >
>    >
>    >                On Jun 19, 2012 8:57 PM, "Alex Leavitt"
>    >                <alexleavitt <at> gmail.com> wrote:
>    >
>    >
>    >                    Hit a NYT
>    >                  
>     blog: http://mediadecoder.blogs.nytimes.com/2012/06/19/npr-
>    >                  
>     intern-gets-an-earful-after-blogging-about-11000-songs-
>    >                    almost-none-paid-for/
>    >
>    >
>    >
>    >
>    >
>    >
>    >                    On Tue, Jun 19, 2012 at 2:29 PM, Karl Fogel
>    >                    <kfogel <at> questioncopyright.org> wrote:
>    >
>    >                    [Unifying two threads here by adding QCO
>    discuss <at> 
>    >                        list as a recipient --
>    >                        we'd been discussing this over there
>    too.]
>    >
>    >                        So, Nina Paley just pointed out that the
>    >                        wonderful (and fast) Mike
>    >                        Masnick of Techdirt has posted this quick
>    >                        response piece:
>    >
>    >                      
>      http://www.techdirt.com/articles/20120619/11493419390/david-
>    >                        lowery-wants-pony.shtml
>    >
>    >                        I really like Mike's response, but there's
>    an
>    >                        important thing it doesn't
>    >                        do, which is turn the tables on David
>    Lowery's
>    >                        morality argument.
>    >
>    >                        Masnick basically says "This is the new
>    >                        reality: get over it, and find a
>    >                        way to work in it, because you have no
>    choice.
>    >                         Asking for anything else
>    >                        is asking for a pony."  (Okay, I'm
>    >                        paraphrasing!)
>    >
>    >                        That's a useful message, but it's still
>    >                        essentially an amoral -- by
>    >                        which I do *not* mean "immoral" --
>    argument.
>    >                         Yet I don't see any reason
>    >                        to cede the moral high ground to Lowery.
>     He's
>    >                        the one arguing against
>    >                        people sharing culture, and in favor of
>    >                        monopoly and control, after all.
>    >
>    >                        So despite Masnick's excellent job, I
>    think
>    >                        there's a big opening for a
>    >                        deeper and explicitly anti-monopoly
>    rebuttal
>    >                        here, and that it will get
>    >                        some traction.
>    >
>    >                        I'm sending this partly for Jennifer
>    Baek's
>    >                        benefit, since she's working
>    >                        on a rebuttal (along with anyone else who
>    >                        wants to, of course).  Jen,
>    >                        Masnick's piece is worth reading, and
>    maybe
>    >                        referring to, but I
>    >                        certainly don't think it says everything
>    that
>    >                        could be said.
>    >
>    >                        Also, just to second what Alex Leavitt
>    said:
>    >                        "Wow! I'm so glad to see
>    >                        the amazing discussion this has
>    generated."
>    >                         Absolutely!  David may have
>    >                        written a bad essay, but he's still
>    generating
>    >                        something good...
>    >
>    >                        Best,
>    >                        -K
>    >
>    >
>    >
>    >                        Nate Otto <ottonomy <at> gmail.com> writes:
>    >                        >I'll take a look at the etherpad later,
>    but
>    >                        I'd caution against doing
>    >                        >a whole point-by-point rebuttal of the
>    >                        letter. I think a concise
>    >                        >response focusing on just one or two
>    main
>    >                        points would ultimately be
>    >                        >more effective. (But I'm no longer a
>    student,
>    >                        and I can't say that I
>    >                        >speak for SFC, only as an independent
>    >                        supporter of free culture)
>    >                        >
>    >                        >The points that stood out for me as
>    asking
>    >                        for response are first: the
>    >                        >main thrust that individuals have a
>    >                        responsibility to pay the
>    >                        >structures currently set up to support
>    >                        artists and petition the
>    >                        >government in support of the "property
>    >                        rights" framing that in turn
>    >                        >supports these entrenched players and to
>    not
>    >                        question whether this all
>    >                        >makes sense in the context of the
>    Internet,
>    >                        which is the best media
>    >                        >distribution system the world has ever
>    seen.
>    >                        >
>    >                        >The second is:
>    >                        >"What the corporate backed Free Culture
>    >                        movement is asking us to do is
>    >                        >analogous to changing our morality and
>    >                        principles to allow the
>    >                        >equivalent of looting."
>    >                        >
>    >                        >Changing the metaphors underlying
>    "culture as
>    >                        property" is a possible
>    >                        >outcome of the Free Culture movement. We
>    are
>    >                        having a conversation
>    >                        >about how to have a free culture where
>    >                        artists can live happily.
>    >                        >Entrenched players may join in, but they
>    have
>    >                        to realize that
>    >                        >"looting" is a word that comes out of
>    their
>    >                        framing of the issue; we
>    >                        >may not accept that framing as what is
>    needed
>    >                        to support a 21st C
>    >                        >(conected) culture.
>    >                        >
>    >                        >-Nate
>    >                        >
>    >
>    >
>    >                      
>     >______________________________________________
>    >                        _
>    >                        >Discuss mailing list
>    >                        >Discuss <at> freeculture.org
>    >                      
>     >http://lists.freeculture.org/mailman/listinfo/discuss
>    >                        >FAQ:
>    http://wiki.freeculture.org/Fc-discuss
>    >                      
>     _______________________________________________
>    >                        Discuss mailing list
>    >                        Discuss <at> freeculture.org
>    >                      
>     http://lists.freeculture.org/mailman/listinfo/discuss
>    >                        FAQ:
>    http://wiki.freeculture.org/Fc-discuss
>    >
>    >
>    >
>    >                  
>     _______________________________________________
>    >                    Discuss mailing list
>    >                    Discuss <at> freeculture.org
>    >                  
>     http://lists.freeculture.org/mailman/listinfo/discuss
>    >                    FAQ: http://wiki.freeculture.org/Fc-discuss
>    >
>    >
>    >
>    >                _______________________________________________
>    >                Discuss mailing list
>    >                Discuss <at> freeculture.org
>    >              
>     http://lists.freeculture.org/mailman/listinfo/discuss
>    >                FAQ: http://wiki.freeculture.org/Fc-discuss
>    >
>    >
>    >
>    >
>    >
>    >            _______________________________________________
>    >            Discuss mailing list
>    >            Discuss <at> freeculture.org
>    >            http://lists.freeculture.org/mailman/listinfo/discuss
>    >            FAQ: http://wiki.freeculture.org/Fc-discuss
>    >
>    >
>    >
>    >
>    >
>    >        _______________________________________________
>    >        Discuss mailing list
>    >        Discuss <at> freeculture.org
>    >        http://lists.freeculture.org/mailman/listinfo/discuss
>    >        FAQ: http://wiki.freeculture.org/Fc-discuss
>    >
>    >
>    >
>    >
>    >
>    >
>    
>    
>    >_______________________________________________
>    >QuestionCopyright.org discussion list
>    >discuss <at> questioncopyright.org
>    >http://www.red-bean.com/mailman/listinfo/qco-discuss
>    
_______________________________________________
Discuss mailing list
Discuss <at> freeculture.org
http://lists.freeculture.org/mailman/listinfo/discuss
FAQ: http://wiki.freeculture.org/Fc-discuss
Jennifer Baek | 24 Jun 2012 06:05
Picon

Re: [Qco-discuss] "[Young people have] been been badly misinformed by the Free Culture movement."

I agree, I think Zac did a great job of saying what I'm sure many of us would have said in a response. And, I really like his responses to the two comments who tried to object to his article...

I'm still working on an oatmeal type response. It's taking longer than expected because his letter is close to 4,000 words!

I'm having fun doing it, and since I'm pretty adamant about finishing what I start, I'm going to continue working on it. It's gonna take all night, but I'll have something for everyone to look at and review by tomorrow.

Thanks!



On Sat, Jun 23, 2012 at 11:49 PM, Karl Fogel <kfogel <at> questioncopyright.org> wrote:
Jennifer Baek <baek01 <at> gmail.com> writes:
>In Defense of Free Music: A Generational, Ethical High Road Over the
>Industry’s Corruption and Exploitation
>
>http://www.mediapocalypse.com/in-defense-of-free-music-a-generational-ethical-
>high-road-over-the-industrys-corruption-and-exploitation/
>
>A response to Lowery's letter worth reading.

Really good -- thanks for forwarding!  I've put up a piece about it on
QCO, basically just introducing Zac's article and then pointing to it:

 http://questioncopyright.org/zac_shaw_defends_free_culture

I really like his robust assertions about the Free Culture movement's
ethics.  It may at least give the David Lowerys of the world a pause,
and the realization that they can't just *assume* the high road but
rather have to explain why they think they're on it.

Jen, how's your piece coming?

(Not meant as pressure, by the way.  If you think Zac Shaw said what you
wanted to say, that's fine -- but if you're still doing a response, I'm
sure I'm not alone in looking forward to seeing it.)

-K

>On Thu, Jun 21, 2012 at 12:24 PM, Karl Fogel
><kfogel <at> questioncopyright.org> wrote:
>
>    Jennifer Baek <baek01 <at> gmail.com> writes:
>    >Hi, I've attached a screenshot of something I whipped up on
>    >Illustrator. What do you think? Some feedback on format would be
>    >great. Content, we'll continue to work on together on the
>    piratepad.
>    >The content in the screenshot isn't *final*, I just copy and
>    pasted
>    >what was in the pirate pad.
>    >
>    >I created this because it was getting difficult for me to
>    >conceptualize how we were going to do in line commentary.
>
>
>    Love that look!
>
>    I think in this kind of point-by-point response, there are two
>    ways to
>    go...
>
>    One way is what you did in the screenshot -- keep the original
>    content
>    in the center and put the responses along the sides, using
>    different
>    visual styles for the two to keep them distinct.
>
>    This keeps the focus on the original content, which has advantages
>    and
>    disadvantages.  It says "Our purpose here is to annotate and
>    deconstruct
>    what this person said", but it also means that the structure and
>    major
>    themes of the response are still controlled by the original piece.
>     It
>    also means readers are re-exposed to all of the original letter,
>    even
>    the parts that don't need rebuttal or that are repetitive with
>    other
>    parts that we may be rebutting elsewhere.
>
>    The alternative is to write an essay that says the things you
>    think need
>    saying, including selected quotes from the original letter inline.
>     In
>    other words, something like this:
>
>      Dear Emily White,
>
>      You've recently been told that you shouldn't share music -- that
>      doing so hurts artists and is unethical.  You were told you
>    should
>      change your behavior, and that you should try to get your
>    friends to
>      change theirs.
>
>      We think you got bad advice.  You're not hurting artists, you're
>      helping them.  Although David Lowery was sincere and really
>    believes
>      what he wrote in his <link>letter to you</link>, we'd like to
>    explain
>      why he's wrong both about who the copyright system serves, and
>    about
>      what the Free Culture movement stands for.
>
>            <insert (indented, italicized) first excerpt from Lowery's
>            letter here.  It doesn't have to be the first thing he
>            wrote in the letter -- it's just the first point you want
>            to address.  In other words, the excerpts from his letter
>            don't have to reproduce the entire letter; we're here to
>            serve the Free Culture movement's purposes, not Lowery's.
>            Obviously we shouldn't use misrepresentative excerpts or
>            otherwise be unfair, but there is no moral obligation to
>            reproduce every repetitive thing in his letter either.  I
>            don't even think the excerpts necessarily have to appear
>    in
>            the same order in which they appeared in his letter, as
>            long as we don't change the order of his argument or his
>            logic in such a way as to misrepresent him.>
>
>      Here is the response to the above excerpt.
>
>            <and here is another excerpt from his letter>
>
>      Here is the response to that second excerpt.
>
>      And here is maybe a new paragraph that is not necessarily a
>    response
>      to any particular part of Lowery's letter, but is just making
>    some
>      point that you want to make, or summing up what you've said so
>    far.
>
>            <maybe here's more Lowery>
>
>      More response.
>
>    Etc, etc -- you get the idea.
>
>    Again, I think either way can work.  I just wanted to offer an
>    alternative structure for consideration, since you seemed to be
>    asking
>    for thoughts on structure before thoughts on content.
>
>    Big kudos to you for taking this great discussion we're all having
>    here
>    and turning it into something useful to the public!
>
>    Best,
>    -Karl
>
>
>
>    >On Wed, Jun 20, 2012 at 11:50 PM, Jennifer Baek
>    <baek01 <at> gmail.com>
>    >wrote:
>    >
>    >  
>     http://www.huffingtonpost.com/travis-morrison/hey-dude-from-cracker-
>    >    im_b_1610557.html via Katie Baxter
>    >
>    >
>    >
>    >
>    >    On Wed, Jun 20, 2012 at 11:13 AM, Aditi Rajaram
>    >    <aditi.rajaram <at> gmail.com> wrote:
>    >
>    >    Stoked that we're responding (opened up the PiratePad and
>    looking
>    >        through now). The original piece made me so mad I had to
>    stop
>    >        in the middle a couple a times before I could go back and
>    >        finish reading it.
>    >
>    >
>    >
>    >
>    >        On Tue, Jun 19, 2012 at 9:24 PM, Jennifer Baek
>    >        <baek01 <at> gmail.com> wrote:
>    >
>    >        I agree with you... It might be worth it to address that.
>    He's
>    >            definitely trying to appeal to ones emotions and
>    morality.
>    >            I got a hint of religious rhetoric. Paying penance?!
>    >
>    >            I won't be around a computer for a greater part of
>    the day
>    >            tomorrow since I'm going on a field trip with my
>    >            internship tomorrow.
>    >
>    >            Everyone, please continue to mark up the piratepad:
>    >            http://piratepad.net/KY6e7xIdkm
>    >
>    >            After we've brainstormed, we'll work on polishing our
>    >            response!
>    >
>    >            Thanks!
>    >
>    >
>    >
>    >
>    >            On Tue, Jun 19, 2012 at 11:49 PM, Alex Kozak
>    >            <alex <at> massthink.net> wrote:
>    >
>    >                            Sorry for taking this a bit off track
>    >                (continue scheming response etc) but something in
>    the
>    >                response really upsets me, which is the subtle
>    >                implication that culture abundance and loving
>    music
>    >                contributed to his friend's suicide. Not cool.
>    >
>    >                These guys just seem completely out of touch with
>    our
>    >                generation.
>    >
>    >
>    >
>    >                On Jun 19, 2012 8:57 PM, "Alex Leavitt"
>    >                <alexleavitt <at> gmail.com> wrote:
>    >
>    >
>    >                    Hit a NYT
>    >                  
>     blog: http://mediadecoder.blogs.nytimes.com/2012/06/19/npr-
>    >                  
>     intern-gets-an-earful-after-blogging-about-11000-songs-
>    >                    almost-none-paid-for/
>    >
>    >
>    >
>    >
>    >
>    >
>    >                    On Tue, Jun 19, 2012 at 2:29 PM, Karl Fogel
>    >                    <kfogel <at> questioncopyright.org> wrote:
>    >
>    >                    [Unifying two threads here by adding QCO
>    discuss <at>
>    >                        list as a recipient --
>    >                        we'd been discussing this over there
>    too.]
>    >
>    >                        So, Nina Paley just pointed out that the
>    >                        wonderful (and fast) Mike
>    >                        Masnick of Techdirt has posted this quick
>    >                        response piece:
>    >
>    >                      
>      http://www.techdirt.com/articles/20120619/11493419390/david-
>    >                        lowery-wants-pony.shtml
>    >
>    >                        I really like Mike's response, but there's
>    an
>    >                        important thing it doesn't
>    >                        do, which is turn the tables on David
>    Lowery's
>    >                        morality argument.
>    >
>    >                        Masnick basically says "This is the new
>    >                        reality: get over it, and find a
>    >                        way to work in it, because you have no
>    choice.
>    >                         Asking for anything else
>    >                        is asking for a pony."  (Okay, I'm
>    >                        paraphrasing!)
>    >
>    >                        That's a useful message, but it's still
>    >                        essentially an amoral -- by
>    >                        which I do *not* mean "immoral" --
>    argument.
>    >                         Yet I don't see any reason
>    >                        to cede the moral high ground to Lowery.
>     He's
>    >                        the one arguing against
>    >                        people sharing culture, and in favor of
>    >                        monopoly and control, after all.
>    >
>    >                        So despite Masnick's excellent job, I
>    think
>    >                        there's a big opening for a
>    >                        deeper and explicitly anti-monopoly
>    rebuttal
>    >                        here, and that it will get
>    >                        some traction.
>    >
>    >                        I'm sending this partly for Jennifer
>    Baek's
>    >                        benefit, since she's working
>    >                        on a rebuttal (along with anyone else who
>    >                        wants to, of course).  Jen,
>    >                        Masnick's piece is worth reading, and
>    maybe
>    >                        referring to, but I
>    >                        certainly don't think it says everything
>    that
>    >                        could be said.
>    >
>    >                        Also, just to second what Alex Leavitt
>    said:
>    >                        "Wow! I'm so glad to see
>    >                        the amazing discussion this has
>    generated."
>    >                         Absolutely!  David may have
>    >                        written a bad essay, but he's still
>    generating
>    >                        something good...
>    >
>    >                        Best,
>    >                        -K
>    >
>    >
>    >
>    >                        Nate Otto <ottonomy <at> gmail.com> writes:
>    >                        >I'll take a look at the etherpad later,
>    but
>    >                        I'd caution against doing
>    >                        >a whole point-by-point rebuttal of the
>    >                        letter. I think a concise
>    >                        >response focusing on just one or two
>    main
>    >                        points would ultimately be
>    >                        >more effective. (But I'm no longer a
>    student,
>    >                        and I can't say that I
>    >                        >speak for SFC, only as an independent
>    >                        supporter of free culture)
>    >                        >
>    >                        >The points that stood out for me as
>    asking
>    >                        for response are first: the
>    >                        >main thrust that individuals have a
>    >                        responsibility to pay the
>    >                        >structures currently set up to support
>    >                        artists and petition the
>    >                        >government in support of the "property
>    >                        rights" framing that in turn
>    >                        >supports these entrenched players and to
>    not
>    >                        question whether this all
>    >                        >makes sense in the context of the
>    Internet,
>    >                        which is the best media
>    >                        >distribution system the world has ever
>    seen.
>    >                        >
>    >                        >The second is:
>    >                        >"What the corporate backed Free Culture
>    >                        movement is asking us to do is
>    >                        >analogous to changing our morality and
>    >                        principles to allow the
>    >                        >equivalent of looting."
>    >                        >
>    >                        >Changing the metaphors underlying
>    "culture as
>    >                        property" is a possible
>    >                        >outcome of the Free Culture movement. We
>    are
>    >                        having a conversation
>    >                        >about how to have a free culture where
>    >                        artists can live happily.
>    >                        >Entrenched players may join in, but they
>    have
>    >                        to realize that
>    >                        >"looting" is a word that comes out of
>    their
>    >                        framing of the issue; we
>    >                        >may not accept that framing as what is
>    needed
>    >                        to support a 21st C
>    >                        >(conected) culture.
>    >                        >
>    >                        >-Nate
>    >                        >
>    >
>    >
>    >                      
>     >______________________________________________
>    >                        _
>    >                        >Discuss mailing list
>    >                        >Discuss <at> freeculture.org
>    >                      
>     >http://lists.freeculture.org/mailman/listinfo/discuss
>    >                        >FAQ:
>    http://wiki.freeculture.org/Fc-discuss
>    >                      
>     _______________________________________________
>    >                        Discuss mailing list
>    >                        Discuss <at> freeculture.org
>    >                      
>     http://lists.freeculture.org/mailman/listinfo/discuss
>    >                        FAQ:
>    http://wiki.freeculture.org/Fc-discuss
>    >
>    >
>    >
>    >                  
>     _______________________________________________
>    >                    Discuss mailing list
>    >                    Discuss <at> freeculture.org
>    >                  
>     http://lists.freeculture.org/mailman/listinfo/discuss
>    >                    FAQ: http://wiki.freeculture.org/Fc-discuss
>    >
>    >
>    >
>    >                _______________________________________________
>    >                Discuss mailing list
>    >                Discuss <at> freeculture.org
>    >              
>     http://lists.freeculture.org/mailman/listinfo/discuss
>    >                FAQ: http://wiki.freeculture.org/Fc-discuss
>    >
>    >
>    >
>    >
>    >
>    >            _______________________________________________
>    >            Discuss mailing list
>    >            Discuss <at> freeculture.org
>    >            http://lists.freeculture.org/mailman/listinfo/discuss
>    >            FAQ: http://wiki.freeculture.org/Fc-discuss
>    >
>    >
>    >
>    >
>    >
>    >        _______________________________________________
>    >        Discuss mailing list
>    >        Discuss <at> freeculture.org
>    >        http://lists.freeculture.org/mailman/listinfo/discuss
>    >        FAQ: http://wiki.freeculture.org/Fc-discuss
>    >
>    >
>    >
>    >
>    >
>    >
>
>
>    >_______________________________________________
>    >QuestionCopyright.org discussion list
>    >discuss <at> questioncopyright.org
>    >http://www.red-bean.com/mailman/listinfo/qco-discuss
>

_______________________________________________
Discuss mailing list
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FAQ: http://wiki.freeculture.org/Fc-discuss
Karl Fogel | 24 Jun 2012 06:17
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Re: [Qco-discuss] "[Young people have] been been badly misinformed by the Free Culture movement."

Jennifer Baek <baek01 <at> gmail.com> writes:
>I agree, I think Zac did a great job of saying what I'm sure many of
>us would have said in a response. And, I really like his responses to
>the two comments who tried to object to his article...
>
>I'm still working on an oatmeal type response. It's taking longer than
>expected because his letter is close to 4,000 words!
>
>I'm having fun doing it, and since I'm pretty adamant about finishing
>what I start, I'm going to continue working on it. It's gonna take all
>night, but I'll have something for everyone to look at and review by
>tomorrow.

Awesome.  I will make time tomorrow to read it!

-K

>On Sat, Jun 23, 2012 at 11:49 PM, Karl Fogel
><kfogel <at> questioncopyright.org> wrote:
>
>    Jennifer Baek <baek01 <at> gmail.com> writes:
>    >In Defense of Free Music: A Generational, Ethical High Road Over
>    the
>    >Industry’s Corruption and Exploitation
>    >
>    >http://www.mediapocalypse.com/in-defense-of-free-music-a-generational-
>    ethical-
>    >high-road-over-the-industrys-corruption-and-exploitation/
>    >
>    >A response to Lowery's letter worth reading.
>    
>    
>    Really good -- thanks for forwarding!  I've put up a piece about
>    it on
>    QCO, basically just introducing Zac's article and then pointing to
>    it:
>    
>     http://questioncopyright.org/zac_shaw_defends_free_culture
>    
>    I really like his robust assertions about the Free Culture
>    movement's
>    ethics.  It may at least give the David Lowerys of the world a
>    pause,
>    and the realization that they can't just *assume* the high road
>    but
>    rather have to explain why they think they're on it.
>    
>    Jen, how's your piece coming?
>    
>    (Not meant as pressure, by the way.  If you think Zac Shaw said
>    what you
>    wanted to say, that's fine -- but if you're still doing a
>    response, I'm
>    sure I'm not alone in looking forward to seeing it.)
>    
>    -K
>    
>    
>    
>    >On Thu, Jun 21, 2012 at 12:24 PM, Karl Fogel
>    ><kfogel <at> questioncopyright.org> wrote:
>    >
>    >    Jennifer Baek <baek01 <at> gmail.com> writes:
>    >    >Hi, I've attached a screenshot of something I whipped up on
>    >    >Illustrator. What do you think? Some feedback on format
>    would be
>    >    >great. Content, we'll continue to work on together on the
>    >    piratepad.
>    >    >The content in the screenshot isn't *final*, I just copy and
>    >    pasted
>    >    >what was in the pirate pad.
>    >    >
>    >    >I created this because it was getting difficult for me to
>    >    >conceptualize how we were going to do in line commentary.
>    >
>    >
>    >    Love that look!
>    >
>    >    I think in this kind of point-by-point response, there are
>    two
>    >    ways to
>    >    go...
>    >
>    >    One way is what you did in the screenshot -- keep the
>    original
>    >    content
>    >    in the center and put the responses along the sides, using
>    >    different
>    >    visual styles for the two to keep them distinct.
>    >
>    >    This keeps the focus on the original content, which has
>    advantages
>    >    and
>    >    disadvantages.  It says "Our purpose here is to annotate and
>    >    deconstruct
>    >    what this person said", but it also means that the structure
>    and
>    >    major
>    >    themes of the response are still controlled by the original
>    piece.
>    >     It
>    >    also means readers are re-exposed to all of the original
>    letter,
>    >    even
>    >    the parts that don't need rebuttal or that are repetitive
>    with
>    >    other
>    >    parts that we may be rebutting elsewhere.
>    >
>    >    The alternative is to write an essay that says the things you
>    >    think need
>    >    saying, including selected quotes from the original letter
>    inline.
>    >     In
>    >    other words, something like this:
>    >
>    >      Dear Emily White,
>    >
>    >      You've recently been told that you shouldn't share music --
>    that
>    >      doing so hurts artists and is unethical.  You were told you
>    >    should
>    >      change your behavior, and that you should try to get your
>    >    friends to
>    >      change theirs.
>    >
>    >      We think you got bad advice.  You're not hurting artists,
>    you're
>    >      helping them.  Although David Lowery was sincere and really
>    >    believes
>    >      what he wrote in his <link>letter to you</link>, we'd like
>    to
>    >    explain
>    >      why he's wrong both about who the copyright system serves,
>    and
>    >    about
>    >      what the Free Culture movement stands for.
>    >
>    >            <insert (indented, italicized) first excerpt from
>    Lowery's
>    >            letter here.  It doesn't have to be the first thing
>    he
>    >            wrote in the letter -- it's just the first point you
>    want
>    >            to address.  In other words, the excerpts from his
>    letter
>    >            don't have to reproduce the entire letter; we're here
>    to
>    >            serve the Free Culture movement's purposes, not
>    Lowery's.
>    >            Obviously we shouldn't use misrepresentative excerpts
>    or
>    >            otherwise be unfair, but there is no moral obligation
>    to
>    >            reproduce every repetitive thing in his letter
>    either.  I
>    >            don't even think the excerpts necessarily have to
>    appear
>    >    in
>    >            the same order in which they appeared in his letter,
>    as
>    >            long as we don't change the order of his argument or
>    his
>    >            logic in such a way as to misrepresent him.>
>    >
>    >      Here is the response to the above excerpt.
>    >
>    >            <and here is another excerpt from his letter>
>    >
>    >      Here is the response to that second excerpt.
>    >
>    >      And here is maybe a new paragraph that is not necessarily a
>    >    response
>    >      to any particular part of Lowery's letter, but is just
>    making
>    >    some
>    >      point that you want to make, or summing up what you've said
>    so
>    >    far.
>    >
>    >            <maybe here's more Lowery>
>    >
>    >      More response.
>    >
>    >    Etc, etc -- you get the idea.
>    >
>    >    Again, I think either way can work.  I just wanted to offer
>    an
>    >    alternative structure for consideration, since you seemed to
>    be
>    >    asking
>    >    for thoughts on structure before thoughts on content.
>    >
>    >    Big kudos to you for taking this great discussion we're all
>    having
>    >    here
>    >    and turning it into something useful to the public!
>    >
>    >    Best,
>    >    -Karl
>    >
>    >
>    >
>    >    >On Wed, Jun 20, 2012 at 11:50 PM, Jennifer Baek
>    >    <baek01 <at> gmail.com>
>    >    >wrote:
>    >    >
>    >    >  
>    >  
>      http://www.huffingtonpost.com/travis-morrison/hey-dude-from-cracker-
>    >    >    im_b_1610557.html via Katie Baxter
>    >    >
>    >    >
>    >    >
>    >    >
>    >    >    On Wed, Jun 20, 2012 at 11:13 AM, Aditi Rajaram
>    >    >    <aditi.rajaram <at> gmail.com> wrote:
>    >    >
>    >    >    Stoked that we're responding (opened up the PiratePad
>    and
>    >    looking
>    >    >        through now). The original piece made me so mad I
>    had to
>    >    stop
>    >    >        in the middle a couple a times before I could go
>    back and
>    >    >        finish reading it.
>    >    >
>    >    >
>    >    >
>    >    >
>    >    >        On Tue, Jun 19, 2012 at 9:24 PM, Jennifer Baek
>    >    >        <baek01 <at> gmail.com> wrote:
>    >    >
>    >    >        I agree with you... It might be worth it to address
>    that.
>    >    He's
>    >    >            definitely trying to appeal to ones emotions and
>    >    morality.
>    >    >            I got a hint of religious rhetoric. Paying
>    penance?!
>    >    >
>    >    >            I won't be around a computer for a greater part
>    of
>    >    the day
>    >    >            tomorrow since I'm going on a field trip with my
>    >    >            internship tomorrow.
>    >    >
>    >    >            Everyone, please continue to mark up the
>    piratepad:
>    >    >            http://piratepad.net/KY6e7xIdkm
>    >    >
>    >    >            After we've brainstormed, we'll work on
>    polishing our
>    >    >            response!
>    >    >
>    >    >            Thanks!
>    >    >
>    >    >
>    >    >
>    >    >
>    >    >            On Tue, Jun 19, 2012 at 11:49 PM, Alex Kozak
>    >    >            <alex <at> massthink.net> wrote:
>    >    >
>    >    >                            Sorry for taking this a bit off
>    track
>    >    >                (continue scheming response etc) but
>    something in
>    >    the
>    >    >                response really upsets me, which is the
>    subtle
>    >    >                implication that culture abundance and
>    loving
>    >    music
>    >    >                contributed to his friend's suicide. Not
>    cool.
>    >    >
>    >    >                These guys just seem completely out of touch
>    with
>    >    our
>    >    >                generation.
>    >    >
>    >    >
>    >    >
>    >    >                On Jun 19, 2012 8:57 PM, "Alex Leavitt"
>    >    >                <alexleavitt <at> gmail.com> wrote:
>    >    >
>    >    >
>    >    >                    Hit a NYT
>    >    >                  
>    >     blog: http://mediadecoder.blogs.nytimes.com/2012/06/19/npr-
>    >    >                  
>    >     intern-gets-an-earful-after-blogging-about-11000-songs-
>    >    >                    almost-none-paid-for/
>    >    >
>    >    >
>    >    >
>    >    >
>    >    >
>    >    >
>    >    >                    On Tue, Jun 19, 2012 at 2:29 PM, Karl
>    Fogel
>    >    >                    <kfogel <at> questioncopyright.org> wrote:
>    >    >
>    >    >                    [Unifying two threads here by adding QCO
>    >    discuss <at> 
>    >    >                        list as a recipient --
>    >    >                        we'd been discussing this over there
>    >    too.]
>    >    >
>    >    >                        So, Nina Paley just pointed out that
>    the
>    >    >                        wonderful (and fast) Mike
>    >    >                        Masnick of Techdirt has posted this
>    quick
>    >    >                        response piece:
>    >    >
>    >    >                      
>    >  
>       http://www.techdirt.com/articles/20120619/11493419390/david-
>    >    >                        lowery-wants-pony.shtml
>    >    >
>    >    >                        I really like Mike's response, but
>    there's
>    >    an
>    >    >                        important thing it doesn't
>    >    >                        do, which is turn the tables on
>    David
>    >    Lowery's
>    >    >                        morality argument.
>    >    >
>    >    >                        Masnick basically says "This is the
>    new
>    >    >                        reality: get over it, and find a
>    >    >                        way to work in it, because you have
>    no
>    >    choice.
>    >    >                         Asking for anything else
>    >    >                        is asking for a pony."  (Okay, I'm
>    >    >                        paraphrasing!)
>    >    >
>    >    >                        That's a useful message, but it's
>    still
>    >    >                        essentially an amoral -- by
>    >    >                        which I do *not* mean "immoral" --
>    >    argument.
>    >    >                         Yet I don't see any reason
>    >    >                        to cede the moral high ground to
>    Lowery.
>    >     He's
>    >    >                        the one arguing against
>    >    >                        people sharing culture, and in favor
>    of
>    >    >                        monopoly and control, after all.
>    >    >
>    >    >                        So despite Masnick's excellent job,
>    I
>    >    think
>    >    >                        there's a big opening for a
>    >    >                        deeper and explicitly anti-monopoly
>    >    rebuttal
>    >    >                        here, and that it will get
>    >    >                        some traction.
>    >    >
>    >    >                        I'm sending this partly for Jennifer
>    >    Baek's
>    >    >                        benefit, since she's working
>    >    >                        on a rebuttal (along with anyone
>    else who
>    >    >                        wants to, of course).  Jen,
>    >    >                        Masnick's piece is worth reading,
>    and
>    >    maybe
>    >    >                        referring to, but I
>    >    >                        certainly don't think it says
>    everything
>    >    that
>    >    >                        could be said.
>    >    >
>    >    >                        Also, just to second what Alex
>    Leavitt
>    >    said:
>    >    >                        "Wow! I'm so glad to see
>    >    >                        the amazing discussion this has
>    >    generated."
>    >    >                         Absolutely!  David may have
>    >    >                        written a bad essay, but he's still
>    >    generating
>    >    >                        something good...
>    >    >
>    >    >                        Best,
>    >    >                        -K
>    >    >
>    >    >
>    >    >
>    >    >                        Nate Otto <ottonomy <at> gmail.com>
>    writes:
>    >    >                        >I'll take a look at the etherpad
>    later,
>    >    but
>    >    >                        I'd caution against doing
>    >    >                        >a whole point-by-point rebuttal of
>    the
>    >    >                        letter. I think a concise
>    >    >                        >response focusing on just one or
>    two
>    >    main
>    >    >                        points would ultimately be
>    >    >                        >more effective. (But I'm no longer
>    a
>    >    student,
>    >    >                        and I can't say that I
>    >    >                        >speak for SFC, only as an
>    independent
>    >    >                        supporter of free culture)
>    >    >                        >
>    >    >                        >The points that stood out for me as
>    >    asking
>    >    >                        for response are first: the
>    >    >                        >main thrust that individuals have a
>    >    >                        responsibility to pay the
>    >    >                        >structures currently set up to
>    support
>    >    >                        artists and petition the
>    >    >                        >government in support of the
>    "property
>    >    >                        rights" framing that in turn
>    >    >                        >supports these entrenched players
>    and to
>    >    not
>    >    >                        question whether this all
>    >    >                        >makes sense in the context of the
>    >    Internet,
>    >    >                        which is the best media
>    >    >                        >distribution system the world has
>    ever
>    >    seen.
>    >    >                        >
>    >    >                        >The second is:
>    >    >                        >"What the corporate backed Free
>    Culture
>    >    >                        movement is asking us to do is
>    >    >                        >analogous to changing our morality
>    and
>    >    >                        principles to allow the
>    >    >                        >equivalent of looting."
>    >    >                        >
>    >    >                        >Changing the metaphors underlying
>    >    "culture as
>    >    >                        property" is a possible
>    >    >                        >outcome of the Free Culture
>    movement. We
>    >    are
>    >    >                        having a conversation
>    >    >                        >about how to have a free culture
>    where
>    >    >                        artists can live happily.
>    >    >                        >Entrenched players may join in, but
>    they
>    >    have
>    >    >                        to realize that
>    >    >                        >"looting" is a word that comes out
>    of
>    >    their
>    >    >                        framing of the issue; we
>    >    >                        >may not accept that framing as what
>    is
>    >    needed
>    >    >                        to support a 21st C
>    >    >                        >(conected) culture.
>    >    >                        >
>    >    >                        >-Nate
>    >    >                        >
>    >    >
>    >    >
>    >    >                      
>    >     >______________________________________________
>    >    >                        _
>    >    >                        >Discuss mailing list
>    >    >                        >Discuss <at> freeculture.org
>    >    >                      
>    >     >http://lists.freeculture.org/mailman/listinfo/discuss
>    >    >                        >FAQ:
>    >    http://wiki.freeculture.org/Fc-discuss
>    >    >                      
>    >     _______________________________________________
>    >    >                        Discuss mailing list
>    >    >                        Discuss <at> freeculture.org
>    >    >                      
>    >     http://lists.freeculture.org/mailman/listinfo/discuss
>    >    >                        FAQ:
>    >    http://wiki.freeculture.org/Fc-discuss
>    >    >
>    >    >
>    >    >
>    >    >                  
>    >     _______________________________________________
>    >    >                    Discuss mailing list
>    >    >                    Discuss <at> freeculture.org
>    >    >                  
>    >     http://lists.freeculture.org/mailman/listinfo/discuss
>    >    >                    FAQ:
>    http://wiki.freeculture.org/Fc-discuss
>    >    >
>    >    >
>    >    >
>    >    >              
>     _______________________________________________
>    >    >                Discuss mailing list
>    >    >                Discuss <at> freeculture.org
>    >    >              
>    >     http://lists.freeculture.org/mailman/listinfo/discuss
>    >    >                FAQ: http://wiki.freeculture.org/Fc-discuss
>    >    >
>    >    >
>    >    >
>    >    >
>    >    >
>    >    >            _______________________________________________
>    >    >            Discuss mailing list
>    >    >            Discuss <at> freeculture.org
>    >    >          
>     http://lists.freeculture.org/mailman/listinfo/discuss
>    >    >            FAQ: http://wiki.freeculture.org/Fc-discuss
>    >    >
>    >    >
>    >    >
>    >    >
>    >    >
>    >    >        _______________________________________________
>    >    >        Discuss mailing list
>    >    >        Discuss <at> freeculture.org
>    >    >      
>     http://lists.freeculture.org/mailman/listinfo/discuss
>    >    >        FAQ: http://wiki.freeculture.org/Fc-discuss
>    >    >
>    >    >
>    >    >
>    >    >
>    >    >
>    >    >
>    >
>    >
>    >    >_______________________________________________
>    >    >QuestionCopyright.org discussion list
>    >    >discuss <at> questioncopyright.org
>    >    >http://www.red-bean.com/mailman/listinfo/qco-discuss
>    >
>    
_______________________________________________
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FAQ: http://wiki.freeculture.org/Fc-discuss
Karl Fogel | 24 Jun 2012 06:30
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Gravatar

Re: [Qco-discuss] "[Young people have] been been badly misinformed by the Free Culture movement."

Jennifer Baek <baek01 <at> gmail.com> writes:
>I agree, I think Zac did a great job of saying what I'm sure many of
>us would have said in a response. And, I really like his responses to
>the two comments who tried to object to his article...

Same here.  But there was one thing Zac didn't touch on in his response
to "Rob", so I left a reply, which is now awaiting moderation.  In case
it never makes it through, I said:

   <at> Rob

  That "choice" argument doesn't hold up as solidly as you want it to.
  People can choose to charge anything they want for things they control
  -- but what copyright does is give one the right to take that choice
  away from others.  If I invoke a state-supported monopoly to prevent
  *you* from sharing what you think deserves sharing, then phrasing that
  as "me choosing to charge for my music" is disingenuous.  What it
  really would be is "me taking away your choice to share with other
  people".

  Defending people's right to take away others' freedom of choice is an
  odd place to invoke a freedom-of-choice argument.

  You for some reason regard that monopoly privilege, copyright, as some
  kind of law of nature.  It's not.  It's not even that old.  It was a
  regulatory experiment designed specifically to support *distributors*
  (not artists), and it is increasingly out of place in a world where
  the greatest friction in distribution is now the regulation itself,
  rather than the physical limitations originally invoked (three hundred
  years ago) to justify the regulation.

  By the way, it's "copyrighted" not "copywritten".

[Okay, I admit it, that last line was petty.  I'm allowed now and then,
right? :-) ]

-K
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Jennifer Baek | 25 Jun 2012 00:43
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Re: [Qco-discuss] "[Young people have] been been badly misinformed by the Free Culture movement."

Here's a draft of what the inline commentary. I'm working on making it 1140px wide instead 2275 px (lol).

I would appreciate any feedback/suggestions on what else we can include, especially towards the end of the letter.

Thanks,
Jennifer

On Sun, Jun 24, 2012 at 12:30 AM, Karl Fogel <kfogel <at> questioncopyright.org> wrote:
Jennifer Baek <baek01 <at> gmail.com> writes:
>I agree, I think Zac did a great job of saying what I'm sure many of
>us would have said in a response. And, I really like his responses to
>the two comments who tried to object to his article...

Same here.  But there was one thing Zac didn't touch on in his response
to "Rob", so I left a reply, which is now awaiting moderation.  In case
it never makes it through, I said:

  <at> Rob

 That "choice" argument doesn't hold up as solidly as you want it to.
 People can choose to charge anything they want for things they control
 -- but what copyright does is give one the right to take that choice
 away from others.  If I invoke a state-supported monopoly to prevent
 *you* from sharing what you think deserves sharing, then phrasing that
 as "me choosing to charge for my music" is disingenuous.  What it
 really would be is "me taking away your choice to share with other
 people".

 Defending people's right to take away others' freedom of choice is an
 odd place to invoke a freedom-of-choice argument.

 You for some reason regard that monopoly privilege, copyright, as some
 kind of law of nature.  It's not.  It's not even that old.  It was a
 regulatory experiment designed specifically to support *distributors*
 (not artists), and it is increasingly out of place in a world where
 the greatest friction in distribution is now the regulation itself,
 rather than the physical limitations originally invoked (three hundred
 years ago) to justify the regulation.

 By the way, it's "copyrighted" not "copywritten".

[Okay, I admit it, that last line was petty.  I'm allowed now and then,
right? :-) ]

-K

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Jennifer Baek | 25 Jun 2012 01:16
Picon

Re: [Qco-discuss] "[Young people have] been been badly misinformed by the Free Culture movement."



On Sun, Jun 24, 2012 at 6:43 PM, Jennifer Baek <baek01 <at> gmail.com> wrote:
Here's a draft of what the inline commentary. I'm working on making it 1140px wide instead 2275 px (lol).

I would appreciate any feedback/suggestions on what else we can include, especially towards the end of the letter.

Thanks,
Jennifer


On Sun, Jun 24, 2012 at 12:30 AM, Karl Fogel <kfogel <at> questioncopyright.org> wrote:
Jennifer Baek <baek01 <at> gmail.com> writes:
>I agree, I think Zac did a great job of saying what I'm sure many of
>us would have said in a response. And, I really like his responses to
>the two comments who tried to object to his article...

Same here.  But there was one thing Zac didn't touch on in his response
to "Rob", so I left a reply, which is now awaiting moderation.  In case
it never makes it through, I said:

  <at> Rob

 That "choice" argument doesn't hold up as solidly as you want it to.
 People can choose to charge anything they want for things they control
 -- but what copyright does is give one the right to take that choice
 away from others.  If I invoke a state-supported monopoly to prevent
 *you* from sharing what you think deserves sharing, then phrasing that
 as "me choosing to charge for my music" is disingenuous.  What it
 really would be is "me taking away your choice to share with other
 people".

 Defending people's right to take away others' freedom of choice is an
 odd place to invoke a freedom-of-choice argument.

 You for some reason regard that monopoly privilege, copyright, as some
 kind of law of nature.  It's not.  It's not even that old.  It was a
 regulatory experiment designed specifically to support *distributors*
 (not artists), and it is increasingly out of place in a world where
 the greatest friction in distribution is now the regulation itself,
 rather than the physical limitations originally invoked (three hundred
 years ago) to justify the regulation.

 By the way, it's "copyrighted" not "copywritten".

[Okay, I admit it, that last line was petty.  I'm allowed now and then,
right? :-) ]

-K


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Peter Olson | 25 Jun 2012 03:51

Re: [Qco-discuss] "[Young people have] been been badly misinformed by the Free Culture movement."

At 7:16 PM -0400 6/24/12, Jennifer Baek wrote:
On Sun, Jun 24, 2012 at 6:43 PM, Jennifer Baek <baek01 <at> gmail.com> wrote:
Here's a draft of what the inline commentary. I'm working on making it 1140px wide instead 2275 px (lol).

I would appreciate any feedback/suggestions on what else we can include, especially towards the end of the letter.

Thanks,
Jennifer

The presentation could use a better choice of colors in the annotations.  I found the contrast, both in the white on orange, and the orange on white notes to be low enough that it was uncomfortable to read.

peter
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Karl Fogel | 25 Jun 2012 02:08
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Gravatar

Re: [Qco-discuss] "[Young people have] been been badly misinformed by the Free Culture movement."

Jennifer Baek <baek01 <at> gmail.com> writes:
>Here's a draft of what the inline commentary. I'm working on making it
>1140px wide instead 2275 px (lol).
>
>I would appreciate any feedback/suggestions on what else we can
>include, especially towards the end of the letter.

Quick meta question:

Is a PNG image the planned delivery format?  I think that would raise
practical problems: it doesn't respond to people's font preferences,
people can't copy-and-paste text for quoting from it, blind and visually
impaired people can't read it at all, etc.

If the issue is finding a way to do off-to-the-side annotation, I
suspect there's got to be a way to solve that using HTML and CSS
standards, though I'm not an expert.  (Maybe someone here is?)

A more substantive comment: there's a lot there, and as a reader I'm not
sure where to start on it -- i.e., there's no obvious narrative thread
to pick up on.  That might be an inherent problem with printing all of
Lowery's letter and responding to most of his points: it means there's a
multiplier effect, because now the reader has to simultaneously follow
Lowery's argument *and* the response's argument, which is hard to do.
(I thought your answer to his suicide example was great, though.)

Best,
-K

>On Sun, Jun 24, 2012 at 12:30 AM, Karl Fogel
><kfogel <at> questioncopyright.org> wrote:
>
>    Jennifer Baek <baek01 <at> gmail.com> writes:
>    >I agree, I think Zac did a great job of saying what I'm sure many
>    of
>    >us would have said in a response. And, I really like his
>    responses to
>    >the two comments who tried to object to his article...
>    
>    
>    Same here.  But there was one thing Zac didn't touch on in his
>    response
>    to "Rob", so I left a reply, which is now awaiting moderation.  In
>    case
>    it never makes it through, I said:
>    
>      <at> Rob
>    
>     That "choice" argument doesn't hold up as solidly as you want it
>    to.
>     People can choose to charge anything they want for things they
>    control
>     -- but what copyright does is give one the right to take that
>    choice
>     away from others.  If I invoke a state-supported monopoly to
>    prevent
>     *you* from sharing what you think deserves sharing, then phrasing
>    that
>     as "me choosing to charge for my music" is disingenuous.  What it
>     really would be is "me taking away your choice to share with
>    other
>     people".
>    
>     Defending people's right to take away others' freedom of choice
>    is an
>     odd place to invoke a freedom-of-choice argument.
>    
>     You for some reason regard that monopoly privilege, copyright, as
>    some
>     kind of law of nature.  It's not.  It's not even that old.  It
>    was a
>     regulatory experiment designed specifically to support
>    *distributors*
>     (not artists), and it is increasingly out of place in a world
>    where
>     the greatest friction in distribution is now the regulation
>    itself,
>     rather than the physical limitations originally invoked (three
>    hundred
>     years ago) to justify the regulation.
>    
>     By the way, it's "copyrighted" not "copywritten".
>    
>    [Okay, I admit it, that last line was petty.  I'm allowed now and
>    then,
>    right? :-) ]
>    
>    -K
>    
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